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Thread: Justin & Jerry's Hifi Blog

  1. #741
    Join Date: Jan 2008

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    Hmmm

    I'm not sure now which type of EH 300B I have.

    Looking at pics on t'web the standard EH 300B has black lettering, whereas mine are kind of gold-ish .....



    So do I have EH Gold Grid 300B valves already?
    Last edited by jandl100; 15-01-2013 at 11:11.
    .

  2. #742
    Join Date: May 2012

    Location: Maidstone

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    I'm James.

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    Quote Originally Posted by jandl100 View Post
    Hmm ... nah ... I'm not rushing into that question.

    They are sufficiently different, and the Viva sound very valve dependent, that it's not a question with an easy answer.
    I know I'm just interested in your findings,

  3. #743
    Join Date: Jan 2008

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    Quote Originally Posted by Sovereign View Post
    I know I'm just interested in your findings,
    The Viva wants to be much more laid back and relaxed than the Yaqin amp - but while some folks would fall madly deeply in love with that sound, it isn't what I want.

    I need a bit of pep in the music to keep me interested -- pizzaz, I generally call it -- and, as luck would have it, the Sovtek 6SN7 I have just slipped into the Viva's sockets is the best yet in that regard. Woo!

    ... I reckon you can fine tune the Viva to give pretty much any sound presentation you want just by swapping around the ecc83 and 6SN7 valves!

    But if you want an interim verdict, and a huge over-simplification, the Yaqin majors on Big & Bold, the Viva does delicacy and subtle insight.
    The Yaqin does the 3D imaging thing better, especially with the Sovtek 6SN7 and Tung-Sol 12AX7.

    I guess, with my speakers (probably around 88dB/W in-room) the Yaqin with its extra power is the better overall match for a wide range of music, but the Viva has subtleties that are very beguiling indeed!

    Which to use?
    At the moment, I dunno - why choose, though? I can have both!

    But much more listening and fooling around with valves and ancillaries is needed to get the best out of the Viva, I feel sure.
    .

  4. #744
    Join Date: Dec 2010

    Location: Northampton

    Posts: 1,373
    I'm Mark.

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    Erm, nice display of your wireless key there Jerry.
    Last edited by Dingdong; 15-01-2013 at 11:24.
    Mark

  5. #745
    Join Date: Jan 2008

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    Quote Originally Posted by Dingdong View Post
    Erm, nice display of your wireless key there Jerry.
    Oops. Well spotted!

    Sorted - new photo now in place!
    .

  6. #746
    Join Date: May 2012

    Location: Maidstone

    Posts: 974
    I'm James.

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    Nice one, thanks very much. What upgrades were carried out to your Yaquin before you bought it?

    Quote Originally Posted by jandl100 View Post
    The Viva wants to be much more laid back and relaxed than the Yaqin amp - but while some folks would fall madly deeply in love with that sound, it isn't what I want.

    I need a bit of pep in the music to keep me interested -- pizzaz, I generally call it -- and, as luck would have it, the Sovtek 6SN7 I have just slipped into the Viva's sockets is the best yet in that regard. Woo!

    ... I reckon you can fine tune the Viva to give pretty much any sound presentation you want just by swapping around the ecc83 and 6SN7 valves!

    But if you want an interim verdict, and a huge over-simplification, the Yaqin majors on Big & Bold, the Viva does delicacy and subtle insight.
    The Yaqin does the 3D imaging thing better, especially with the Sovtek 6SN7 and Tung-Sol 12AX7.

    I guess, with my speakers (probably around 88dB/W in-room) the Yaqin with its extra power is the better overall match for a wide range of music, but the Viva has subtleties that are very beguiling indeed!

    Which to use?
    At the moment, I dunno - why choose, though? I can have both!

    But much more listening and fooling around with valves and ancillaries is needed to get the best out of the Viva, I feel sure.

  7. #747
    Join Date: Dec 2010

    Location: Northampton

    Posts: 1,373
    I'm Mark.

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    Quote Originally Posted by jandl100 View Post
    Oops. Well spotted!

    Sorted - new photo now in place!


    You can never be too careful.

    There was a post on another forum about an ebayer selling a dress. She didn't notice the image of her in the mirror without any pants on.
    Mark

  8. #748
    Join Date: Mar 2008

    Location: Galashiels

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    I'm inthescottishmafia.

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    The front end valves often make more of a difference than the power valves.

  9. #749
    Join Date: Feb 2008

    Location: France. Yup, still France>

    Posts: 640
    I'm Stu.

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    Quote Originally Posted by jandl100 View Post
    Hmmm

    I'm not sure now which type of EH 300B I have.

    Looking at pics on t'web the standard EH 300B has black lettering, whereas mine are kind of gold-ish .....



    So do I have EH Gold Grid 300B valves already?
    Dunno, Jerry but you have the same 300Bs as mine.
    Hifi Pig snoofling out what's hot in hifi.

  10. #750
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,531
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Jerry.

    I'd say that the Viva is not a Marco amp, though! ... it's not particularly interested in pinning me to the back wall, at least with my speakers, but it does other things very well indeed and is enjoyable and interesting to listen to (which most amps are not).
    Lol!

    The problem for me is that I like recorded music, reproduced through a hi-fi system to, as far as possible (and I mean as far as possible) sound like REAL music, i.e. such as is heard, un-amplified, when played by musicians using real instruments. I also demand that a system can play loudly, cleanly, as let's face it, when an orchestra is in full flow, or a rock concert is jumping, the sound is visceral and has serious gravitas, and so if you want the sound produced to approach being lifelike at home, you need a system that can reproduce, as closely as possible, the 'physicality' of that live experience, to the same degree as it portrays the more subtle (and equally valuable) subtleties of live music....

    With enough attention to detail, in terms of component choice, the synergy achieved therein between those components, and the optimal set-up of them thereof, it *can* be done, and with less overall financial expenditure than perhaps one would imagine!

    I don't 'do' components or systems which are imbued with too much of a 'sonic signature', or that roll-off transients and limit resolution, in order to make things sound 'nice', and for me single-ended 300B valve amps simply add too much of their own 'character' to proceedings, in order for what I've described above to become anything like a reality! Coloured and euphonic sounding? You betcha!

    Yes, as you've noted, the midrange is gorgeous, but that's only achieved by adding unacceptable (for me) coloration, through the high levels of distortion that 300Bs produce, to the rest of the frequency range, which is also important! I guess it depends a lot on what music you listen to, and for some, that gorgeously creamy and mellifluous sounding midrange would complement the vast majority of their music collection, but not mine, as it's WAY too diverse!

    I once heard a World Audio Design push-pull 300B amp, belonging to Greg, at one of the meets, and that was superb - undoubtedly the best 300B amp I've ever heard, so 300Bs can have 'balls' too, but would I swap it for my copper amp? Nope, not a chance!

    I'll be interested in what you think of the Yaqin, compared with the Viva. The former, although far from perfect, is much more to my taste, with its vibrant, peppy and exuberant sound, if a little rough around the edges, which never fails to put a smile on your face, no matter what music you feed it. It has BALLS, baby... 300B SEs, in comparison, have marshmallows!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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