Ours crossed in the post, J.C. Don't take things so seriously (that's an assumption). Haven't read Marco's notice yet, though, as I do get carried away by this literary exchange.
Ours crossed in the post, J.C. Don't take things so seriously (that's an assumption). Haven't read Marco's notice yet, though, as I do get carried away by this literary exchange.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
It's an interesting idea, Mike, but unfortunately we don't know Richard well enough yet, and I'm not sure he'd want the responsibility.Keep up the good work, chaps. This thread may disappear into the wilderness in early course, but not before a few laughs have been had.
Now there's a thought; a ranting moderator. Throw convention to the wind, Marco!
Anyway, I'm sure he will be too busy thinking up lots of new subjects to rant about now he's 'free' (in this room) of the attentions of his two friends!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I don't think he has, I think what he's said is true and I've had enough too.
You've allowed yourself to be dictated to by others with commercial interests and who might actually gain something from this Forum, ultimately at its expense.
I've made the points I think relevant elsewhere so, other than to say good bye, I suggest that this leaves you with a narrow and dull remit for a Forum. By that I do not imply that AVI is the loss, just the knowledge, the experience and the contacts we have and the people it may attract. In the ordinary course of events it wouldn't amount to much, but by comparison with Pure Sound and NVA, we are Titans!
Posts: 424
Marco, I detect regret in your post,
I am proud of my "true colours" in that I say what I believe and am not beholden to anyone.
That is no longer the situation for any member on this forum.
You made the wrong decision, and no self respecting person can now be associated with this forum. It taints every one.
You could think again, but until then I'm gone. bye bye.
Posts: 544
Well now the dogs of marketing seem to have pissed up their last tree (thread), I think a small period of peace and quiet reflection is due.
BUT be scared, be very scared. THE RANT WILL BE BACK!!!!!!!!!!!!!!!!
I am very disappointed by Ashley's and JC's decision to leave The Art of Sound as it confirms that they really did only intended to misuse this place to turn every thread they posted on into an ADM9s infomercial.
We were hoping for considerably more depth and breadth from their contributions that could be drawn from their vast knowledge and experience of both hi-fi and life in general.
I do genuinely wish you all the best with ADM9s. You certainly don't need to endlessly market (plug) them here on what is still a small commiunity and one that could all too easily be completely dominated by the kind of product and marketing style that is somewhat at odds with our ethos and flavour.
I appreciate that you've generated more traffic but road accidents often have a similar effect.
There is nothing like burning ones bridges.You made the wrong decision, and no self respecting person can now be associated with this forum. It taints every one.![]()
I am in total agreement with Steve.
The most pertinent observation is that faced with the choice of not being able to discuss AVI but remaining to discuss other relevant subjects both chose to go, which says everything you need to know about their (supposed) commitment to 'improve' the forum!
However, neither of them are banned and are welcome to return (and observe the rules) if they wish.
Unless Rob has got anything further to add, this is the last word on the matter and any further input on this subject from the 'AVI boys' will be removed.
Richard,
I look forward to many more rants in due course!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Sorry Steve and Marco, but I have to disagree. JC is simply a happy customer who auditioned many manufacturer's hardware and settled on AVI. If he can't rave about how good it is on a hi-fi forum then where can he? Ashley has, as far as I have read, not used this forum to turn every thread into an AVI 'informercial' at all, he's simply (and quite rightly) discussing his angle on hi-fi and AVI's products as a result.
Remember that when we invite manufacturers to join, we tell them that they may promote their products at will. What good is it if we suddenly decide to remove that offer once they start talking about them? Also if we have to place a ban on discussing AVI products, then surely we have to place a ban on talking about ANY manufacturers products. Mmmm, great basis for a hi-fi forum and does it not completely go against the very fabric of our original intentions for The Art of Sound?
I have purposely avoided coming on whilst this thread has been growing, I wanted to let it run its natural course and see the result. The result is as posted in the Notice Board section which was a little unexpected to say the least bearing in mind the excellent relationship we have with our trade members. Personally I think it's a mistake, but then we can't all agree 100% of the time.![]()
That's my penneth worth, for what it is worth.
Lounge:
Samsung QE65QN80F 65" QLED TV
Echo Link streamer
RME Audio ADI-2 FS (AK4493) DAC
XMOS DSD Async
Emotiva A2+ power amplifier
Neat Motive SX1 speakers
Van Damme 4.00mm tour grade speaker cable
Audiocrast Spreizbar banana plugs
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Studio:
2022 MacBook Pro 14" M1 Pro 10/16/16/16
SMSL SU-1 DAC
Modified Fosi P4 preamp
Adam Audio T5Vs
Fenton 10" active sub
Fosi V1.0G integrated amp
Roxel RBS 300s
Several small valve preamps
Location: gone
Posts: 11,510
I'm gone.
Well done - result!
I'd welcome Ashley back to hear his general views on things hifi & music - he at least was polite - but to be honest I'd ban his side-kick for being a totally obnoxious narrow-minded git (and that's wording it politely).
Back to things hifi ..... I'm just about to start a new thread.![]()
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