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Thread: Bargains on ebay?

  1. #10331
    Join Date: Nov 2013

    Location: Yorkshire

    Posts: 4,235
    I'm Andr'e.

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    One thing for sure i aint proud to be British these days.

  2. #10332
    Join Date: Apr 2012

    Location: Co. Durham

    Posts: 1,966
    I'm Stephen.

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    Sharps gone back in the box, Andre'?

  3. #10333
    Join Date: Nov 2013

    Location: Yorkshire

    Posts: 4,235
    I'm Andr'e.

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    Yeh still prefer the ones i use..

  4. #10334
    Join Date: Jan 2009

    Location: Essex

    Posts: 37,730
    I'm openingabottleofwine.

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    Quote Originally Posted by BTH K10A View Post
    The cartridge was/is a cheap ceramic jobbo. I thought the name far more imaginative than the offerings of today. Imagine an Ortofon 2M Redhead

    Then again having thought about it that would mean there would be a 2M Blue rinse Redhead for the youngsters, Blue rinse for the old fogeys
    I would need the Grecian 2000 model!

    If you think today's cartridges are lacking an imaginative name, then this is made up by the fanciful names given to other products; especially so-called audiophile cables.

    Personally, I like the names given to older equipment such as Ortofon (from the Greek orthos = "pure, or correct" + phonos = "sound") and Stentorian (Stentor, a character in Greek mythology, was the herald for the Greek forces in the Trojan war, who's voice was said to be as powerful as that of 50 men).

    And of course the forerunner of QUAD (a rather perfunctory quartermaster-style appellation: “Quality Unit Amplifier, Domestic) was the delightfully named “Acoustical Manufacturing Company”.

    Were I to design any audio gear, I think I might name it “Calliope” (In Greek mythology, Calliope (Καλλιόπη ="beautiful-voiced") was the muse of epic poetry, daughter of Zeus and Mnemosyne, and is believed to be Homer's muse for the Iliad and the Odyssey.). Unfortunately “Orpheus” has already been used.

    Does anyone know the origin of the names Linn and NAIM?
    Last edited by Barry; 20-07-2014 at 13:22.
    Barry

  5. #10335
    Join Date: Jan 2009

    Location: Essex

    Posts: 37,730
    I'm openingabottleofwine.

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    Quote Originally Posted by istari_knight View Post
    Looking at those "British made" capacitors reminds me, I did some gardening work for an elderly lady in Falmouth... We somehow got onto the subject or electronics & she revealed that she'd worked for "AH Hunt capacitors" in London as a young lass and had kept some of the foils as a souvenir which she duly showed me.

    Pretty cool I thought & a shame we no longer manufacture on large scale.
    Those AH Hunt capacitors you mention had a lousy reputation for quality. Unfortunately Quad used them in their Quad II power amps (and quite possibly in the earlier Quad I and Q.U.A.D. designs) as the DC blocking capacitors to the grid of the KT66 valves.
    Barry

  6. #10336
    Join Date: Dec 2011

    Location: South downs

    Posts: 3,477
    I'm James.

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    Quote Originally Posted by Barry View Post
    Those AH Hunt capacitors you mention had a lousy reputation for quality..
    That's British for you

  7. #10337
    Join Date: Nov 2013

    Location: Yorkshire

    Posts: 4,235
    I'm Andr'e.

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    They had two factories one in London, the other Wrexham.. They were taken over in the late 60's by Erie

    Try find a picture of the Green Hunts polyester caps & a green Erie polyester cap, i think they were called 'M312'..

  8. #10338
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,518
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Barry View Post
    Does anyone know the origin of the names Linn and NAIM?
    Hi Barry,

    In terms of Linn, I'm pretty sure it comes from the fact that the original factory in Glasgow was situated near Linn Park: https://www.glasgow.gov.uk/index.aspx?articleid=5132

    I used to know where the name 'Naim' originated from, but have forgotten. I could probably find out, though!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #10339
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,351
    I'm Martin.

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    According to 'The Unofficial Naim FAQ Website':

    The late Julian Vereker - the company founder - couldn't think of a name so chose Name and then changed the spelling arbitrarily to Naim. It doesn't stand for anything.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  10. #10340
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,518
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Yeah, that was it!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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