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Thread: Choosing the 'best' turntable and ignoring 'flavours'

  1. #11
    Join Date: Mar 2009

    Location: Milano, Italy

    Posts: 17

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    Modifying the Techy seems a funny long mountain path.
    I often wonder why high quality direct drive TT seem to be somewhat as a private "Japan affair". For example:
    http://denon.jp/products2/dp1300mk2.html
    http://www.vinylengine.com/library/marantz/tt8001.shtml
    It seems they are the only two DD realistic alternative to the SL1210M5G. Has anyone experience of one of these machines?
    Bye,
    Siro.
    Turntable - Technics SP15 & SL1210M5G; Pioneer PL-71; Cartridges - DL-301mk2, DL-103R & AT33PTG; Pre-phono - NVA; SACD player - Arcam CD37; Pre-passive - NVA P90sa; Power bi-amp - NVA A80+A70; Loudspeakers - Opera Quinta New; Music - Classical, Opera and Contemporary.

  2. #12
    Join Date: Dec 2008

    Location: East Riding of Yorkshire these days

    Posts: 4,775
    I'm Shaun.

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    Peter, does that mean you're a veggie...??? I feel another thread coming on...!

    I agree with everything that's been said so far, positive and negative about the Technics. I'd like to know why, if the machine is intended to be a final product, everyone then feels the need to rip it to pieces and 'improve' it. I have very limited experience with this deck but I do have experience and I apologise to all now. I thought it was constructed of plastic as it certainly feels that way. There is nothing about that deck that feels anything like a Nottingham Analogue Interspace for instance but I do appreciate that the NA is twice the price. I still also realise that it is a DJ deck and was and is intended for that purpose. I realise that it is very probably the ultimate DJ deck but that doesn't necessarily make it Hi-Fi.

    Do I want one...??? I want a nicely engineered Hi-Fi turntable that I can assemble when it arrives and then enjoy. I do not want to have to spend 500 quid on something that I then have to spend another 200 on just to make it Hi-Fi. Fortunately, I have plenty of time.

  3. #13
    Join Date: Mar 2008

    Location: Newport

    Posts: 391
    I'm Simon.

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    Quote Originally Posted by Peter Stockwell View Post
    Too much Brown sauce and everything tastes the same. Haven't had a bacon buttie in years .

    The Crap DJ decks didn't start life as DJ decks their origins are as hifi decks. My current deck (SL1210/KAB psu/SME IV/AT33 PTG/Clearaudio nano) is the most versatile I've ever had in terms of what it can playback.
    Funnily enough I think the exact same way about my Orbe.

    I don't believe any deck/system is neutral, if so then I would hear what I hear at concerts and I don't and never have heard that from a hifi.

    I would much rather have an olde worlde LP12 that put a smile on my face and made me want to do nothing but listen to music - flovoured but in a very nice way.

    You could put 10 od us in a room and ask us to come up with something accurate and neutral and you would get 10 different answers. It's the reason why some guitarists prefer and Gibson to Fender - cos it sounds better to them. It's flavoured to their taste.

  4. #14
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,448
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by griffo104 View Post
    I'm not convinced a Technics DJ deck, modified or otherwise, give you the full flavour as originally intended.

    I'll duck for cover right now
    Griffo, the answer is simple: name a date and time and I'll being mine down to yours and you'll find out!

    Plus it would be a good excuse to meet and have a few



    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #15
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,448
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    The Crap DJ decks didn't start life as DJ decks their origins are as hifi decks.
    Indeed, Peter! This FACT seems to be getting missed, or perhaps deliberately ignored

    Shaun (and also Griffo),

    I'll come back to you later - bit busy right now, and Shaun you still haven't added your first name to your signature!

    Laters,
    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #16
    Join Date: Jun 2008

    Location: Paris, France

    Posts: 790
    I'm Peter.

    Default

    Veggie, Me ? I did have a salad for lunch today ...

    The Mitchells and the Nottingham Analogues are surely great TTs, I don't know from own experience, I've never heard either. I don't like belt drive and believe the LP12 to be about the most overrated TT that ever was built. But I like marmite, bitter orange marmalade, citron confit and hate cucumber. So what would I know.
    Intel NUC/Chevron Audio NDF16 dac/Amptastic Mini-1/Audium Comp 5
    Mains Block: Custom-HiFi-Cables PowerBlack Distribution Block (with super conditioner).
    Connected with Reference Fidelity Components Super Neptunes and Speaker Cables.
    Powered by Custom-HiFi-Cables DC2 psus

  7. #17
    Join Date: Nov 2008

    Location: North Down /Northern Ireland/ UK

    Posts: 19,474
    I'm Neil.

    Default

    Quote Originally Posted by sc_ita View Post
    Modifying the Techy seems a funny long mountain path.
    I often wonder why high quality direct drive TT seem to be somewhat as a private "Japan affair". For example:
    http://denon.jp/products2/dp1300mk2.html
    http://www.vinylengine.com/library/marantz/tt8001.shtml
    It seems they are the only two DD realistic alternative to the SL1210M5G. Has anyone experience of one of these machines?
    Bye,
    Siro.

    Hi Guys

    The link to the vinylengine site will not work if linked direct from AOS (this page). Please take the link (copy and then paste) and use your search engine from outside AOS.


    Sorry for the hassle.


    Regards D S D L
    Regards Neil

  8. #18
    Join Date: Nov 2008

    Location: North Down /Northern Ireland/ UK

    Posts: 19,474
    I'm Neil.

    Default

    I think that anything that has been designed for and can survive the world of DJing can make an excellent basis for tweaking. Thus the Technics is a good choice for that reason alone. However, and I haven't heard one modified or not I do trust Marco's ears and the others such as Dave Cawley...if they say its as good as it is I think you can take that to the bank. However you may not like the sound or it may not suit your set up.


    I do understand though where Shaun is coming from not every one wants to buy something and then have to rip it apart. I guess they can then buy one from Dave Cawley...complete and ready to go.

    For me my true love is my Oracle Delphi mk4 and being honest it is as much about the looks as the sound.




    Regards D S D L
    Last edited by Spectral Morn; 02-04-2009 at 14:14.
    Regards Neil

  9. #19
    Join Date: Dec 2008

    Location: East Riding of Yorkshire these days

    Posts: 4,775
    I'm Shaun.

    Default

    Now that's what I call a turntable...!!! A massive piece of engineering and fantastic value for money. Someone here mentioned a Michell Orbe. That would be my first choice always if money was no object. It is...!

  10. #20
    Join Date: Apr 2009

    Location: Near Saffron Walden, Essex

    Posts: 7,357
    I'm Dave.

    Default

    Neil,
    Is that a Parnassus on the end of your SME ?

    David

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