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Thread: Nick G modified Lentek Head Amp

  1. #91
    Join Date: May 2009

    Location: Southport, Merseyside

    Posts: 158
    I'm Nigel.

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    Just wondering if a 12v SLA Yuasa security alarm battery would be a possible alternative? Would the extra voltage create problems?

  2. #92
    Join Date: May 2009

    Location: Southport, Merseyside

    Posts: 158
    I'm Nigel.

    Default

    Marco's observations about the fresh battery sounding superior are spot on. I use a similar phono head amp from Rogers. I replaced the battery yesterday, the new replacement measured 9.7v, the old one 9.0v. I would love to try one of my 12v Yuasa's but worried I might cause damage.

  3. #93
    Join Date: Apr 2012

    Location: United Kingdom

    Posts: 2,326
    I'm Richard.

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    I just read this- http://taperssection.com/index.php?topic=157574.0

    Re: A 9V Battery is NOT!
    « Reply #6 on: August 14, 2012, 01:54:54 PM »
    FWIW the Powerex rechargable 9V batteries have a nominal voltage of 9.6 but when new, fully charged and without load are between 10.5 and 11.5V. The Nbox doesn't seem to work well with the rechargable 8.4V but does great with alkaline or these Powerex ones. So if anyone needs a batter in the shape of a 9V and needs more than 8.4, it might be worth trying the Powerex.

    EDIT: Branding is Powerex, not sure why I was thinking Maha.
    EDIT: I just checked again and they are Maha Powerex. I give up. :P
    « Last Edit: August 14, 2012, 01:58:03 PM by johnw »
    ABD.

  4. #94
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,524
    I'm AudioAl'sArbiterForPISHANTO.

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    There's no doubt that any battery powered audio device is only going to perform at its full sonic potential when the battery powering it is operating at maximum capacity - and as has been mentioned, listening tests have confirmed this.

    It's one of the reasons why, despite the obvious advantages with no mains in the equation, I've never gone the battery operated phono stage route, quite simply because I'd always be aware of the degradation in sound quality, as the battery slowly loses power - and that's just too much of a 'head fuck'...

    However, despite that, considering the small outlay involved, I'd URGE any DL-103 owner, looking to maximise its sonic potential, to try using it with a Lentek MC head amp (particularly a judiciously modified one), and especially if they have a valve MM phono stage, as the results obtained are sublime and indeed superior to those I've achieved to date with any standalone active solid-state phono stage!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #95
    Join Date: Feb 2010

    Location: Bridgend, Wales

    Posts: 170
    I'm James.

    Default

    This is highly interesting... I have one of these Lentek amps and I am rather partial to the sound it produces. Will have to look into this in detail!
    Nottingham Analogue Spacedeck / Kuzma Stogi S / Benz Micro Ace S L
    Lenco L-75 / Carl Ellis Plinth / Ortofon AS-212 / Ortofon SPU Classic GM E MkII
    Ortofon ST-7 SUT / Nick G Modded Lentek Head Amp / Croft RIAA

    Cambridge Audio CXU / Theta DS Pro Prime

    Classé Model 30 / Luxman M-383

    Usher Compass X-719


    May contain opinions that others find disturbing.

  6. #96
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,524
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Go for it, James, as I assure you it's worth it!

    Lenteks and Crofts are a marriage made in heaven anyway, but a judiciously modified Lentek is even better... Next time I'm down your way, visiting a friend in Ystrad Mynach, I'll pop by and bring my Lentek with me, and we'll try it in your system

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #97
    Join Date: Mar 2012

    Location: London and Somerset

    Posts: 2,095
    I'm Dave.

    Default

    Next time your down Ystrad ( i assume to see Anthony), give us a shout, i visit Ystrad regulary .
    Kraken, Saturn, Emotion, Flying V Rocket, Planets.

  8. #98
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,524
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    No worries, Dave - will do... And yes, it'll be to visit Anthony

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #99
    Join Date: Nov 2013

    Location: Yorkshire

    Posts: 4,235
    I'm Andr'e.

    Default

    The A&R 'HA10' was a good un anorl..Used mine in the late 80's for a month or so, never seen the light of day since



    http://www.audiosmile.com/forum/Manu...T%20PREAMP.pdf

  10. #100
    Join Date: Feb 2010

    Location: Bridgend, Wales

    Posts: 170
    I'm James.

    Default

    If you're talking about a certain Anthony who builds some lovely valve amps then I am acquainted with the gentleman. He did some repair work on my Audion a couple of years back. You'd be more than welcome to teas and biscuits while we listen to that Lentek
    Nottingham Analogue Spacedeck / Kuzma Stogi S / Benz Micro Ace S L
    Lenco L-75 / Carl Ellis Plinth / Ortofon AS-212 / Ortofon SPU Classic GM E MkII
    Ortofon ST-7 SUT / Nick G Modded Lentek Head Amp / Croft RIAA

    Cambridge Audio CXU / Theta DS Pro Prime

    Classé Model 30 / Luxman M-383

    Usher Compass X-719


    May contain opinions that others find disturbing.

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