TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
Digital Lindemann Bridge + Gustard R26 with LB external clock
Pre and Power Amp EWA M40P + M40A
Bass Amp & DSP Behringer iNuke NU3000DSP x 2
Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
Speakers 2 MarkaudioSota Viotti Tower
Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?
Humour: One of the few things worth taking seriously
Quality... Nice one, Clive!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: North Bucks, UK
Posts: 561
I'm Ron.
Someone buy this man a good bottle of wine, my feelings are the same. I have been using Townshend Maxim supertweeters for years now and with the variable output of frequency I can dial in as and when needed. Normally they are set on Position 1 so just ticking in, would not be without them. Marco, get a move on lad and write up your findings on the new cartridge, looks like it would do nicely on the end of my AO modified Linn Ekos![]()
I'd say that the improvement brought about by going from the stock bearing to the MN one is bigger than that obtained by going from the Funk platter to the ETP, quite simply because in the case of the former, you're going from something that was fundamentally built to price, and whose performance is thus constrained on that basis, to something uber-engineered and built to be the best it can.
In terms of the Funk versus the ETP, you're going from one inherently well-engineered bespoke-designed platter, free from the cost constraints/sonic limitations of the stock Technics item, to another, and consequently any perceived superiority of performance with either is ultimately less apparent than when comparing the Technics bearing with the Mike New one (and the same would apply when using the Technics platter as a benchmark for quality against either the Funk or the ETP).
In saying that, however, the sonic benefits I've obtained by changing from the Funk (MKI) to the ETP have been entirely worthwhile
Marco.
P.S Thanks, Ron - as soon as the DL-S1 lands, chez-moi, you'll be hearing all about it!![]()
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Oregon, USA
Posts: 44
I'm Trey.
I haven't replied on this board in a loooong time...but I confidently predict you'll love the DL-S1. With a wide-band SUT or the like to boost that delicate signal, it's a great distillation of the Denon sound. I run a few Denon carts now - a Zu 103r, a 103D that I recently had retipped, and a DL-S1 that I bought 5 months ago. It's not as full-sounding as the 103r, but it's more refined, particularly in the treble, where the 103 had a bit of tendency to sound a bit ragged or distorted, no matter what I tried with its setup. Maybe the S1 isn't quite as "downtown" sounding as the 103, but it's definitely a more sophisticated older brother. The 103D is a great cartridge too, BTW - I wish Denon would put it back into production, but I doubt they will. I've read rumors that the S1 is scheduled to be discontinued, which is a shame, if true.
As far as bass goes, the S1 isn't as fulsome subjectively as the lower-range 103, but it is certainly better defined and tauter. I don't think you'll be disappointed with it.
Trey.
System; Michell Gyrodec SE/ Orbe Clamp/ Gert Pedersen armboard mod/ HR PSU/ SME V / J7 Tonearm cable/Ortofon Cadenza Black// Jez Arkless Turbo nutter B------ /Trichord Dino+
Amplification and loudspeaker set up is at the moment being split into two groups, comprising the following;
1. Same sources as above; SONY TAF-770ES/SONY CDP761E/Cable Talk 3.1 loudspeakercable/ Harbeth Compact7ES2/ Stands
2. Virtue Audio Sensation M451battery PSU, ClarityCaps upgrade/ Sensation M901/Russian PIO caps with Teflon bypass caps upgrade/ JT Dynamic PSU with various tweaks/ Connex Audio 5N Litz loudspeaker cable, Impulse H6 Loudspeakers.
Me so horny- Impulse H6 Horny
Hi Trey,
Nice to see you popping in again and thanks for your input, which is much appreciated
That's exactly what I suspected and was hoping for! What you describe with the following is also spot on, in terms of what I thought would be the case:
With having very large and efficient speakers, featuring 15" Tannoy DCs, driven by a powerful push-pull valve amp, and a system full of components that produce a weighty and 'purposeful' sound, there is no lack of bass, so if the DL-S1 is a little leaner sounding in that area, it won't be perceived as a negative. Therefore, coupled with its undoubted refinement, the Denon will offer a slightly different style of presentation than I'm used to from my SPU - and one which I'm very much looking forward to hearing.It's not as full-sounding as the 103r, but it's more refined, particularly in the treble, where the 103 had a bit of tendency to sound a bit ragged or distorted, no matter what I tried with its setup. Maybe the S1 isn't quite as "downtown" sounding as the 103, but it's definitely a more sophisticated older brother.
<Snip>
As far as bass goes, the S1 isn't as fulsome subjectively as the lower-range 103, but it is certainly better defined and tauter.
I've also heard that. It’s one of the reasons why I nabbed one now whilst the price was good and they're still available. Clearly these are specialist items. Apparently, Denon produce them in very small batches on a production run, and then supply them to selected outlets. Once those are sold, there's a long waiting list for the next batch to be produced.I've read rumors that the S1 is scheduled to be discontinued, which is a shame, if true. I don't think you'll be disappointed with it.
I suspect that the limited demand for the DL-S1, compared with their more mainstream designs, is making it more and more costly/difficult for Denon to facilitate their production. Therefore, once the one I'm waiting for arrives, and I express my thoughts on it, if anyone likes my description of how it sounds, and feels that they have a suitable system with which to optimise it, my advice would be to snap one up while you can, as it's destined to go the way of the 103SA!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.