Hmmm... I like what he's doing with the sound stage - playing with the space - but I'm still unsure about the voicing. If I think of, say, Wendy Carlos's electronic versions of Bach or Beethoven, while the midi voices that she uses certainly sound unlike the instruments that they're replacing, they nevertheless seem - to me at least - to suit the pieces really well, but I don't get this sense with the Tomita. Thanks for the pointer though

I'll explore more, as it's certainly the sort of thing that I should like, given my fondness for both electronic and classical music.