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Thread: John Wood Audio, a tale of woe

  1. #71
    Join Date: Feb 2013

    Location: North Nott's

    Posts: 273
    I'm Rick.

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    The expensive amps in the range, relatively speaking, are the 200w mono's.
    Bits:

    Amps:

    Avondale

    Analogue:

    Acoustic Signature Analogue 1 mkIII

    Gold Note PH10


    Digital:

    Resolution Audio Opus21


    Speakers:

    AudioNote J

  2. #72
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,498
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Rick E View Post
    I wonder how much he pays for the cases? Would be good to see the innards, if someone could pop the underneath off and take a pic…….

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #73
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

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    Enclosures can be had fairly reasonably Marco, here's an example-

    http://www.bluebellaudio.com/enclosurewoodsurround.htm
    “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel. I have always needed fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio”

    Hunter S Thompson

  4. #74
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,832
    I'm Clive.

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    Marco's right to bring up margin and I feel the fundamental issue goes further than this. It may be that John Wood needs to carefully assess who his customer base should be. I get the impression the OP is very unaware of the hassles involved with running valve amps as he doesn't even appreciate the difference between PP and SE, which is fine as there's no reason he should.....but is he a suitable customer for a one man band building specialist equipement? Yes customer service needs to be good but we're talking one man band here. The ideal customer for his amps I suggest would be someone practical enough to take a look inside, check some basic aspects internally and very possibly even make a small repair ie reflow a solder joint. This of course is quite a small target customer base.

    Valve amps being heavy beasts can easily suffer damage in transit, some ability to check if something has come lose is useful. It's quite possible that when the amp left John Wood it was fine but I'm guessing. I know a few one man band companies, some of the proprietors try to vet their customers in the hope of working out whether they can successfully setup their purchase without too much hand holding and this is why some of these guys have a support community of enthusiasts to help out. Of course when a non-trivial problem occurs the product needs to be returned and fixed.

    I just wonder whether John Wood is filtering his potential customers for suitability to take on running valve amps supplied via the post vs being delivered and set up by an expert.
    TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
    TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
    Digital Lindemann Bridge + Gustard R26 with LB external clock
    Pre and Power Amp EWA M40P + M40A
    Bass Amp & DSP Behringer iNuke NU3000DSP x 2
    Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
    Speakers 2 MarkaudioSota Viotti Tower

  5. #75
    Join Date: Feb 2013

    Location: North Nott's

    Posts: 273
    I'm Rick.

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    Whilst I agree that margins could be an issue here, I disagree that it has any bearing on what the customer should expect. If Mr Wood felt he was not getting enough from the transaction, he should have asked for more from the outset. Then he could have covered his back for the 'hand holding' process.
    Even if he carries out builds at a loss, that doesn't make it the paying customers problem, and Geoff shouldn't be out of pocket.
    Bits:

    Amps:

    Avondale

    Analogue:

    Acoustic Signature Analogue 1 mkIII

    Gold Note PH10


    Digital:

    Resolution Audio Opus21


    Speakers:

    AudioNote J

  6. #76
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,335
    I'm Martin.

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    Quote Originally Posted by Rick E View Post
    Whilst I agree that margins could be an issue here, I disagree that it has any bearing on what the customer should expect. If Mr Wood felt he was not getting enough from the transaction, he should have asked for more from the outset. Then he could have covered his back for the 'hand holding' process.
    Even if he carries out builds at a loss, that doesn't make it the paying customers problem, and Geoff shouldn't be out of pocket.
    Agreed. It is not like it is the first valve amp he has ever built and sold so you have to figure he knows exactly what it will cost in parts and how long it will take.

    This is a shot in the dark but is it possible he got Geoff mixed up with another customer. Some one man band businesses are pretty badly organised and some are total chaos (I know, I have dealt with plenty via my work) so potentially the whole thing is a misunderstanding and someone who was expecting a no returns second-hand amp actually has Geoff's brand new remote control effort?
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  7. #77
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,498
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Ali Tait View Post
    Enclosures can be had fairly reasonably Marco, here's an example-

    http://www.bluebellaudio.com/enclosurewoodsurround.htm
    Thanks, Ali. It all adds up though, especially when you’re not buying parts in any major quantity. I also wonder how much he ’saves’ by (apparently) winding his own transformers, as opposed to buying in ready-made (high quality) ones, from the likes of Sowter?

    The transformers used on a valve amp are known to be the single most expensive items… Also, apart from the cost of parts, what about his labour charges? By the time he’s bought all the bits to build this £1300 KT88 amp, I can’t see there being much left to pay for his labour costs, unless he’s happy working for ‘buttons an hour’….

    What’s the hourly rate of a decent valve electronics engineer? For example, how much does Nick Gorham charge for his time? It’s got to be at least £50-60 an hour, so how many hours work do you think are in this John Wood KT88 amp design?

    I’m just throwing some questions into the mix, as it were, in order to ascertain what might be going on. IMO, part of why this situation has arisen is likely to be down to the poor cash flow, organisation, and most importantly of all, POOR COMMUNICATION of the seller.

    In any case, Mr Wood has gone quiet, as I’ve received no more correspondence from him, despite further prompting, so he doesn’t appear to have a lot to say for himself….

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #78
    Join Date: Aug 2012

    Location: Belfast

    Posts: 139
    I'm Tim.

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    This is a very sad all round.

    We have one guy who has had the stress of having to go through the courts to get satisfaction. The another guy has perhaps spent years building up his business now has had over 5000 views on the threads detailing this sad affair.

    There are only losers in this situation

  9. #79
    Join Date: May 2012

    Location: Eastbourne UK

    Posts: 686
    I'm Geoffrey.

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    The amplifier I have looks very similar to the one in the photo Rick posted but it doesn't have a small red light on the front. It has four Sovtek KT88 valves which came in their boxes and which I had to fit myself. It also has four smaller valves, two of which are smaller than the other two, these were already in situ when I unpacked the amplifier, I've tried this morning to identify what they are without success.

  10. #80
    Join Date: Sep 2011

    Location: Kilmarnock, Ayrshire, Scotland

    Posts: 535
    I'm stuart.

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    Is it only me that has read what happened here as some people seem to be missing some vital information or have selective reading?

    Geoff paid for a new amp to be build. Mr Woods send him a 2nd hand amp which he admitted in court. As far as I'm concerned you can't accidentally do something like this and you deserve to have no more customers.

    To deceive a customer by sending them 2nd hand goods and trying to pass them off as new is just unforgivable and inexcusable.

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