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Thread: 1210 - A deck odyssey

  1. #1
    Join Date: Sep 2008

    Location: norwich

    Posts: 246

    Default 1210 - A deck odyssey

    Stick a fork in me - i'm done

    I'm going to try and avoid the well trodden paths of the 12 upgrade threads in an attempt get to the point succinctly.

    I chopped in my gorbe/evo/304 early last year after reading what HiFi world and Marco had to say about the 12 (damn you )
    It was all going to be so easy. one for one.
    Putting it bluntly i feel there is no better outofthebox TT than a fresh 12.
    The only original upgrade i had planned for was a rewire of the stock arm
    several trawls later and i discovered that in order of importance i would require:
    1/. psu
    2/. rewire
    3/. headshell
    4/. counterweight
    5/. mat
    6/. feet
    Bang! goes the budget

    I could skip right to the end here and say outright that had i bought the Terminator first i may have found myself in a position where i didn't feel the need for any of those above mentioned steps. we'll come back to the psu (don't fret)

    I've found that there are things that make small but noticeable differences and those which fundamentally change the characteristics and therefore quality of the setup. It's no real suprise that they are matched by price.

    I'm trying hard to elucidate the relevance of each step of the process but keep getting dragged back to the 2 or 3 main events in the upgrade chronicle

    If you want or expect this deck to be an audiophile piece of equipment, the psu and tonearm are paramount.

    So, the KAB ps1200 takes the deck off the world of 1s&2s shelf and moves it closer to a HiFi store item.
    What it does straight away is lets you know that one or more parts of the deck are no longer upto the task.
    There are reams of text re: the psu so i won't add to it here

    Tonearms then. I got a Cardas wired arm from KAB and then had J7 knock it all together (a mighty fine job he did too). fitted a Sumiko headshell and a Thruno 3piece c/w. At this point the arm really looked and sounded the tits.
    I was however running an Ortofon Samba, not a bad little cart, but once again clearly a weak (read cheap) link in what is building toward a more expensive system.

    It was around this time that i lost a little heart in the project, a common thread atm. Basically although the deck was ticking all the boxes, i wasn't getting the FOOK ME!! factor that i expect from my kit.

    Was it time to start chasing my tail with the smaller, yet no doubt worthy upgrades such as mats or feet, Or was a more expensive cart the answer?
    Enter Vic and the Trans Fi Terminator.
    I had a word with Vic re: fitting a Term to a 12 specifically how the armboard situation would be addressed. I sent the armboard from my teccy and he cut a slotted armboard from an mdf type product. He now has a template so i'm sure for a premium he'd do one for you in alloy.

    As ever Vic does a satisfaction guarantee so i thought i'd give it a shot.
    Set up is far simpler than it looks, it really is right or wrong (give or take).
    Initial vta is established using spacers

    Now i don't wish to start a fight here but to my mind all gimbal tonearms are variations on theme. Of course there are great ones out there but i have never owned one which Blew me away. I've never paid more than £500 for one so maybe that's my problem.
    Adding an air bearing arm to the direct drive is amazing. Bass appears from nowhere and the tracking is second to none. It would appear that the wow factor i had lost with the sale of the EVOwas not going to be replaced unless i got another air bearing arm.
    There is no issue with pump noise. enough hose is supplied for you to place the pump in another room. Alternatively you can drill a hole in the wall like i have done and remotely turn it on.

    and to fine tune the air flow you can use one of these natty things from the garden centre

    i believe the term is heath robinson

    At this time Marco and others pointed me towards Mark Grant cables for the outputs. £40 or so for 2pr - worth every penny.



    As with the psu the Terminator once again shows up weaknesses.
    This time it was the Ortofon cart. the best way to describe the problem is that it didn't have the level of class required.
    Buying a cart is a nightmare and i made the wrong choice straight away based on price. I managed to secure a DL304 for £260 when i could have had the 103SA or OC-9 for around £360.
    Again, the Denon is a great cartridge. It's excellent with mids and highs and if my musical taste was acoustic or classical i'd probably have kept it. It lacked the bass attack of the more rough and ready Samba so after 5 hrs use i knew i had a £260 quid bit of s/h metal i no longer wanted
    I then spotted the OC-9 on sale at lpgear in the states which i could have for £280 inc customs and delivery. I sucked it up, told my missus to look the other way and bought it.

