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Thread: TransFi TURNTABLE PLATTER MAT...... THE 'RESO-MAT'

  1. #91
    Join Date: Oct 2013

    Location: Wrexham

    Posts: 1,063
    I'm Darren.

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    Quote Originally Posted by shane View Post
    Reminds me of a brief fashion in the late 70s for putting three up-turned drawing pins on the platter so as to support the record at three points around the edge of the label. Users reported similar results to your experience, but the fashion died out for some unaccountable reason.

    (For the benefit of our trans-Atlantic cousins, drawing pins are also known as thumb-tacks, I believe).
    Getting "air" under the record was a B&O thing too which is where I was before joining AoS got me hooked on box swapping . I had previously tried a DIY foam "spotmat" which worked well on other TT's but not so on the Techie.

    Quote Originally Posted by Marco View Post
    Hi Darren, yup, the first time when you loaned me your Resomat, I didn't get a chance to listen to it properly. It was only when I was at your place and we were comparing the Resomat with and without the use of my SRM Tech Revolution clamp, that I 'got' exactly what it was doing, which it subsequently also repeated in my system
    Hi Marco, I had a feeling you weren't done experimenting with the Reso Mat, you could have come round and borrowed mine (I've got enough stuff of yours!) but as you're happy with it I guess it doesn't matter

    Quote Originally Posted by Audio Al View Post
    I have one somewhere

    Never tried it as it looks a cheap and nasty floppy plastic sheet

    Will dig it out and have a go
    Admittedly it's not the best looking mat but I believe the plastic just acts as a "jig" for the spikes (and I think early productions were card), they are available to buy separately I'm sure someone on here has silicone'd some to a copper topped Techie platter.
    Darren.
    Listening Room.
    UNDER CONSTRUCTION
    Turn Table. Garrard 401 2 Tier Slate Plinth, DIY Hadcock GH242, Nick G modded Lentek, Denon DL-103.
    Pre Amp. Croft Micro. Power Amps Quad 405 Mono Blocks.
    Speakers. TBC

    Home Cinema.
    UNDER CONSTRUCTION
    DAC/Pre Amp. Denon AVC X3700H.
    BDP/Streamer. Oppo 203 / Apple TV4K.
    Display. Optoma UHD51 / DIY False Black Window Screen.
    Power Amps. 2 x Nakamichi AVP1.
    Front Speakers. DIY Baby Celestion Ditton 66. Surround Speakers. Celestion Ditton 11. Subwoofer. BK Electronics P12 300SB PR.

    Old Gallery. http://theartofsound.net/forum/showt...-of-the-70%92s

  2. #92
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,531
    I'm AudioAl'sArbiterForPISHANTO.

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    Forget about how it looks, Al (I actually quite like it in that respect) - the design is very effective

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #93
    Join Date: Sep 2010

    Location: High Peak, Derbyshire

    Posts: 2,241
    I'm Keith.

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    Still using mine on my Lenco. Any other mat just sounds 'wrong' in comparison.
    Keith
    Analogue: Lenco L75 with 'PTP5' top plate in heavy birch ply plinth/re-wired Rega RB300/SAE 1000e HOMC Cartridge/Trans-Fi Reso-Mat/Moth RCM
    Files: Voyage MPD/Custom PC/Supra USB/Beresford ASYNCH-1/Beresford TOSlink cable
    CDP: Inca Katana SE
    DAC: Beresford Caiman MkII (LiPo Battery powered)
    Pre-Amp: Croft Micro 25 Power-Amp: Croft Series 7
    Speakers: DIY Frugel-Horn Mk3 ('FH3') + REL Strata subwoofer
    Headphones: Beyer Dynamics DT990 Pro (250 ohm)/Schiit Asgard Headphone Amp
    Cables - Interconnects: Mark Grant G1000HD Speaker Cables: Van Damme Blue
    Mains: Belkin PF30/Mark Grant DSP2.5 & DSP1.0 Rack: Target

    Office System: HP Win8 Laptop/JRiver/MF V-Link2/Beresford Bushmaster MkII/Topping TP20 Mk2/Mission 771e
    Bedroom System: Raspberry Pi/Raspbrian + MPD/HiFiBerry DAC/Topping TP20 Mk2/Mission 760i or DIY Hybrid Valve-MOSFET Headphone amp + Sennheiser HD595


    Gallery

  4. #94
    Join Date: Jan 2009

    Location: Deleted

    Posts: 6,566
    I'm Deleted.

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    How entertaining - Marco, as you know, I have been using a similar minimum contact mat for many, many years and for precisely the reasons you have given. However, a clamp of the right design can enhance the performance of this kind of mat.
    Account Deleted

  5. #95
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,531
    I'm AudioAl'sArbiterForPISHANTO.

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    Lol - always pleased to learn, Mark!

    Regarding clamps, so far I've found that the Resomat works best without them (at least on my T/T). What would you consider as the "right design"?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #96
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

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    so Marco has finally caught up with me.

    Only 2 and a half years late ....

    It works great on some decks, not so great on others ime. But well worth a try, cos when it works well it works really well!
    .

  7. #97
    Join Date: Jan 2009

    Location: Deleted

    Posts: 6,566
    I'm Deleted.

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    Some decks require a bandage and some do not. As far as catching up Jerry, if Marco is 2.5 years late then you were only 5.5 years late yourself .
    Account Deleted

  8. #98
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

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    Ah well, we get there in the end.
    .

  9. #99
    Join Date: May 2009

    Location: Southport, Merseyside

    Posts: 158
    I'm Nigel.

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    I just purchased one on the strength of Marco's recommendations. Standard Technics platter, AO RB300, I'm going to be struggling for perfect VTA though. I estimate about 0.7mm short for the ideal. I realize this will entail a compromise but I guess some kind of cardboard might be the best solution. I'll see how it goes, surprised this thread hasn't generated more interest. When I read Marco's comments last night, I thought I had better get a mat to try damn quick before the guy sells out.

  10. #100
    Join Date: May 2012

    Location: London

    Posts: 424
    I'm Spartacus.

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    Someone please remind me again, is the Reso-mat meant to sit directly on the metal of the SL1200 platter or on whatever mat is already on the platter?
    Cheers, Jeff

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