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Thread: John Wood Audio, a tale of woe

  1. #181
    Join Date: Apr 2012

    Location: United Kingdom

    Posts: 2,326
    I'm Richard.

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    Quote Originally Posted by chelsea View Post
    Posted a lathe stand on a pallet today.
    102kg @£75
    An amp should be £20 ish.
    Don't forget the insurance. I had to post back a faulty Vincent amp (about 30kg) and with insurance it cost about £50. Still not £160 though.
    ABD.

  2. #182
    Join Date: Nov 2009

    Location: Devon

    Posts: 1,903
    I'm stu.

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    Think we pay £10 extra for a grands insurance.
    301/Puresound 2A3/quite large Grf cab horny ones.Eminence/Coral/Le cleach

  3. #183
    Join Date: Dec 2011

    Location: Far Away

    Posts: 1,373
    I'm Gone.

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    Quote Originally Posted by chelsea View Post
    Think we pay £10 extra for a grands insurance.
    So do we, the guy is in cloud cuckoo land if he thinks £160 is the right cost unless he has shipping crates made, which we know he did not.

    In my opinion, the OP should now seek a bankruptcy order against the plaintiff, that and the court freezing his bank accounts generally focuses the attention. However, I have also sent the OP the names of two firms of bailiffs I have used to get payment in the past, who have proved very effective.

    Best of luck

  4. #184
    Join Date: Feb 2009

    Location: Surrey, England UK

    Posts: 591
    I'm Stewart.

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    I have stayed out of this thus far and read all comments with interest.

    In conclusion I would say if it were myself at the John Wood end of things I would simply have offered a no quibble refund of the entire amount on reciept of the faulty unit.

    This is a policy I adopt on all transactions within my company - I would rather have satisfied customers than disgruntled ones - my only requirement would be reciept of the offending item upon which I would issue a full refund inclusive of shipping.

    I hasten to add that I would not release ANY funds until such receipt.
    Stewart.

  5. #185
    Join Date: Apr 2012

    Location: United Kingdom

    Posts: 2,326
    I'm Richard.

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    Quote Originally Posted by Lodgesound View Post
    I have stayed out of this thus far and read all comments with interest.

    In conclusion I would say if it were myself at the John Wood end of things I would simply have offered a no quibble refund of the entire amount on reciept of the faulty unit.

    This is a policy I adopt on all transactions within my company - I would rather have satisfied customers than disgruntled ones - my only requirement would be reciept of the offending item upon which I would issue a full refund inclusive of shipping.

    I hasten to add that I would not release ANY funds until such receipt.
    Unfortunately the OP's experience so far doesn't encourage him to pay for returning the amp BEFORE receiving a refund. John Wood has ignored a court ruling, so would YOU trust him?
    ABD.

  6. #186
    Join Date: Dec 2011

    Location: Far Away

    Posts: 1,373
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    Quote Originally Posted by awkwardbydesign View Post
    Unfortunately the OP's experience so far doesn't encourage him to pay for returning the amp BEFORE receiving a refund. John Wood has ignored a court ruling, so would YOU trust him?

  7. #187
    Join Date: Feb 2009

    Location: Surrey, England UK

    Posts: 591
    I'm Stewart.

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    I have to admit that although testamonially uncharacteristic that the evidence thus far would lead me to distrust him regrettably yes.
    Stewart.

  8. #188
    Join Date: Feb 2009

    Location: Surrey, England UK

    Posts: 591
    I'm Stewart.

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    So maybe then Mr. Wood should advance things by say offering a 45% advance against the return of the goods.....the balance to be paid upon receipt.

    Alternatively can the OP not actually take the amplifier to Mr. Wood personally and arrange for a cash payment upon arrival?

    Sorry chaps but something just does not sit right here - am I the only one who feels this?

    Seriously with the sum of money concerned I would have paid a personal visit by mutual agreement way before this regardless of distance.

    Maybe such a visit could lead to the amp being fixed fairly quickly by the designer and manufacturer - after all it was wanted by the OP in the first place was it not?

    Before anybody bites by the way...I am not siding here - I just find parts of the saga a little odd.
    Stewart.

  9. #189
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,352
    I'm Martin.

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    Quote Originally Posted by Lodgesound View Post

    Seriously with the sum of money concerned I would have paid a personal visit by mutual agreement way before this.
    I think from what he has said previously this is not an option for Geoff. Both parties have stated they do not trust the other so neither will make the first move either re-paying or returning the amp, so as I see it the only way for a resolution without resorting to the High Court would be for a third party, trusted by both of the principles, to both receive the amplifier and the money and distribute them accordingly. Then report the matter as settled to the court.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  10. #190
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,521
    I'm AudioAl'sArbiterForPISHANTO.

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    If it would help bring an end to this matter, I would happily accept that role.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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