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Thread: Mika K's system

  1. #331
    Join Date: Apr 2011

    Location: Finland

    Posts: 1,186
    I'm Mika.

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    I had a long dispute with myself whether to get the JBLs back to the original condition or to get them redone just to match visually better to my room. I finally chose the latter as my friend (the carpenter) said that he can get them easily back to original shape later if needed and nothing reversible will be done.

    I do not actually know what they will finally look like as just briefly discussed the main idea with my friend- one internal braze will be added and then some suitable veneer etc. We'll see..
    Loricraft / Garrard / SME / Transfiguration / Dynavector / Ensemble / Auditorium 23 / Shindo / RA / Audio Note / First Watt / Duelund / Altec

  2. #332
    Join Date: Apr 2011

    Location: Finland

    Posts: 1,186
    I'm Mika.

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    WOOHOO!!!!

    The Fidelity Research FR-64FX tonearm is here and installed to Micro Seiki with Zu DL-103 cartridge. The first LP I plyed with Micro Seiki was Oliver Nelsons Blues and the abstract truth (it was good!) and the next will be chosen by our son who is having day off from school because flue and yesterdays fever:

    - "I want the rock album which has the flying carpet at the cover!"
    - "Ok. Kingston Wall it is.."

    Loricraft / Garrard / SME / Transfiguration / Dynavector / Ensemble / Auditorium 23 / Shindo / RA / Audio Note / First Watt / Duelund / Altec

  3. #333
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,342
    I'm Martin.

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    He's malingering - get him back to school!
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  4. #334
    Join Date: Apr 2011

    Location: Finland

    Posts: 1,186
    I'm Mika.

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    Today is reserved for recovery and music education. Tomorrow it's time for the school again
    Loricraft / Garrard / SME / Transfiguration / Dynavector / Ensemble / Auditorium 23 / Shindo / RA / Audio Note / First Watt / Duelund / Altec

  5. #335
    Join Date: Feb 2011

    Location: Wales

    Posts: 8,043
    I'm NotAnAudiophile.

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    Thanks Mika, this is one thread I always check out - a darned good read


    Some people have no idea what they're doing and a lot of them are really good at it.
    George Carlin

    Boycott the US

  6. #336
    Join Date: Apr 2011

    Location: Finland

    Posts: 1,186
    I'm Mika.

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    Thanks Tim!

    Today spent one hour to investigate the body and soul of the Micro Seiki RP-110 air pump unit. Discovered one loose screw that was the root cause for the small brum from the unit. Also added new rubber feet to the unit and now it is completely silent. Even while using the unit to feed the air bearing system and sucking the LP to the platter no noise at all despite listening from half meter distance. Now the system is fully operational without any issues!

    Have also noticed that the Zu DL-103 cartridge works better with the FR-64FX tonearm that I have ever managed to get it work with my SME V tonearm. The midrange and highs are much better I have experienced earlier. Cannot really wait to get my JBLs back in business and then it will be easier for me to make the final verdicts. Also think will wait that time to get some more pics published..
    Loricraft / Garrard / SME / Transfiguration / Dynavector / Ensemble / Auditorium 23 / Shindo / RA / Audio Note / First Watt / Duelund / Altec

  7. #337
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,501
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Glad you're enjoying your new toy, Mika - she's one sexy beast!

    Quote Originally Posted by Mika K View Post
    Have also noticed that the Zu DL-103 cartridge works better with the FR-64FX tonearm that I have ever managed to get it work with my SME V tonearm. The midrange and highs are much better I have experienced earlier.
    Hehehehe... Why am I not surprised? Now you know why I said what I did about the SME V on that other thread (Gazjam's)

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #338
    Join Date: Nov 2008

    Location: belgrade serbia

    Posts: 840
    I'm gordan.

    Default

    anyone knows a good and trusted servicing specialist for FR64fx?
    Gordan.
    Speakers: Oris Swing MkII
    Amps: Thomas Mayer 300b/ Hiraga La Maison de L'Audiophile 20
    Preamp: Silver AVC by eng. Ferenc Lazar
    Phono Preamp: Shishido LCR by Solaja Audio
    Decks: Garrard 301 Martin Bastin reworked/plinthed with Fidelity Research FR64fx
    Garrard 401 in eng Ferenc Lazar solid wenge plinth with SME 3012/2
    Cartridges: SPU Spirit/ Koetsu Black revisited by eng. Salai/ Miyajima Shilabe
    Step Up Transformers: Tango MCT 999/ Ortofon T-5000/ Lumiere SUT
    Digital: Shigaclone by eng. Ferenc Lazar with Lampizator Amber II
    Wires: of sufficient length

  9. #339
    Join Date: Apr 2011

    Location: Finland

    Posts: 1,186
    I'm Mika.

    Default

    Quote Originally Posted by Marco View Post
    Hehehehe... Why am I not surprised? Now you know why I said what I did about the SME V on that other thread (Gazjam's)
    This was not a surprise to me either. More like somewhat expected result. You know I strongly believe in system synergy between all of the components and have known that Zu DL-103 is not ideal match for SME V. Still in my books that is not considered to be anykind of fault of the tonearm itself, more like an user error
    Loricraft / Garrard / SME / Transfiguration / Dynavector / Ensemble / Auditorium 23 / Shindo / RA / Audio Note / First Watt / Duelund / Altec

  10. #340
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,501
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Lol

    I'd say half and half... Yes, you're right about the V and 103 not being an ideal match, and that will undoubtedly have a bearing on proceedings, but cartridge 'mismatch' aside, you're also hearing some of the inherent sonic differences between both arms

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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