
Originally Posted by
Marco
In my opinion now, the solid ebony versions are a 'must have' for all SL-1200/1210 aficionados, keen to release the full potential of their T/Ts.
Unquestionably, they offer a fundamental upgrade over the more commonly used aluminium ones, which can impart a somewhat clinical, 'a-musical' sound, accentuated already by the stock platter, mat and feet - all of which when suitably upgraded, for some of the now well-established aftermarket options, transform the Technics into a much more musically adroit beast, and provide a solid platform from which to apply the more sonically profound improvements offered by upgrading the bearing and PSU, thus taking the Technics truly into the high-end league.
Therefore, I would advise any potential buyers not to view these armboards as a mere 'accessory', but something much more fundamentally effective than that.
Marco.
I thought about one but decided to wait until after I (might) get another arm.
Am I right to assume the arms dictate the exact measurements/shape of the armboard ?
TAD CD / DAC / Pre, Technics 1210, MCRU PSU, Mike New Bearing & Platter, Stillpoints LP1 weight, Speedy Steve Ebony armboard, Fidelity Research FR64FX arm, Ortofon SPU. Aurorasound VIDA Phono Pre Amp, TAD Power Amp, TAD E1 speakers. Coherent RTZ 3 Grounding box, Coherent grounding cables, Creaktiv racks. Coherent Mains Cables. SR Blue Fuse. Interconnects : Coherent and Yannis 223.5 Connect Litz. Coherent speaker cable. Audio Magic Transcendence Conditioner. Coherent mains socket. Mains Filters : , PS Audio Harvesters, Russ Andrews Purifiers, Tacima, Vertex. Black Ravioli and RDC supports. Electric Beach S1NX platforms for TAD CD and Technics. Ferrite chokes everywhere except the above. Ears, brain
Mike