Location: KY - Scotland
Posts: 5,508
I'm Mike.
RTFM Folks!
See page 20 here Marco: http://www.iqaudio.com/downloads/IQaudIO.pdf
You have Playback and Playback Boost to set. Set PlayBack to 100%, it enables the 2V or +6db output. Playback Boost adds an additional 0.8db if you need it say if the output doesn't quite match your Sony...
Listening in a Foo free Zone...
Only a Sith deals in absolutes.
Location: KY - Scotland
Posts: 5,508
I'm Mike.
Manuals are for girls lol.
Mike.
Location: East Anglia UK
Posts: 1,217
I'm Marc.
You need to set PCM to 86% (0dBFS - no digital gain or attenuation)
Playback and Playback boost are the ones that should be adjusted to suit (according to the input sensitivity of your pre) this will be an ears and brains activity. I'd suggest setting the pre to a sensible level and then winding up the 'playback' control, if you get all the way to the top and your system is still quiet (compared to what you'd expect for the pre volume setting) then proceed to winding up the playback boost control too (there's another couple of milivolts of gain on this slider) you'll want to be listening for any distortion that might be coming from overloading the inputs to your pre, if there is none then you're on to a winner.
The fact that those bars were blank may help answer why you were having the low volume issue earlier.
Hi Neal,
Yes, but from left to right, which bars represent what? It's unclear in Alsamixer, which is which.
If you could tell me, from left to right, which bars represent Playback (and thus the 2v output), and which ones Playback Boost, that would be great!
Incidentally, if Playback is represented by the bar on the left, then it was already set to full...
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
OK Under the three columns there are Blue boxes, the First PCM is the master vol control, the next Column is the Playback setting and the last is the Playback Boost setting. As you switch between each using the cursor keys the Yellow text near the top of the screen (where is says Item: ) changes to let you know which setting you are adjusting.
The manual could be a bit clearer with some arrows, took me a while to interpret the screen shots!
Listening in a Foo free Zone...
Only a Sith deals in absolutes.
Ok, got it! Awesome...
So how do you subtly alter the sound of the DAC, as referred to earlier by Rob?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Post #600? What you are doing above is what Rob was suggesting....
Listening in a Foo free Zone...
Only a Sith deals in absolutes.
I thought that was just gain adjustment? If I read him correctly, you can also subtly change the sonic signature/tone of the DAC?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Yorkshire
Posts: 4,235
I'm Andr'e.
I hope this aint a crafty way of using filters![]()