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Thread: Shuggie's SL-1210 Blog Revived

  1. #101
    Join Date: Jan 2009

    Location: Norwich

    Posts: 2,810
    I'm Hugo.

    Default

    Quote Originally Posted by Marco View Post
    Hi Shuggs,

    Does it absolutely *have* to be those dates?

    I thought perhaps it might be a better idea to propose a few different dates, some maybe a little further ahead than August, and thrash out a mutually suitable one amongst those who had intended to come... Would that be possible instead?

    Marco.
    OK - I have looked at the calendar. Preferred dates are still in August, as this establishment is closed for the Summer stand-down and I therefore have much greater freedom to organise something without impinging on other activities going on here.

    So, I can do the following dates:

    Sat 22 August or Sun 23 August
    Sun 30 August

    If that's all too difficult because of holidays etc, then I propose:

    Saturday 12 September or
    Sunday 13 September

    This would be a tad more involved because of the security arrangements. Nothing insurmountable, though.

    Please can anyone wishing to come along indicate their preference(s), and then I'll post a dedicated bake-off thread for Marco to stick in place.

    Cheers

    Shuggie

  2. #102
    Join Date: Mar 2009

    Location: The New Forest

    Posts: 1,915
    I'm Steve.

    Default

    Only just caught up on this one. I'd love to come along and hear these top modded SL-1210's etc.

    I could also bring my SL-1210 with Parallel tracking air arm or with the arm on the PL-71 if desired



    Or



    All dates fine with me.
    Last edited by Magna Audio; 19-07-2009 at 18:01. Reason: Added comment about dates
    System: Turntable : SP10 MKII slate plinth, Custom Ebony tonearm board, Arm : Fidelity Research FR64s, Cartridge : SPU Royal N. SUT : Lundahl 1:13. Phonostage : Icon Audio, Streaming RPi/Kali reclocker -> I2S -> DSP XO / Pre / 4 DAC's : WAF Najda, 5 Poweramps : 3 x EL84 SET's, 2 x D class amps on bass channels, Speakers : 5 way front loaded horn system: 2 X Tapped sub 15" LF drivers / 2 X Exponential mid bass 15" drivers / Tractrix 200Hz mid horns with JBL2482's, / Tractrix 550Hz upper wooden horns with factory refurb'd Vitavox S2's / Raal Lazy Ribbons as high frequency tweeters. Wires: good silver or good copper where best suited. DIY RCM.

    Maker of tonearm boards, armpods, Tannoy GRF style speaker cabinets, horn speakers, counterweights and more.
    For more information about my creations and products please click below

    http://fosworld.wixsite.com/magna-audio & on Instagram https://www.instagram.com/magna_audio/

  3. #103
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hahaha... You're a mad boy, Steve - no-one else would be so cheeky as to put a Terminator on a PL-71!

    I could also bring my SL-1210 with Parallel tracking air arm or with the arm on the PL-71 if desired...
    "If desired"? Too bloody right it's desired! I'd love to know how the Techy sounds, thus 'frocked'

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #104
    Join Date: Feb 2008

    Location: Down South

    Posts: 2,411
    I'm Neal.

    Default

    I'm intrested, September dates are better for me...
    Listening in a Foo free Zone...

    Only a Sith deals in absolutes.

  5. #105
    Join Date: Apr 2009

    Location: Sheffield

    Posts: 2,025
    I'm Confused.

    Default

    Quote Originally Posted by Marco View Post
    I'd love to know how the Techy sounds, thus 'frocked'

    Marco.
    Hi Marco,
    What is it with you - here you go again introducing the subject of ladies clothing into the discussion on the slightest of pretexts.
    Cheers,
    DaveK.

    My System:
    Power: Belkin PF40, Custom.hifi.cables Hydra and DC PSUs.
    Sources: Self built HTPC with Xonar ST sound card, NAD T585 multi disc player, Sony BDP-S350, Squeezebox Touch, Techncs SL1210 (mod'd) + Nagaoka MP30, Thomson Sky HD box.
    Amps etc.: 2 x Mini-T amps, MF-X10D Valve buffer clone, StanDAC 7520/Caiman (mod'd).
    Speakers: Mission 774s with added super tweeters
    Cables: best I can afford and likely to change except Homar's RF attenuated co-ax's and Mark Grant USB and HDMI cables. I also like silver i/cs and speaker cable.

  6. #106
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

    Default

    You should be used to it by now, Dave.
    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  7. #107
    Join Date: Apr 2009

    Location: Sheffield

    Posts: 2,025
    I'm Confused.

    Smile

    Quote Originally Posted by Mike Homar View Post
    You should be used to it by now, Dave.
    Hi Mike,
    I guess I should, but in my formative years, many many years ago, these things were only talked about behind closed doors and it still comes as a gentle shock to hear it not only talked about in public but to be actually flaunted. I noticed recently that he used the 'kissing' smilie a couple of times - very disconcerting at my age!!! I am not sure that I should ever accept sweets from him or, worse still, a lift in his car, were either ever to be offered.
    Cheers,
    DaveK.

    My System:
    Power: Belkin PF40, Custom.hifi.cables Hydra and DC PSUs.
    Sources: Self built HTPC with Xonar ST sound card, NAD T585 multi disc player, Sony BDP-S350, Squeezebox Touch, Techncs SL1210 (mod'd) + Nagaoka MP30, Thomson Sky HD box.
    Amps etc.: 2 x Mini-T amps, MF-X10D Valve buffer clone, StanDAC 7520/Caiman (mod'd).
    Speakers: Mission 774s with added super tweeters
    Cables: best I can afford and likely to change except Homar's RF attenuated co-ax's and Mark Grant USB and HDMI cables. I also like silver i/cs and speaker cable.

