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Thread: Spinning Today (Classical version)

  1. #1601
    MartinT Guest

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    I have never warmed to the Schwarzkopf, despite having it on good vinyl. She sounds cool and mechanical to my ears, not delivering the emotion in the songs. Lucia Popp was better, if a little lightweight. Fleming is also a good one. Some others, like Isokoski, I cannot listen to because of the voice.

    For me, Jessye Norman is at the pinnacle of Four Last Songs performances and owes not a little to Kurt Masur's wonderfully understated accompaniment. Powerful and emotional, it delivers on every level.

    I had a soprano friend, Eirian Davies, sing Beim Schlafengehen at my wife's funeral. She sang it wonderfully and with some considerable emotion. For obvious reasons, that performance will stay in my memories forever.

  2. #1602
    Join Date: Oct 2012

    Location: Napier, New Zealand

    Posts: 1,518
    I'm Andrei.

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    Quote Originally Posted by MartinT View Post
    I have never warmed to the Schwarzkopf, despite having it on good vinyl. She sounds cool and mechanical to my ears, not delivering the emotion in the songs. Lucia Popp was better, if a little lightweight. Fleming is also a good one. Some others, like Isokoski, I cannot listen to because of the voice.

    For me, Jessye Norman is at the pinnacle of Four Last Songs performances and owes not a little to Kurt Masur's wonderfully understated accompaniment. Powerful and emotional, it delivers on every level.

    I had a soprano friend, Eirian Davies, sing Beim Schlafengehen at my wife's funeral. She sang it wonderfully and with some considerable emotion. For obvious reasons, that performance will stay in my memories forever.
    I have a few digitals, and I agree about Norman. I'm re-entering vinyl so this is a gap that definitely needs to be filled. RE: Funeral - I have always fancied that I would like the Marcia Funebre from LvB's Third at my funeral.
    [COLOR=#a52a2a][B]Sources:[/B] [B]1[/B][/COLOR] PC & Wyred4Sound DAC-2 DSDse   [COLOR=#a52a2a][B]2[/B][/COLOR] Oppo BDP105   [COLOR=#a52a2a][B]3[/B][/COLOR] Technics SL·1210 MK5 (Jelco 750D · Benz Wood).    [COLOR=#a52a2a][B]Speaker Cable[/B][/COLOR] [COLOR=black]Nordost Frey.[/COLOR]    [COLOR=#a52a2a][B]Interconnects [/B][/COLOR][COLOR=#000000]Oyaide[/COLOR][COLOR=black] & [/COLOR][COLOR=#000000]Geisha [/COLOR][COLOR=black]Silver.
    [/COLOR][B][COLOR=#a52a2a]Phono Stage [/COLOR][/B][COLOR=black]Fosgate Signature V2. [/COLOR]   [COLOR=#a52a2a][B]Preamp [/B][/COLOR][COLOR=#000000]Ayon Eris[/COLOR][COLOR=black]. [/COLOR]   [COLOR=#a52a2a][B]Power Amp[/B][/COLOR] [COLOR=Black]ATC P1. [/COLOR]  ​ [COLOR=#a52a2a][B]Speakers[/B][/COLOR] Triangle Magellan Cello.     [COLOR=#A9A9A9]Oh Sting, where is thy death?[/COLOR]

  3. #1603
    Join Date: Jan 2014

    Location: County Durham, England

    Posts: 555
    I'm Malcolm.

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    You could probably spend a lifetime with Jessye Norman's version - it is phenomenal (as is the Ariadne auf Naxos).. I know some don't like the idea of digital recordings on vinyl, though. Sonically, the CBS Kiri is a tad disappointing - although the performance is lovely.. I had a look at my favourite classical LP dealer and all they had were Schwarzkopfs - and I do know what you mean about her coolness.. Kiri-Decca has a great blend of attributes for me, but of course that is decidedly digital.

