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Thread: The price is right....or is it?

  1. #41
    Join Date: Aug 2008

    Location: London

    Posts: 2,410
    I'm Nat-andthat'swhyIdrink.

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    At the moment.. but you might play around and find improvements later on.

    And anyway, some people will just pay to see brand name components inside their gear or pay to have something different to other people's (they perceive to be superior).

  2. #42
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,462
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Firebottle View Post
    ....but I have initially taken the approach of maximum sound for minimum buck
    Good man - it's the mantra of AoS!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #43
    Join Date: Apr 2012

    Location: Co. Durham

    Posts: 1,966
    I'm Stephen.

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    Perhaps the Croft uses the Teldec (Telefunken/Decca) response curve. This replaces the 75us time constant with a 50us one.

  4. #44
    Join Date: Nov 2013

    Location: Yorkshire

    Posts: 4,235
    I'm Andr'e.

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    Quote Originally Posted by Firebottle View Post
    I certainly have no objection to anyone taking that approach but I have initially taken the approach of maximum sound for minimum buck
    Yep i personally frown upon people that spend redicularse amounts of dosh on equipment, especially when i know damn well better can be had for cheaper..However we all know that badges & price tags are the most important thing in choice for some people..

  5. #45
    Join Date: Dec 2011

    Location: South downs

    Posts: 3,477
    I'm James.

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    When all is said & done who is the greater music lover ? The man with 10 albums and a £5K hifi or the man with thousands of albums and a £100 hifi ?

    ... Neither of course ! Its the guy with thousands of albums and a £5K hifi for he not only loves the music but desires to hear it exactly as the artist intended

  6. #46
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,462
    I'm AudioAl'sArbiterForPISHANTO.

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    I'd put it another way:

    Who is the greatest music lover - the man with 500 albums, from his favourite artists, and a £1k system, who plays every one of those albums regularly, and knows them inside out, or the man with 10,000 albums, and a £10k system, who only listens to a small fraction of those albums regularly, and because he's got so many, forgets most of them exist?



    The value of the system is irrelevant (as to an extent is the ABSOLUTE SIZE of the music collection); it's how often the latter gets listened to that matters most!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #47
    Join Date: Nov 2013

    Location: Yorkshire

    Posts: 4,235
    I'm Andr'e.

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    I know quite a few proper music lovers all have very large collections all have simple cheap systems.

    On a totally different note ever see that programme through the key ole looking around all those famous peoples houses through the years never once did i see a flashy Hi-Fi system.

  8. #48
    Join Date: Nov 2013

    Location: Yorkshire

    Posts: 4,235
    I'm Andr'e.

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    Marco:

    That spooky because i decided a while back that LP's i don't play on a regular basis are not staying & also i will not let my record collection reach more than 100 LP's.. I absolutly do not see the point in hoarding records for large collections sake..

  9. #49
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,320
    I'm Martin.

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    Collecting records for the sake of it is a separate hobby in itself. You can be not bothered about the sound and not even listen to that much music but still be a record collector. I've never collected anything as an end in itself but I can understand the mentality. I'm not sure 100 records would be enough for me though, I could probably cut down to maybe 300 but no less otherwise there is not enough to have a regular rotation without getting bored.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  10. #50
    Join Date: Oct 2011

    Location: Charente, France

    Posts: 3,531
    I'm Nodrog.

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    Quote Originally Posted by Marco View Post
    Who is the greatest music lover - the man with 500 albums, from his favourite artists, and a £1k system, who plays every one of those albums regularly, and knows them inside out, or the man with 10,000 albums, and a £10k system, who only listens to a small fraction of those albums regularly, and because he's got so many, forgets most of them exist?
    Much as I enjoy vinyl, this is one of the joys of a computer based system. My entire collection is laid out with such easy access that I listen to a much greater number of my 'records' than I used to. This in spite of the main Mac not being in the main hi-fi. Listening casually at the desk keeps reminding me of forgotten music which I can then put on the big rig to fully appreciate.

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