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Thread: Which Tannoys, folks?

  1. #481
    Join Date: Sep 2009

    Location: Derbyshire

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    I'm Josie.

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    The autoformers Hugo got made make a big difference, quite astonishingly so but the circuit does need a tweek along with the type of components used as I'm sure Marco will testify make a substantial difference too.

    Much like Marco's XO I use duelund cast resistors but also PIO and a PLIO caps in certain positions. I found that these make for a much more less fatiguing listen but still has a powerful sound with nice sub bass and keeps the delicate Tannoy sound.
    Ultrafide U500DC power amplifier - Croft Vitale )highly modified) - TRIO L-07D Turntable - Denon DL103C1 - Funk Firm Houdini - Lentek MC head amp - 15" Tannoy Monitor Gold Loudspeakers in Lockwood Major cabinets (From Trident Studios) - Tannoyista SPEC 3 Custom Crossovers - VanDamme Black Speaker Cable

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  2. #482
    montesquieu Guest

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    Quote Originally Posted by The Black Adder View Post
    The autoformers Hugo got made make a big difference, quite astonishingly so but the circuit does need a tweek along with the type of components used as I'm sure Marco will testify make a substantial difference too.

    Much like Marco's XO I use duelund cast resistors but also PIO and a PLIO caps in certain positions. I found that these make for a much more less fatiguing listen but still has a powerful sound with nice sub bass and keeps the delicate Tannoy sound.

    Really interesting Joe .. did you do these tweaks yourself or was it Nick G?

  3. #483
    Join Date: Dec 2008

    Location: Yorks

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    Quote Originally Posted by Reffc View Post

    Stands rubbed down and stained a teak colour and lacquered.

  4. #484
    Join Date: Sep 2009

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    Quote Originally Posted by montesquieu View Post
    Really interesting Joe .. did you do these tweaks yourself or was it Nick G?
    I remade the crossovers that Nick did for me but obviously with Nick's knowledge. New boards etc. I went through some serious listening sessions and found a combination of components that I felt brought out the best in the speakers.

    I really enjoyed doing it. Now the sound is so much more balanced and precise.

    Looking really good, Paul... A proper job!
    Ultrafide U500DC power amplifier - Croft Vitale )highly modified) - TRIO L-07D Turntable - Denon DL103C1 - Funk Firm Houdini - Lentek MC head amp - 15" Tannoy Monitor Gold Loudspeakers in Lockwood Major cabinets (From Trident Studios) - Tannoyista SPEC 3 Custom Crossovers - VanDamme Black Speaker Cable

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  5. #485
    Join Date: Mar 2012

    Location: Gloucestershire

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    I'm Paul.

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    Quote Originally Posted by Rare Bird View Post
    Wanted them to blend in more which they now do.

    I'll save any further updates until they are completed as there seems to be several discussions going on at once on this thread now none of which relate to the restoration of these beauties.

  6. #486
    Join Date: Sep 2009

    Location: Derbyshire

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    Quote Originally Posted by Reffc View Post
    Wanted them to blend in more which they now do.

    I'll save any further updates until they are completed as there seems to be several discussions going on at once on this thread now none of which relate to the restoration of these beauties.
    True, sorry for partly hijacking there, Paul.

    How easy is it to veneer? I'd love to do it, I've got a few projects myself I'd like to do eventually?

    Are you going to brace the cabs at all? It worked on some Lancasters I had although those cabs had other shortcomings regarding design. I'd leave the internal damping as-is though, sure you will.
    Ultrafide U500DC power amplifier - Croft Vitale )highly modified) - TRIO L-07D Turntable - Denon DL103C1 - Funk Firm Houdini - Lentek MC head amp - 15" Tannoy Monitor Gold Loudspeakers in Lockwood Major cabinets (From Trident Studios) - Tannoyista SPEC 3 Custom Crossovers - VanDamme Black Speaker Cable

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  7. #487
    Join Date: Mar 2012

    Location: Gloucestershire

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    I'm Paul.

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    Quote Originally Posted by The Black Adder View Post
    True, sorry for partly hijacking there, Paul.

    How easy is it to veneer? I'd love to do it, I've got a few projects myself I'd like to do eventually?

    Are you going to brace the cabs at all? It worked on some Lancasters I had although those cabs had other shortcomings regarding design. I'd leave the internal damping as-is though, sure you will.
    It's not too difficult really, it just takes a little care and patience. The problem arises when you use wood stain as some veneers (such as the one I used) take up more stain in some areas than others leaving a blotchy appearance so I may have to strip one of the panels I've done and start again.

    I wont add any bracing but will replace some of the internal damping as the foam Tannoy used is totally ineffective at preventing LF standing waves. I've added some long lambswool wadding to the base and rear panels. the front baffle has no damping at all and I may add some below the drive unit.

  8. #488
    Join Date: Sep 2009

    Location: Derbyshire

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    I'm Josie.

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    Cool... well you are using the best regarding the damping with lambs wool. Should be a great sound.
    Ultrafide U500DC power amplifier - Croft Vitale )highly modified) - TRIO L-07D Turntable - Denon DL103C1 - Funk Firm Houdini - Lentek MC head amp - 15" Tannoy Monitor Gold Loudspeakers in Lockwood Major cabinets (From Trident Studios) - Tannoyista SPEC 3 Custom Crossovers - VanDamme Black Speaker Cable

    Tannoyista.com
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  9. #489
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
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    Quote Originally Posted by Reffc View Post
    Wanted them to blend in more which they now do.

    I'll save any further updates until they are completed as there seems to be several discussions going on at once on this thread now none of which relate to the restoration of these beauties.
    Why on earth do people stain woods!
    Last edited by Rare Bird; 02-02-2013 at 08:50.

  10. #490
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

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    To radically alter the appearance of some wood you don't like in its current state?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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