I have been listening to through my Capella for about 20 hours now and find them very transparent indeed. A/B switch-testing between the Capella and the BM II confirms this.
Initially I thought the impact of this HF-amp would be more dramatic but I now hear that its role is much more subtle. What I really enjoy is that I no longer listen to my cans playing music to my ears but I actually experience every musical performance it presents. Classical, jazz, pop and chant are very spacious/3-dimensional and every single instrument and voice is in proportion and not intrusive. Also, the Capella (unlike the BM II) reveals little to none hissing with voices.
I played with various setting of hf/damping/depth but did not (yet) hear any differences with my beyer DT-990 Pro cans (250 ohm). Gain is the only setting that has an impact on what I hear. I followed the manual and turned the volume knob almost to its maximum and tempered the loudness by setting the gain. I guess hf/damping/depth could make/makes a noticable difference when you use headphones that are generally hard to drive but I understand from the manual that these settings are only supposed to take off the edges if necessary.
All-in all I am a happy listener.
Yamaha - Pioneer - Bluesound - Squeezebox - Beresford - Chario - MJ Acoustics - iBasso
Yamaha RX-V1300 * Bluesound Node 2 * Pioneer DV-656A SACD/DVDA * Squeezebox Touch + BotW linear psu + SBooster * Bushmaster Mk2 + Beresford Dorado * Beresford Capella * Chario Syntar 200T (front) + Chario Syntar 200 (rear) + Chario Syntar Dialoque (center) * MJ Acoustics Pro50 (sub) * LG OLED 55C8 * iBasso D2+ * beyerdynamic DT990/250 * Belkin AV 53001 speaker cables * Mark Grant G1000HD ic * Silver High Breed ic * Mike Homar WBT'ed digital coax * Beresford TRC-222 digital coax * Supra USB * Beresford TC 3618 toslink
Steven