+ Reply to Thread
Page 37 of 69 FirstFirst ... 27353637383947 ... LastLast
Results 361 to 370 of 690

Thread: Which Tannoys, folks?

  1. #361
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,651
    I'm Geoff.

    Default

    Andr'e,

    I own two pairs of seventies Tannoys and they are here strictly on the strength of their abilities. I don't give a toss about image, appearance, or basically what anybody else thinks, the sound I get is all that matters.

    If the preceding parts of the system aren't right you can make Tannoys sound pretty bad. Get it right and it is SO right!

    Shame you're not nearer, I could get you round here for 're-education'.


    Geoff.

  2. #362
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    I don't give a toss about image, appearance, or basically what anybody else thinks, the sound I get is all that matters.
    +1

    Me neither, regarding the former. Nothing could be further down my list of priorities!

    All vintage Tannoys have a different sound, so people are bound to prefer certain ones over others. I pretty much like them all, on the end of the right system, although some of the 70s HPD-era models can be a little bright and 'shouty', especially with solid-state amps.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #363
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    I doubt you could re-educate me, one certain ex mate used to change amps more often than his under kecks, however ive heard many different combo's with em, so it was never the combo's..
    Were any of them that he had valve amps? If so, which ones were they, or were the amps your mate had all solid state?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #364
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    I do accept wholeheartedly that you don't like them (and you're entitled to your opinion), but what's annoying about you, daftee, is that you never explain WHY. I like proper explanations for things.... Informing us that you don't like MGs them tells us nothing useful other than you don't like them!

    Oh, and I know you have an ABR fetish, s'ok, I can relate to that So tell us, WHAT exactly is it you don't like about Monitor Golds, etc? I promise that no-one will bite your head off!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #365
    montesquieu Guest

    Default

    Quote Originally Posted by Rare Bird View Post
    i can't understand why you won't you accept i don't like them? but prefer the two models pointed that employ ABR units ?

    I think the point is that with the wrong amps, it's easy to get completely the wrong idea about Tannoys.

    If you haven't heard them with the right amps then you don't really have sufficient information to come to that conclusion.

    The real proper Tannoys don't need additional bass radiators anyway, they may add bass but will always muddy the sound compared to a proper dual concentric, appropriately encased and amplified.

  6. #366
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

    Default

    I also pointed out that ive heard loads of combo's (both tube & Transistor with em btw)

  7. #367
    Join Date: Jan 2011

    Location: newcastle

    Posts: 259
    I'm tommy.

    Default

    i think , all imho , tannoys are missunderstood , their design etc was for the whole perfect , 50 years ago , the bass / mids are way out there , then they fall down , i really really think (as per previous post) there is a lot more can be had from tannoy duals'
    getting older and now getting wiser

  8. #368
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Sorry, Tommy. I don't get what you mean by "then they fall down"

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #369
    montesquieu Guest

    Default

    Quote Originally Posted by wee tam View Post
    i think , all imho , tannoys are missunderstood , their design etc was for the whole perfect , 50 years ago , the bass / mids are way out there , then they fall down , i really really think (as per previous post) there is a lot more can be had from tannoy duals'
    I disagree Tam. When tweaking the crossover and later when experimenting with active, I did lots of measurement. They are putting treble out there right up to where microphone response falls off. Lack of Tannoy treble response is a myth. The fact is they are voiced to make music, not to compete with gee-whiz hifi speakers which overemphasise the treble region to make an impact.

    I've actually tried four different brands of supertweeter with mine to see what impact that might have, in all cases the result was less musical.

    There were speakers (Cambridge R50s - which I've owned - and various KEFs spring to mind) back in the 60s and 70s that did the extended treble response thing and none of them can hold a candle musically to the coherence and 'rightness' of a Monitor Gold.

  10. #370
    Join Date: Jan 2011

    Location: newcastle

    Posts: 259
    I'm tommy.

    Default

    they die above 13/14 khz , everything below is a right thing , everything above is missing
    Quote Originally Posted by Marco View Post
    Sorry, Tommy. I don't get what you mean by "then they fall down"

    Marco.
    getting older and now getting wiser

+ Reply to Thread
Page 37 of 69 FirstFirst ... 27353637383947 ... LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •