OK Dave and Sue. I was going to go PM as this is getting very personal now but if we are OK to continue then that's what we'll do. Have a fab day.
Location: East Riding of Yorkshire these days
Posts: 4,775
I'm Shaun.
OK Dave and Sue. I was going to go PM as this is getting very personal now but if we are OK to continue then that's what we'll do. Have a fab day.
Yep, guys, please keep it on the forum as this is information which many people will find interesting and informative
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
maybe it could be changed to "the art of sound (and some guy called hamish and another guy called shaun talking about photography and cameras and sh*t)"
step to far maybe....
anyway
so what is your current camera of choice then shaun?
and what would you say is your favorite camera of all?
and to keep it on topic ... choice equipment for hifi photography?
DaveK.
My System:
Power: Belkin PF40, Custom.hifi.cables Hydra and DC PSUs.
Sources: Self built HTPC with Xonar ST sound card, NAD T585 multi disc player, Sony BDP-S350, Squeezebox Touch, Techncs SL1210 (mod'd) + Nagaoka MP30, Thomson Sky HD box.
Amps etc.: 2 x Mini-T amps, MF-X10D Valve buffer clone, StanDAC 7520/Caiman (mod'd).
Speakers: Mission 774s with added super tweeters
Cables: best I can afford and likely to change except Homar's RF attenuated co-ax's and Mark Grant USB and HDMI cables. I also like silver i/cs and speaker cable.
ha, yeah crack on... its a hifi forum and i havent barely said anything about hifi in ages... bit out my depth for the most part i prefer reading with interest than trying to comment! i then keep finding these photography threads and sticking my beak in where i might at least have somthing of use to say!
Location: East Riding of Yorkshire these days
Posts: 4,775
I'm Shaun.
Bloody Hell man you don't want much...!
My most favourite camera is a Nikon F5 and it is the one I use the most. My most favourite lens is a Sigma 24-70mm f2.8 EX as it is f2.8 throughout the whole zoom range and I use the very same lens with my F5. Problems... yes, it weighs in at around 2.5kgs and that's bloody silly.
My favourite film is Fuji Velvia 50 ISO.
My favourite digicam is a Nikon D70.
I don't do Canon anything.
My favourite Hi-Fi would be vinyl and valves with speakers by Audio Note. Ahh... exquisite.
Location: East Riding of Yorkshire these days
Posts: 4,775
I'm Shaun.
Just to add...
I've had three Hasselblads in the past along with Bronica SQ's and ETRS' and also a Pentax 67 or two and to be honest, they're very overrated. 35mm is far more flexible and much more spontaneous.
No good - it would'nt fit the banner, though to attempt that could be a baptism of fire for Nick in his new role.
Although not addressed to me, I'll respond anyway:
Leica M3 with 50mm f/2, loaded with Kodachrome 64,
Leica M4 with 35mm f/2.8, also loaded with KR 64, with a 90mm f/2.8 in pocket.
Completely manual, superbly reliable - been with me all over the world under conditions of blistering heat, freezing cold, rain or dust, they have never let me down, unlike some other analogue or digital cameras owned by fellow travellers I have come across.
Barry
Light reflected by a surface that is not perfectly smooth (as a mirror would be, hence specular reflection: > speculum: mirror), tends to suffer some scattering. Most of this scattered light will emerge predominantly one direction, so may look like reflected light, however the scattering will have destroyed the plane of polarisation of the incident light. The emerging light will consist of light with random plane of polarisation. If the planes of polarisation are completely mixed up by a reflective but rough surface, the reflected light will be completely unpolarised.
Barry
Location: East Riding of Yorkshire these days
Posts: 4,775
I'm Shaun.
Look I'm even quoting myself now...!
I have used hundreds of different cameras over the forty years I've been doing photography but the Nikon F5 is the most complete camera I have ever used. It is totally reliable and made from Titanium which gives it a certain robustness against impact damage. I treat my cameras as though they are gold or platinum, I never abuse them. They do after all cost a considerable sum. I would like to say once again though that the camera is, by and large, irrelevent. It is the lens that forms the image not the camera. To that end I have never seen a better image than one formed by a Carl Zeiss lens. They truly are the best in the World.