
Originally Posted by
Marco
Hi Alex,
Apart from your link not working for me (so, sorry, can't listen to the fragment), I'm with you 100% and am in no doubt whatsoever that cassette done well completely outperforms CD done well, much as does vinyl with the latter. Basically, analogue (tape or vinyl) done well is invariably superior to most of what digital has to offer. After all, that's why master tape exists...
Quite simply, analogue is the format which offers the more faithful carrier of music for human ears (not measurement apparatus). I'd rather suffer a few clicks and pops and a little tape hiss than listen to 'crystal clear' music which has been mangled in its transfer to CD.
Dave,
You need to get those 'ol cloth lugs of yours syringed some day soon!
Nice tapes, btw. I use those sometimes with my CR-7.
Marco.
P.S Oh, and I'm 43.
You two talk the most amazing bollix I've ever read 
If the music has been mangled in transfer to CD, then it's the mastering engineer's fault. I've heard it, before and after, using real live analogue master tapes! you haven't, obviously
In no way does vinyl come anywhere near the fidelity of the master-tape, even on a proper turntable, although the best ones (if not refining all the energy out in the process of £refining) do a great job, the limiting bits being the sh*tty black plastic played (most of the time) on them. This isn't "just" an opinion Marco, I have had and still have good friends on the pro/mastering side who actually had ears and LISTENED....... Perhaps your speakers or stands (I hate the Mana things I believe you use, having heard similar anihilate some equally big ATC's once or twice) remove all the bass, so you need an SPU or M3D to attempt to put it back........
No wonder CD diesn't sound any good in your system (oh what's the point............................
)
TDK MA's were very good indeed and do retain most of what was originally recorded on them, but your NAK will alter the azimuth from beginning to end of the tape, mine did a bit (better than the CR4 I had before) - ALL those mechs did to a degree (heard myself and confirmed by a Nakamichi engineer). Try playing back a tape done on a CR7 on a different make of machine and you'll find all sorts of errors. This was sorted by Dolby S, where I understand a Dragon was used as a reference for frequency response accuracy from maker to maker, but by then it was too late.......................................
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?