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Thread: MY System

  1. #41
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

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    King,

    To be honest, although I have been a LP12 owner for years, unlike some, I still have not become a devotional fanatic who blindingly believes that LP12 is the best and only turntable I should rely on and disapprove of or simply ignore the others’ existence. We always have a different perception or believing that we cannot agree with each other so sometimes it is best not to provoke any altercations unnecessarily in case one may hurt the others’ feelings.
    I am living in W-S-M, Somerset.
    Indeed! You have a very healthy attitude to hi-fi, my friend

    Could you do me a favour and add 'Somerset, England' to the location details on your profile?

    Cheers! Please continue to enjoy posting on the forum

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #42
    Join Date: May 2009

    Location: Somerset, UK

    Posts: 717
    I'm King.

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    It may not be a surprise to you, though controversial, that I also own some digital gear. As you might have found out that I am open- minded, so I don’t devote myself only to analogue but also digital playback.

    Here are some pictures of my collection:-

    Audio Alchemy Digital Decoding Engine V 1.1 DAC


    Audio Alchemy Ultra Dac


    Cambridge Audio Dacmagic 1 DAC


    Citypulse DA7.2X DAC


    Spectro Acoustic 217 preamp


    Mitsubishi DA-A15 power amplifier


    Cambridge Audio A75 power amplifier

  3. #43
    Join Date: May 2008

    Location: Lancaster(-ish), UK

    Posts: 16,936
    I'm ChrisB.

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    Hi King,
    I always loved the brutal look of those Mitsubishi power amps & the way that you could buy a docking fascia panel with meters on it as an optional extra.

    How does it sound?

  4. #44
    Join Date: Aug 2008

    Location: Suffolk, UK

    Posts: 1,468
    I'm Paul.

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    Digital equipment isn't controversial in my book. Buying a Music PC and connecting to my DAC was one of the best things I done.
    ~Paul~

  5. #45
    Join Date: May 2009

    Location: Somerset, UK

    Posts: 717
    I'm King.

    Default

    Quote Originally Posted by The Grand Wazoo View Post
    Hi King,
    I always loved the brutal look of those Mitsubishi power amps & the way that you could buy a docking fascia panel with meters on it as an optional extra.

    How does it sound?
    Hi,
    It looks brutal but, I am afraid, does not have the absolute transparency, power, impacts and control that rival a Krell or Mark Levision. It is actually a bit sweet and soft sounding to me.

  6. #46
    Join Date: May 2009

    Location: Somerset, UK

    Posts: 717
    I'm King.

    Default

    Quote Originally Posted by Primalsea View Post
    Digital equipment isn't controversial in my book. Buying a Music PC and connecting to my DAC was one of the best things I done.
    On the surface of it, I have an array of turntables and should be considered a typical analogue guy who would reject any digital kit as in theory, but they are both serving me happily in a perfect harmony. Of course, I tend to listen to records more than CDs.

  7. #47
    Join Date: Apr 2008

    Location: Cheltenham U.K

    Posts: 412
    I'm John.

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    Hi King -

    I'd be interested to know your opinion of the Yaqin phono amp. Did you have any problems with it or make any changes to it?

    John

  8. #48
    Join Date: May 2009

    Location: Somerset, UK

    Posts: 717
    I'm King.

    Default

    Hi John,

    The Yaqin is an excellent MM phono amp in my own opinion, transparent and musical. I have not done anything to it except some tubes rolling and so far I've had no issues with it at all.

    King
    Last edited by kcc123; 03-06-2009 at 20:44.

  9. #49
    Join Date: May 2009

    Location: Somerset, UK

    Posts: 717
    I'm King.

    Default

    Some more pictures:-


    One of the best phono stages between £250 and £1000, the Edwards Audio MC1


    Another valve phono stage, the Muse PH-1, which is also from China, but it does not sound as good as the Yaqin.

  10. #50
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    King, I think Yaqin make some fab products. As you probably know, they're a recognised 'high-end' manufacturer in China, and you can tell by the build quality and attention to detail of their equipment

    Do you find it always safe for use with UK voltage, though? That's the only problem I've found.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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