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Thread: Alternative platters ?

  1. #281
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,515
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    Quote Originally Posted by YNWaN View Post
    Yeah, the monster motor, is there to better achieve the theoretical instant variation in speed, to better overcome inertia of the platter, not to overcome extra stresses placed on the system.
    ...and in broadcast applications in radio stations, to make start-up times even faster for broadcasters, and thus near-instantaneous! Start-up speed there is critical.

    The huge motor/lightweight platter concept is also applied with great success on EMTs. I guess that there was something in it after all (with idlers and D/Ds, that is)...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #282
    Join Date: Jan 2009

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    Any low mass platter will start up quickly because it has low inertia; that doesn't inherently make it better though, that depends on the drive system as a whole.
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  3. #283
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,515
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    Indeed, and that is what I was alluding to in the last sentence of my previous post. This is essentially an idler and D/D thing. The opposite (high-mass platter route) can happily apply when strings or belts are in the equation, and an absence of complicated loop speed compensation circuitry.

    In fact, some of the best belt/string-driven T/Ts I've heard have featured the use of truly MASSIVE platters. Oddly those, to my ears, have also sounded most like a good D/D or idler (in terms of majoring on rock-solid stability and bass authority)......

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #284
    Mike_New Guest

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    Quote Originally Posted by synsei View Post
    Mike's website only needs updating and considering he is a one man band I am sure he can be forgiven for prioritizing production
    Folks,
    As many of you already know but I will repeat it: I have not been able to contact the guy who put my website together for the last 12 months or more.
    However out of the blue he emailed 2 days ago saying all my emails went into his 'junk folder', maybe he's trying to tell me something.
    I do not have independant control for editing my website which must be corrected to the advantage of all.
    I hope I can get it sorted soon.

  5. #285
    Audio Al is offline Pishanto Specialist & Super-Daftee
    Join Date: May 2012

    Location: Dagenham Essex

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    I'm Allen.

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    Quote Originally Posted by Mike_New View Post
    Folks,
    As many of you already know but I will repeat it: I have not been able to contact the guy who put my website together for the last 12 months or more.
    However out of the blue he emailed 2 days ago saying all my emails went into his 'junk folder', maybe he's trying to tell me something.
    I do not have independant control for editing my website which must be corrected to the advantage of all.
    I hope I can get it sorted soon.
    MIKE

    Quick GET his phone number !!!!!!!!!!!!!!
    [

  6. #286
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,381
    I'm Chris.

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    Quote Originally Posted by sq225917 View Post
    Rexton's deck just couldn't reach 45, not even close. I imagine there's a voltage limit in the circuit some where that can be overidden to fix this, though the compensation loop speed will still be an issue. Heavy platters are probably not the 'ideal' for these decks as Marco has already noted. Which probably explains why even the Sp10 MK3 came with a light platter despite its monster motor.
    The platter on an SP10 MK 3 weighs 10 kg , the motor and control circuitry is a different ball game to the 1200 of course .

    I tried to point out some time ago that a high mass platter doesn't work on a 1200 , the compensation circuitry is set in stone .
    Last edited by MartinT; 04-11-2013 at 06:26. Reason: Broken quote
    Chris

    We've gone on holiday by mistake !

  7. #287
    Mike_New Guest

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    [QUOTE=chris@panteg;497388]
    Quote Originally Posted by sq225917 View Post
    Rexton's deck just couldn't reach 45, not even close. I imagine there's a voltage limit in the circuit some where that can be overidden to fix this, though the compensation loop speed will still be an issue. Heavy platters are probably not the 'ideal' for these decks as Marco has already noted. Which probably explains why even the Sp10 MK3 came with a light platter despite its monster motor.[/QUOT


    I tried to point out some time ago that a high mass platter doesn't work on a 1200 , the compensation circuitry is set in stone .
    Why is it set in stone?? the RC network around the op-amps.
    can be changed.
    If you remember some 6-8 monthe ago I put forward the notion that a switchable arangement could be provided for this purpose, in conjunction with the comments and help from a guy in Holland, if I recall. But no one seemed to be interested.

  8. #288
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,515
    I'm AudioAl'sArbiterForPISHANTO.

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    Something else that's just crossed my mind about Andrew's set-up, which Simon heard and loved... Andy, did you have the ST-80SE plummed in at the time?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #289
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    What do you think Simon took round Marco... .
    Account Deleted

  10. #290
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,515
    I'm AudioAl'sArbiterForPISHANTO.

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    Lol - the Paradise... Thing is, did he get a listen to Andy's SUT, in conjunction with his own phono stage, while he was there? Specifically what I'm getting at here is Andy's own phono stage used directly in MC mode, versus MM mode with his SUT, if such a thing is possible in his set up.

    If so, it'll hopefully have given Simon an inkling as to why Andy chooses to use an SUT, and why, in some circumstances, it improves matters.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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