    And this is where we wind it up. It's rare that these things happen but - I think my tt setup is now PERFECT
    Really, i can't find fault with it. Everything is right. It makes me smile, tap my feet, the bass resonates through my listening chair and the rest is crystal clear.
    It's a strange one really. Is the 1210 a bargain? out of the box-yes.
    To get it singing you're looking down the sharp end of an extra 1K. It's probably worth knowing that before you start

    The odyssey is over and now the real fun can begin


    ps - i'll probably faff around with different feet and mats in the future - it's an illness
    ---------------------------------------------------
    recovering audioholic

    Technics: SL 1210 mk2 / KAB PS1200 psu /Trans-fi Terminator / AT-OC9MLII / WD ph3s /Bluesound node 2i/Musical Fidelity Ms3i/ WADkit 6550 / Tannoy revolution xt8f

    Gareth.

  2. #2
    Join Date: Jun 2008

    Location: Paris, France

    Posts: 790
    I'm Peter.

    Default

    £1000 get's you what elsewhere ?
    Intel NUC/Chevron Audio NDF16 dac/Amptastic Mini-1/Audium Comp 5
    Mains Block: Custom-HiFi-Cables PowerBlack Distribution Block (with super conditioner).
    Connected with Reference Fidelity Components Super Neptunes and Speaker Cables.
    Powered by Custom-HiFi-Cables DC2 psus

  3. #3
    Join Date: Sep 2008

    Location: norwich

    Posts: 246

    Default

    Quote Originally Posted by Peter Stockwell View Post
    £1000 get's you what elsewhere ?
    Couldn't agree more Peter. It's truly a great set up. yup, better than a hr'd gorbe. And i enjoyed the process
    ---------------------------------------------------
    recovering audioholic

    Technics: SL 1210 mk2 / KAB PS1200 psu /Trans-fi Terminator / AT-OC9MLII / WD ph3s /Bluesound node 2i/Musical Fidelity Ms3i/ WADkit 6550 / Tannoy revolution xt8f

    Gareth.

  4. #4
    Join Date: Jun 2008

    Location: Paris, France

    Posts: 790
    I'm Peter.

    Default

    There's another thread around here about the Orbe. I read over on the naim forum about one forum member getting a Raven motor for an Orbe, his remark being that pitch was more stable.

    The mitchels have always looked great, whereas an SL1210 mearly looks adequate.

    I believe what you say about the terminator, and I'll make sure I never hear one that way I won't be dissapointed with my IV.
    Intel NUC/Chevron Audio NDF16 dac/Amptastic Mini-1/Audium Comp 5
    Mains Block: Custom-HiFi-Cables PowerBlack Distribution Block (with super conditioner).
    Connected with Reference Fidelity Components Super Neptunes and Speaker Cables.
    Powered by Custom-HiFi-Cables DC2 psus

  5. #5
    Join Date: Nov 2008

    Location: North Down /Northern Ireland/ UK

    Posts: 19,474
    I'm Neil.

    Default Excellent

    Well done Muffin Man


    Nice write up and great photos. Thank you for your item. The Terminator really looks the part. You are right having a linear arm air bearing or other is an amazing thing, does make you realize how much of a compromise most 9 inch arms are. I had an Eminent Technology ET2 and I regret selling it but at the time I had no choice.













    Regards D S D L
    Last edited by Spectral Morn; 02-04-2009 at 21:42.
    Regards Neil

  6. #6
    Join Date: Jan 2009

    Location: New South Wales

    Posts: 83
    I'm Tony.

    Default

    A most interesting read, thank you Mr Muffin Man.
    Certainly sounds like the business, do love the wild pink vinyl

    A couple of questions,
    the final setup is with the arm base sitting on a pile of washers/spacers ?
    What is the purpose of the second (rear) slot?
    Presumably the exposed length of cartridge lead gives no problem with pickup of RFI ?
    How noisy is the air pump (for those like me who do not have the luxury of another room to keep it in)?
    cheers
    TG

  7. #7
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,457
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Brilliant, Gareth - superb work matey, and just the kind of 'professional' review we love to see here on AOS!

    Is that a bespoke headshell on the Terminator? It appears to be more 'chunky' than the one I've seen on other examples.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #8
    Join Date: Mar 2009

    Location: The New Forest

    Posts: 1,915
    I'm Steve.

    Default

    Very interesting.
    My SL-1210 with PSU will arrive shortly (I'll update my ongoing thread with progress). As a stop gap I an putting a full OL RB250 with either Sumiko BPS EVOIII ot AT-33 PTG on it.

    Then it is muck about with feet & mats and sub mounts the deck stands on.

    That will be all of an afternoons work After which I'll be on to what new arm - if the SL-1210 / RB250 doesn't blow me away (I am informed that it won't).

