Au naturel sounds rather risqué, darling; I like it... It panders to my penchant for exhibitionism, and besides, jet black would clash with the pastel combination on my usual choice of lingerieOriginally Posted by Mike_New
Marco.
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,460
I'm AudioAl'sArbiterForPISHANTO.
Au naturel sounds rather risqué, darling; I like it... It panders to my penchant for exhibitionism, and besides, jet black would clash with the pastel combination on my usual choice of lingerie
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Senior Member
Location: Deleted
Posts: 6,566
I'm Deleted.
Yeah, It won't be absolutely flat, I realise that. I've bought and worked with a lot of Delrin in both rod and sheet form (very nice to turn) and assumed that it would have to be faced off. It's a bit tricky working with thin pieces, but not impossible by any means.
I would certainly like to try a Delrin mat though as it is one of the few materials I haven't tried for this purpose.
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Banned
Location: Huddersfield
Posts: 3,358
I'm David.
Yes I am getting curious as to how it will perform, will send you one when its ready
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,460
I'm AudioAl'sArbiterForPISHANTO.
You never know, Mark - it might be great!
The main thing here for Technics enthusiasts, and also for the benefit of Mike's business, is that if an ETP mat gives the user a taste of what the full platter does, then it should not only make the mat popular, but subsequently increase sales of the platter
It will also allow users of current aftermarket platters for the Technics, such as the Vantage, Funk, etc, to try an ETP mat with them and ascertain whether upgrading to a full ETP platter would be a worthwhile proposition or not.
The bottom line here is that producing an ETP mat, if sonically successful and cost effective, will do no harm whatsoever to sales of the platter, and moreover could consequently produce one of the best performing mats on the market. That sounds rather like a 'win-win' to me....
So, get yer arse in gear, Mikey....5mm thick, black with a label recess, would be great!!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,460
I'm AudioAl'sArbiterForPISHANTO.
You have to admit, I'm full of good ideas!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Double Daftee
Location: Essex, UK
Posts: 3,439
I'm Andy.
You have to admit, I'm full of good ideas!
Marco.
x2
System; Michell Gyrodec SE/ Orbe Clamp/ Gert Pedersen armboard mod/ HR PSU/ SME V / J7 Tonearm cable/Ortofon Cadenza Black// Jez Arkless Turbo nutter B------ /Trichord Dino+
Amplification and loudspeaker set up is at the moment being split into two groups, comprising the following;
1. Same sources as above; SONY TAF-770ES/SONY CDP761E/Cable Talk 3.1 loudspeakercable/ Harbeth Compact7ES2/ Stands
2. Virtue Audio Sensation M451battery PSU, ClarityCaps upgrade/ Sensation M901/Russian PIO caps with Teflon bypass caps upgrade/ JT Dynamic PSU with various tweaks/ Connex Audio 5N Litz loudspeaker cable, Impulse H6 Loudspeakers.
Me so horny- Impulse H6 Horny
Senior Member
Location: Deleted
Posts: 6,566
I'm Deleted.
Indeed it may be - my mind is open and I am quite looking forward to trying it. I've tried acrylic a few times and not long ago I tried a commercial acrylic mat and made a version myself. Unfortunately, I found that acrylic gave a very distinct colouration - sort of boosted in the low treble and muted in the high with a rather plummy emphasis in the mid bass. The idea that acrylic is a good impedance match for a record is a nice idea but I'm not convinced it is true (or even necessarily desirable). After all the record is only pressed against the platter, it isn't actually one with it (even if clamped). Delrin (Acetal) is a quite different polymer though.
Account Deleted
Pishanto Specialist & Super-Daftee
Location: Dagenham Essex
Posts: 11,184
I'm Allen.
You have to admit, I'm full of good ideas!
Marco.
Sometimes those good ideas start with the letter S and end in T
[
Double Daftee
Location: Essex, UK
Posts: 3,439
I'm Andy.
Sometimes those good ideas start with the letter S and end in T
Why are you not at work?
System; Michell Gyrodec SE/ Orbe Clamp/ Gert Pedersen armboard mod/ HR PSU/ SME V / J7 Tonearm cable/Ortofon Cadenza Black// Jez Arkless Turbo nutter B------ /Trichord Dino+
Amplification and loudspeaker set up is at the moment being split into two groups, comprising the following;
1. Same sources as above; SONY TAF-770ES/SONY CDP761E/Cable Talk 3.1 loudspeakercable/ Harbeth Compact7ES2/ Stands
2. Virtue Audio Sensation M451battery PSU, ClarityCaps upgrade/ Sensation M901/Russian PIO caps with Teflon bypass caps upgrade/ JT Dynamic PSU with various tweaks/ Connex Audio 5N Litz loudspeaker cable, Impulse H6 Loudspeakers.
Me so horny- Impulse H6 Horny
Don McCorleone
Location: Galashiels
Posts: 14,031
I'm inthescottishmafia.
Aye, full of something..You have to admit, I'm full of good ideas!
Marco.
“Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel. I have always needed fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio”
Hunter S Thompson
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