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Thread: Spinning Today (Classical version)

  1. #1141
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,498
    I'm AudioAl'sArbiterForPISHANTO.

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    Right now on CD: Shostakovich 'Piano Concertos: Jazz Suite No1 'The Gadfly''. Piano Concerto No1, for piano trumpet and strings, with Ronald Brautigam (piano), Peter Masseurs (trumpet) and The Royal Concertgebouw Orchestra, conducted by Riccardo Chailly.

    Piano Concerto No2, with Cristina Ortiz (piano), with the above conductor/orchestra and also The Royal Philharmonic Orchestra, conducted by Vladimir Ashkenazy, and The Philharmonia Orchestra, conducted by Riccardo Chailly, on Decca, from 2008.

    This is rather good and a little less foreboding than Shossy's normal material, but still suitably dense and dramatic in parts!

    Martin, I listened to his 10th symphony, as mentioned before, on vinyl, and really enjoyed it. Rather dark and sombre, as one would expect, and utterly thunderous in parts. Definitely one to listen to loudly through very large speakers!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #1142
    MartinT Guest

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    I think all of Shossy's symphonies are suitable for 'big rig' reproduction with the possible exception of the 14th!

    The two Piano Concertos are superb but quite different from each other. I don't know Brautigam but I would think Ortiz is well suited to the 2nd.

    The 10th is simply wonderful

    If you want to listen to a beyond-mad symphony, full of cryptic quotes and peculiar funny bits, try the 15th. I have a mad recording of it (the engineer is all over the faders) which strangely suits the mad music:
    Symphony No. 15, Rozhdestvensky, USSR MoC SSO, JVC/Melodiya.

  3. #1143
    Join Date: Jun 2012

    Location: glasgow

    Posts: 1,507
    I'm scott.

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    Playing a bit of Shossy myself today
    Sacd - preludes & fugues michael ras on organ 5.0 multichannel
    24bit MW Cd sym No7 lennigrad concertgebouw
    both good window rattlers , rare versions of these i think

  4. #1144
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,498
    I'm AudioAl'sArbiterForPISHANTO.

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    Nice one, Scott. Great minds think alike (or daftees never differ)!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #1145
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,498
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by MartinT View Post
    I think all of Shossy's symphonies are suitable for 'big rig' reproduction with the possible exception of the 14th!
    Interesting... I'll check to see if I have his 14th.

    The two Piano Concertos are superb but quite different from each other. I don't know Brautigam but I would think Ortiz is well suited to the 2nd.

    The 10th is simply wonderful
    Agreed! I also rather like his 11th. For Brautigam, check out his website: http://www.ronaldbrautigam.com/ Quite interesting...

    If you want to listen to a beyond-mad symphony, full of cryptic quotes and peculiar funny bits, try the 15th. I have a mad recording of it (the engineer is all over the faders) which strangely suits the mad music:
    Symphony No. 15, Rozhdestvensky, USSR MoC SSO, JVC/Melodiya.
    Noted. I think I've got it on vinyl. I'll check!

    Btw, on Saturday, Del and I are going to see the BBC National Orchestra of Wales perform Sibelius' 'Scènes Historiques, Suite No1', Nielsen's Clarinet Concerto and Beethoven's fifth symphony. Conductor for the evening will be Thomas Søndergård. Basset Clarinet will be played by Robert Plane.

    Looking forward to it!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #1146
    MartinT Guest

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    That should be a good programme, Marco.

  7. #1147
    Join Date: Feb 2013

    Location: London

    Posts: 221
    I'm Tom.

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    With thanks to Jerry

  8. #1148
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

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    Quote Originally Posted by .mus View Post

    With thanks to Jerry
    What do you think? - how does it compare to the version in the boxed set you have?
    .

  9. #1149
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,498
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by MartinT View Post
    That should be a good programme, Marco.
    I'll let you know how it goes - may even manage a few pics!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #1150
    Join Date: Feb 2013

    Location: London

    Posts: 221
    I'm Tom.

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    Quote Originally Posted by jandl100 View Post
    What do you think? - how does it compare to the version in the boxed set you have?
    It's rather lovely Very open, and well-scaled stereo image (if that makes sense) - easy to forget that it's actually coming out of the speakers, it's amazing the difference that proper mastering can make. For now I'm just enjoying it while I catch up on some reading. But I'll do a more direct comparison with box set version over the weekend and report back.

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