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-- quartets 1-5.
Early Mozart - but delightful light listening.![]()
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Yum, especially the Kancheli.
Interesting. I've not heard Szell's cycle before. Precision playing by the Clevelanders. Interpretively cool, definitely not for Bernstein fans who prefer their Brahms on the lush and romantic side! I enjoyed both symphonies. Decent recording.
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I've just listened to this ...
Superb!
I'll have to try 8 & 10 again, I wasn't impressed with Petrenko there a year or so back.
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Nielsen - 'Symphonies 1 & 2'
Royal Danish Orchestra, cond. Paavo Bergland.
RCA 74321 20291 2 (1994)
Not at all familiar with Nielsen (apart from his 5th), so when I saw this in a charity shop for 99p, it was a no-brainer purchase. Will need a couple more listens, but so far I have found it largely 'average': it didn't do much for me.![]()
Last edited by Barry; 02-07-2015 at 13:23. Reason: Addition
Barry
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Nielsen.
Hmm. I keep trying, but most of his music doesn't do much for me.
Penderecki is a strange composer for me.
Much of his music can be just random noise as far as I am concerned, but now and then I come across a really great piece.
A few days ago I stumbled on his String Trio and was bowled over.
Today it's his piano concerto.
Listened to this one 3 times on the trot ...
then another time with this one ...
Which is an even better performance and recording.
Hey, even the flute concerto is good!![]()
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I love piano music and in my opinion Grieg's Concerto is one of the best.
I never get sick of hearing the opening strident bars.
Listening to it on my CD player, through my amp [both in my signature] and recording it onto a TDK tape for my mother.
For the recording I am using the Akai Gixmio.
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As recommended on the Wigwam forum for the Oration work.
Listening now - more interesting than Isserlis with Hickox, but probably still comes under the heading of self-indulgent pompous meandering aimless twaddle as far as I am concerned.
It's just a style of music that irritates the hell out of me.
--- 10 minutes in now --- enough!!
-- back to some Cherubini string quartets that the Oration so rudely interrupted,
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