    I did see the Leontyne Price RCA LP on eBay the other day… I've never heard it but that is likely to be refulgently gorgeous - the lady herself certainly is on the cover (I may even go back and bid on this myself).

    Technics SL1210 MkII / SME 309 / Timestep PSU / Achromat / Denon DL-304
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  4. #1604
    MartinT Guest

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    Quote Originally Posted by Andrei View Post
    I have a few digitals, and I agree about Norman. I'm re-entering vinyl so this is a gap that definitely needs to be filled. RE: Funeral - I have always fancied that I would like the Marcia Funebre from LvB's Third at my funeral.
    How about the second movement of his Seventh? I have always loved that piece.

  5. #1605
    Join Date: Jan 2014

    Location: County Durham, England

    Posts: 555
    I'm Malcolm.

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    I've always thought Fauré's Pie Jesu from the Requiem would be nice at a funeral. For my Dad we had Ella Fitzgerald's recording of The Old Rugged Cross.

    Technics SL1210 MkII / SME 309 / Timestep PSU / Achromat / Denon DL-304
    Phono stage PS Audio NuWave Phono Converter
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    Marantz UD7007 SACD/Blu-ray/DVD-V/DVD-A
    Toshiba BDX1200 Blu-ray player (Zone A & Region 1)
    Audiolab 8200AP pre-amp/processor
    Power amp: Arcam P7
    B&W 804S stereo (bi-amped), HTM4S centre, CDMSNT surrounds (5.0)
    Sennheiser HD 700 headphones
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  6. #1606
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,521
    I'm AudioAl'sArbiterForPISHANTO.

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    Right now on vinyl, Chez-Marco, this is rather excellent for relaxing to on a Sunday evening during winter...





    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #1607
    Join Date: Jan 2014

    Location: County Durham, England

    Posts: 555
    I'm Malcolm.

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    On the train...

    (Bloomin' Google image search...)
    Last edited by m10; 03-02-2014 at 19:31.

    Technics SL1210 MkII / SME 309 / Timestep PSU / Achromat / Denon DL-304
    Phono stage PS Audio NuWave Phono Converter
    Lossless / MP3 / Tidal > Roon > Bryston BDP-1USB > Marantz NA-11S1
    Marantz UD7007 SACD/Blu-ray/DVD-V/DVD-A
    Toshiba BDX1200 Blu-ray player (Zone A & Region 1)
    Audiolab 8200AP pre-amp/processor
    Power amp: Arcam P7
    B&W 804S stereo (bi-amped), HTM4S centre, CDMSNT surrounds (5.0)
    Sennheiser HD 700 headphones
    Panasonic PT-AT6000 projector

  8. #1608
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,521
    I'm AudioAl'sArbiterForPISHANTO.

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    Malcolm, whatever you're trying to show from "buycdnow.ca" isn't working.....

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #1609
    Join Date: Jan 2014

    Location: County Durham, England

    Posts: 555
    I'm Malcolm.

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    Quote Originally Posted by Marco View Post
    Malcolm, whatever you're trying to show from "buycdnow.ca" isn't working.....

    Marco.
    Thanks, Marco. Edited and hopefully corrected.

    Technics SL1210 MkII / SME 309 / Timestep PSU / Achromat / Denon DL-304
    Phono stage PS Audio NuWave Phono Converter
    Lossless / MP3 / Tidal > Roon > Bryston BDP-1USB > Marantz NA-11S1
    Marantz UD7007 SACD/Blu-ray/DVD-V/DVD-A
    Toshiba BDX1200 Blu-ray player (Zone A & Region 1)
    Audiolab 8200AP pre-amp/processor
    Power amp: Arcam P7
    B&W 804S stereo (bi-amped), HTM4S centre, CDMSNT surrounds (5.0)
    Sennheiser HD 700 headphones
    Panasonic PT-AT6000 projector

  10. #1610
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,521
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Yup, that's better... Rather cultured listening for on the bus!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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