  8. #108
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hahahahahahahaha.... What are you guys like?

    Jeez, you should hear the conversations Ian Walker and I (and other friends I know well) have sometimes - this shit here is major lower league!



    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #109
    Join Date: Apr 2009

    Location: Sheffield

    Posts: 2,025
    I'm Confused.

    Thumbs down

    Quote Originally Posted by Marco View Post
    Hahahahahahahaha.... What are you guys like?

    Jeez, you should hear the conversations Ian Walker and I (and other friends I know well) have sometimes - this shit here is major lower league!



    Marco.
    And this is supposed to reassure a confused old man??? - I'm getting more and more discocerted
    I think it's time for bed but I ain't going yet - I don't want nightmares.
    DaveK.

    My System:
    Power: Belkin PF40, Custom.hifi.cables Hydra and DC PSUs.
    Sources: Self built HTPC with Xonar ST sound card, NAD T585 multi disc player, Sony BDP-S350, Squeezebox Touch, Techncs SL1210 (mod'd) + Nagaoka MP30, Thomson Sky HD box.
    Amps etc.: 2 x Mini-T amps, MF-X10D Valve buffer clone, StanDAC 7520/Caiman (mod'd).
    Speakers: Mission 774s with added super tweeters
    Cables: best I can afford and likely to change except Homar's RF attenuated co-ax's and Mark Grant USB and HDMI cables. I also like silver i/cs and speaker cable.

  10. #110
    Join Date: Oct 2008

    Location: Scotland

    Posts: 316
    I'm Paul.

    Default

    Following posts on this thread, it has been brought to my attention that a certain person who makes power supplies for the Technics SL1200 has posted information on his website that is factually incorrect. This information is copied from his website below ;-

    Note 30 June 2009: PSRR has been mentioned by some people, but it is the end result that tells all on our PSU, quite simply we measure noise on a HP400F voltmeter with a noise floor of 2.5uV, remember too that most equipment rejects power supply noise by at least 60dB. Theorising is OK, but measurements tell all! Another manufacturer of PSU's normally used for preamplifiers decided to have ago at us, and about how his PSU reacted to differing loads and how much feedback he used. Well we all know about the pitfalls of excessive feedback and a motor control has different requirements to a preamplifier! The last we heard of it was that " is back with **** for the moment for some adjustments" yes indeed! We are professional designers with a long pedigree.

    Now lets examine these comments.

    1] “ another manufacturer of PSU’s normally used for preamplifiers decided to have a go at us”. Hmm, I don’t think so. If I decided to enter your market area, with serious intention, you would know about it by now. If someone asks me for a power supply for a specific function I will provide this whether it encroaches on your market or not. The power supply in question has been used for a wide variety of power supply applications since 1984 and is not just suitable for preamplifiers. In fact I was using this regulator topology in it’s early incarnation to power the Pink Triangle DC motor version of their record deck in the 1980’s very successfully. It has also been used for powering the origin live DC motor many times and every one has been very pleased with the resulting sound quality improvement.

    2], “about how it reacts to differing loads”. It reacts a lot less than an LM317 to differing loads over a much wider bandwidth.

    3], “about how much feedback he used”. Actually I don’t recall mentioning how much feedback I use in this circuit topology. For the record it is 20 dB less than the LM317 below 1 KHz but crucially it has a much wider open loop bandwidth than the LM317 with much better transient response than the LM317, which gives better control above 1KHz than the LM317 can achieve. It is also way quieter than the LM317. The voltage reference I use is a low noise device, which is well filtered, and the error amplifier device noise specification is 0.5 nanovolts root Hz with an LF noise corner of 1 Hz. This is a damn quiet power supply and it is very stable.

    4], “Well we all know about the pitfalls of excessive feedback”. With this I do agree. You have to know what you are doing when you design wide bandwidth circuits. I test my designs on a 250 MHz scope with a wide variety of loads to ensure that the design is unconditionally stable and therefore suitable for any load.

    5], “Motor control has different requirements to a preamplifier” I would be pleased if you would explain these different requirements.

    6], “The last we heard of it was that “is back with **** for the moment for some adjustments”. Actually it was returned to me for checking as Hugo was getting strange voltage readings on his multimeter. On receiving the power supply I put it through a rigorous test procedure to see if I could reproduce the readings that Hugo was getting. The power supply was fine and was operating correctly for a whole week of soak testing and the general abuse I subject my power supplies to under test. Hugo then informed me that his multimeter was faulty and I sent the power supply back. He also mentioned this in his posts on this forum yet you have still suggested the power supply was faulty on your website. This is clearly untrue and very unprofessional.

    7], “Yes indeed! We are professional designers with a long pedigree”. I cannot comment on this statement, as I do not know you. However I do question the professional integrity of the statements you have made about my power supplies on your website as they are erroneous.

    Perhaps you would show me that you are capable of acting professionally by removing the erroneous comments from your website.

    To the site moderators.
    I am sorry to have to bring this issue to this forum thread but I feel that having been the subject of the above issues, that are related to posts on this thread, I have a right of reply.

    Paul Hynes.
    Paul Hynes Design
    paulhynesdesign.com
    High Performance Power Supply upgrades
    http://theartofsound.net/forum/showthread.php?t=16655

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