Location: Cheshire UK
Posts: 198
I'm Alex.
Chippy_boy,
in your first post in this thread you've stated
I would have no problem if you would say - I've listened to two setups with different OS and couldn't hear the difference - that is a perfectly valid subjective opinion. Or if you've stated that you've measured the jitter of two setups and the validity of the bitstream and didn't see any significant (from your point of view) difference - I may agree that it is a valid measurement and that there is no measurable by your equipment significant difference between two OS SPDIF output streams.
However you've used the word "impossible" which is not a good word to use when your argument is merely speculative, based on neither an experiment nor a subjective perception. It is that word in your statement that I found objectionable and not in the spirit of this forum.
Alex
Chippy...will you sodding well start another thread..
Best thing to do is just try this sort of stuff out and make your own minds up, we don't all have the same hearing anyway
The best we can do is try something and post details on here if its something which we think added improvements to our own set up
Cheers,
Leo
Hi Chippy,
Well that's essentially what AOS or any successful forum is. We've created an environment where people can share their experiences and learn from each other without fear of being ridiculed. This is a core part of our ethos, and something that is largely absent on other audio forums. However, although we're like-minded, we don't always agree with each other - far from it.You seem to be hell bent on a community of like minded individuals, Marco.
*But* what's very important is that in the latter instance we respect the opinions of other members, even when we don't agree with them - AND that we don't feel the need to point out where we think people are 'wrong' or "fooling themselves" at every opportunity.
It is this (very important) last bit that you've so far failed to grasp.
Apology accepted, however none was needed. Trust me, if I thought that you were a troll, you'd be long gone by nowI am sorry if I have caused any offense to anyone, and I really sincerely doubt if I have.
As long as you can disagree with people and challenge them without 'rubbishing' or demeaning their valid experiences (scientifically provable or not), you'll be fine.
It's a matter of knowing how far to 'push' your contrary opinion on people before it reaches the point of pissing them off, and dropping the subject and moving on when it becomes obvious you've reached that point.
Nothing wrong with that - it's simply a matter of expressing it in the right way and choosing your language carefully. However, implying that people are "fooling themselves", even if that is the case, is not liable to win you many friends.I have questioned whether what people think they hear is real, and never whether what they say is genuine.
I have my own views of whether what they do hear is real - and I have expressed it here.
Remember that even though some things in hi-fi are imagined (I'm certain that this is often the case. We are all fallible humans, after all, and influenced by a number of factors), I'm equally certain that not everything genuinely heard can currently be measured or 'proven'. Therefore, that being the case, one can never know for sure when something heard is actually imagined or not. Unless someone is blatantly talking nonsense, I prefer to give them the benefit of the doubt.
You're absolutely right. The last thing we want is a forum full of mindless sheep and 'yes men', and AOS most certainly isn't that. However, we also don't want a forum full of 'know-it-alls' who think that they're always right, and the ill-feeling and bad blood this creates. There has to be the right balanceI think the moderators here should seriously consider whether this sort of constructive criticism - and it IS genuinely constructive - is what they want. Or do they want every post to be a "yes I agree" post. If the latter, the forums will be all the worse for it, imho.
In the words of Albert Einstein: "The mind is like a parachute - it only works if it's open". A lack of this mindset is what separates pseudo-scientists from 'the real McCoy'.
Marco.
P.S Let's drop this now and let the OP return to his original topic. I'm sure you'll take the points I've raised on board in your future posts![]()
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Birmingham, UK
Posts: 112
I'm Ian.
Can I ask something?
I understand this new system is substantially simpler (?) than the old one and consumes less CPU time and saves HDD room (?). Might it be that the power-supply is worked less with the new system and makes the whole computer system more efficient?
Apologies if the above is a silly question, but I have an old XP based system here and when the USB bus was being over-worked, the thing seemed to almost seize up and we lost the wireless internet until the loading stopped, the CPU running 100% for ages until the loading calmed down. Replacing the hub for a powered one helped no end on this small and over-worked system.. Perhaps, if the OP's computer is having an easier time of it (the power-supply possibly), then the transmission of digits may just be made a smoother process with superior "timing."
Apologies again if I've completely lost the plot..
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Location: Oakengates, Shropshire
Posts: 654
I'm Richard.
No, I'd say it was a sound theory. There's probably a load of other things we haven't thought of that could be affecting it. My Mac is connected to my DAC via optical so it won't be down to an underpowered USB port.
You just reminded me of something I noticed whilst I was comparing the Mac with the PC for digital out a good while back..
I have the ability to tweak the voltage on my Beresford as I am using my own power supply with it. Whilst the PC sounded wonderful with the DAC at the standard 12V, it was only when I tweaked the voltage up to around 12.5 to 13V that the Mac could come anywhere near competing with it - again, both systems used optical connections.
Rich
I got a mac mini a few weeks ago and I would say that the sound is not as crisp as my old pc with foobar. However another way of looking at it is the Mac has a more fluid quality to the sound. They both sound fairly good anyway so I won't complain. I'm getting Snow Leopard tomorrow so I'll report back on my findings.
The PC used coax whereas the mac uses optical so maybe it's not exactly a direct comparison. The SPDIF output from both systems is bit perfect - I've tested this by recording the SPDIF on my macbook and comparing the files with the output from my CD player (see Audiophile output on Mac OSX thread).