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Thread: Just pulled the trigger on one of these babies....

  1. #101
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,502
    I'm AudioAl'sArbiterForPISHANTO.

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    Btw, whilst I was looking at the Audiocubes site I noticed this in their description of the DL-S1:

    http://www.audiocubes2.com/product_i...products_id/40

    Quote Originally Posted by Audiocubes II
    Features:

    A new frontier of high quality sound is made possible from the superfine coil that is made with 6N copper and pure gold compound...
    I guess that refers to what was mentioned earlier in the product description for the DL-S1:

    "A newly developed ultra fine wire combining pure gold and 6N copper is used in the voltage generating coil."

    Most interesting....

    Marco.

    P.S Some difference in the price of the cartridge there, too... $1299.99 is roughly £780 - I only paid £500 for mine!!
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #102
    Join Date: Jul 2009

    Location: Hampshire, UK

    Posts: 3,689
    I'm Adam.

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    Quote Originally Posted by Marco View Post
    Why you say so, mansab? Which T/T and arm is it, incidentally?

    Marco.
    The turntable is a Micro Seiki DDL-150 - http://www.thevintageknob.org/micro_seiki-DDL-150.html and the arm is an SAEC W308 http://www.fonolab.com/service-saec.html

    The arm is of late 1970s vintage and, although it uses knife edge bearings like the SME 3009, it's built on a much larger scale and is a higher mass design. Fairly rare outside Japan and reputedly very good indeed - and the sort of thing that's right up your street I'd have thought!

    Oh, and the deck in Simon's video is a Marantz 6300. I really should get out more...
    Engineers: fixing problems you didn't know you had in ways you don't understand.

  3. #103
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,502
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Yesh, but we rely on you, darling, to be suitably anal!!

    Thanks for the info. Yup, those T/Ts are right up my alley, although not aesthetically, in the case of the Micro Seiki, as I hate that plastic looking 'faux rosewood' veneer the Japs *so* love!

    However, I'm sure that the DDL-150 sounds superb.

    It certainly appears to, taking into consideration the limitations of listening to an MP3 file on YouTube. The SAEC tonearm is just simply GORGEOUS and defines pretty much what I consider as 'the perfect tonearm' (although from the link you supplied, the WE-308SX hits the spot most). The engineering quality there is simply to be marvelled at... Only the Japs can do it like that!

    Look-wise, (and it doesn't seem to sound too shabby either) I much prefer the Marantz 6300. Isn't it crazy, and somewhat of a scandal, how all these superb D/D turntables never made it to our shores during the heyday of vinyl replay (most likely because of the belt-drive 'superiority' bullshit we were fed at time)?

    Incidentally, do you have any thoughts on the Denon DL-S1? You know that I value your opinion

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #104
    Join Date: Jul 2009

    Location: Hampshire, UK

    Posts: 3,689
    I'm Adam.

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    Although, when it comes to turntables, I am a firm subscriber to the theory that it's not how you do it, but how well you do it, as someone once commented to me "If the best way to drive a platter really is with a little Philips motor and a rubber band, then why did the Japanese throw so much R&D time and money into developing direct drive turntables?"

    As to the DL-S1, I've not heard one. Be interesting to hear your thoughts on it, especially comapred to the DL-103, which I am familiar with!
    Engineers: fixing problems you didn't know you had in ways you don't understand.

  5. #105
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,502
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Beobloke View Post
    Although, when it comes to turntables, I am a firm subscriber to the theory that it's not how you do it, but how well you do it, as someone once commented to me "If the best way to drive a platter really is with a little Philips motor and a rubber band, then why did the Japanese throw so much R&D time and money into developing direct drive turntables?"
    Ha - I couldn't agree more!!

    As to the DL-S1, I've not heard one. Be interesting to hear your thoughts on it, especially comapred to the DL-103, which I am familiar with!
    I'm expecting it to be the latter's more refined younger brother

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #106
    Join Date: May 2012

    Location: Toulouse, France

    Posts: 7,187
    I'm Kevin.

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    More expectation bias creeping in?



    Only kidding....
    Kevin

    Too busy enjoying the music....

    European loan coordinator for Graham Slee HiFi system components..

  7. #107
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,502
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Yesh, from now on, jusht call me exshpectashion biash-boy: cartridges, T/T bearing-base plates - you name it. I just automatically *know* they'll be excellent!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #108
    Join Date: Jan 2009

    Location: Deleted

    Posts: 6,566
    I'm Deleted.

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    Quote Originally Posted by Beobloke View Post
    Although, when it comes to turntables, I am a firm subscriber to the theory that it's not how you do it, but how well you do it, as someone once commented to me "If the best way to drive a platter really is with a little Philips motor and a rubber band, then why did the Japanese throw so much R&D time and money into developing direct drive turntables?"
    That wold be a more compelling argument if the Japanese hadn't also spent a huge amount of R&D time and money developing belt and thread drive turntables - particularly their hi-end designs!
    Account Deleted

  9. #109
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,502
    I'm AudioAl'sArbiterForPISHANTO.

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    Precisely, Mark - but those high-end thread-drive designs don't use a piss-poor little Philips motor or an elastic band!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #110
    Join Date: Jan 2009

    Location: Deleted

    Posts: 6,566
    I'm Deleted.

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    Not all their 'high-end' designs are thread drive, there are also belt drives. I'm working on my new turntable now - it will be belt driven (albeit a very carefully made one). To be honest, drawing conclusions about a turntables performance from the drive method used is about as justified as judging a cars performance on the size of its wheels.
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