    The Terminator is interesting. Certainly looks advanced enough and the physics and geometry would seem to stack up.

    I've had a quick surf and found some info on it. Found the pricing and the 30day trial which is very fair.

    What is it like to use and live with esp after a few beers (hick).

    Does it make any noise? - Not a huge issue as the stylus will as will my Tannoy's anyway but 5m of hose got me wondering. Do you have the pump in a pump room?
    Last edited by Magna Audio; 03-04-2009 at 10:26.
    System: Turntable : SP10 MKII slate plinth, Custom Ebony tonearm board, Arm : Fidelity Research FR64s, Cartridge : SPU Royal N. SUT : Lundahl 1:13. Phonostage : Icon Audio, Streaming RPi/Kali reclocker -> I2S -> DSP XO / Pre / 4 DAC's : WAF Najda, 5 Poweramps : 3 x EL84 SET's, 2 x D class amps on bass channels, Speakers : 5 way front loaded horn system: 2 X Tapped sub 15" LF drivers / 2 X Exponential mid bass 15" drivers / Tractrix 200Hz mid horns with JBL2482's, / Tractrix 550Hz upper wooden horns with factory refurb'd Vitavox S2's / Raal Lazy Ribbons as high frequency tweeters. Wires: good silver or good copper where best suited. DIY RCM.

    Maker of tonearm boards, armpods, Tannoy GRF style speaker cabinets, horn speakers, counterweights and more.
    For more information about my creations and products please click below

    http://fosworld.wixsite.com/magna-audio & on Instagram https://www.instagram.com/magna_audio/

  9. #9
    Join Date: Sep 2008

    Location: norwich

    Posts: 246

    Default

    Quote Originally Posted by Tony G View Post

    A couple of questions,
    Hi Tony,
    I'll get to your questions in a sec but firstly i would like to make it clear to everyone that this is the first time a Terminator has been fitted to a 1200 and as such it was all done on a 'suck it and see' basis.
    All the measurements etc where sent by me to Vic and all the items you see are the result of Him working to my plans. I think he did a great job considering he had no deck to work with.
    The actual arm i have on my deck is one of the first prototypes Vic made and as such i got it at a reduced price. The current models are nice and shiny so please dont be distracted by anything which may seem amiss - it's thoroughly acceptable to me. A new model would be pristine
    the final setup is with the arm base sitting on a pile of washers/spacers ?
    1/. there are nicer chunky plastic spacers provided, which do indeed look the part. when i changed the cart though, the vta was miles out, so i fine tuned using the washers. trouble is, when i got the OC-9 on it sounded so good i didn't want to mess with the set up based on looks
    What is the purpose of the second (rear) slot?
    2/. this goes back to the 'suck it and see'. this enables a longer wand length by moving the entire assy back a few cm. we were in agreement that shorter was better. the choice remains available but i doubt it needs to stay for future versions
    Presumably the exposed length of cartridge lead gives no problem with pickup of RFI ?
    3/.If it does - i ain't noticed
    How noisy is the air pump (for those like me who do not have the luxury of another room to keep it in)?
    4/.the pump is noisy. Vic has a neat hideaway idea that is illustrated on his web page. i think he tucks it away in a foam filled box. It must do the job or the whole excersise would seem pretty pointless
    ---------------------------------------------------
    recovering audioholic

    Technics: SL 1210 mk2 / KAB PS1200 psu /Trans-fi Terminator / AT-OC9MLII / WD ph3s /Bluesound node 2i/Musical Fidelity Ms3i/ WADkit 6550 / Tannoy revolution xt8f

    Gareth.

  10. #10
    Join Date: Sep 2008

    Location: norwich

    Posts: 246

    Default

    Quote Originally Posted by Marco View Post

    Is that a bespoke headshell on the Terminator? It appears to be more 'chunky' than the one I've seen on other examples.
    Ta Fella
    Nope, it's the new improved Varimass headshell which has 3 brass screws on the underside that can be removed to change effective mass. Clever chap.
    there are pics on the site.
    it also features threaded and unthreaded holes. My one is currently using the unthreaded as my threaded were 1mm out. No worries though as Vic is going to send me a new one out soon.
    ---------------------------------------------------
    recovering audioholic

    Technics: SL 1210 mk2 / KAB PS1200 psu /Trans-fi Terminator / AT-OC9MLII / WD ph3s /Bluesound node 2i/Musical Fidelity Ms3i/ WADkit 6550 / Tannoy revolution xt8f

    Gareth.

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