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Thread: Linn Service

  1. #21
    Join Date: Oct 2012

    Location: Glasgow, Scotland, UK

    Posts: 116
    I'm John.

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    in london there is always infidelity hifi

    there awaits the god known as Derek Jenkins...well worth a trip there !!!


    im linn trained as well and in all my years of working with decks i have only ever seen "one" lp12 that a customer managed to get it perfectly set up and to bounce lovely

    that was "Snapper" off of this forum
    not sure how the old git managed it...but he done a fine job i can tell u


    bw
    j7
    Last edited by Johnnie7; 04-01-2013 at 23:33.
    https://j7rewires.co.uk

    And visit my face book page--- check out J7 Rewires

    https://www.facebook.com/profile.php?id=61557054222982

  2. #22
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    I didn't remember Infidelity as a Linn dealer for some reason, only Rega (Simon used to be sales manager in the bad old days) and Naim. They certainly seemed to be caring people though...

    Johnnie, for right or wrong, I was trained in Linn setup by no other than Jimmy Hughes. Now, Jimmy was very much a "Do as I say and not as I do!" kind of person. his decks would have arm boards all skew and not apparently level, often with sub-chassis set too high or too low, YET, his were at the time amongst the best sounding LP12's in the business, because the little things that really DID make a difference were expertly attended to, all the rest being cosmetic. In fact, I have it on very good authority that it was actually Julian Vereker who actually devised the correct setup procedure for LP12's, Linn doing a bit of a shoddy mess in the mid 70's when all this started (I've seen it first hand). Even the act of putting a washer between the p-clip and the fixing nut (as grahams did and maybe still do) had an effect on the sound on the bloody thing (I chose not to use such washers although it makes sense to do so).

    Please, I'm fruitboxed out and really don't want to dredge up thirty years of angst over the bloody things. Just get a bloomin' Spacedeck, plonk it down on your favourite cabinet or shelf, listen to the wonderful music coming from the records being played and forget about springs, getting the fuses, belt and mat round the right way, grommets going hard or soft and the sub-chassis breathing up and down as the platter goes round 'cos the platter is never in proper balance (castings are never so accurate that you can ignore this).......... let alone a perfect bounce!
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  3. #23
    Join Date: Oct 2010

    Location: North Bucks, UK

    Posts: 561
    I'm Ron.

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    Quote Originally Posted by Johnnie7 View Post
    in london there is always infidelity hifi

    there awaits the god known as Derek Jenkins...well worth a trip there !!!


    im linn trained as well and in all my years of working with decks i have only ever seen "one" lp12 that a customer managed to get it perfectly set up and to bounce lovely

    that was "Snapper" off of this forum
    not sure how the old git managed it...but he done a fine job i can tell u


    bw
    j7
    J7, my man, I blame it all on that high octane whisky with a lager chaser that you have in Glasgow...after a while not even the floor boards are level or bounce!

  4. #24
    Join Date: Feb 2009

    Location: Surrey, England UK

    Posts: 591
    I'm Stewart.

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    OK playing devil's advocate here..................why not just plug it in and use it?

    Does it need a service? I'm willing to bet it's absolutely fine - why throw money at un-needed work?
    Stewart.

  5. #25
    Join Date: Apr 2011

    Location: Surrey

    Posts: 4,157
    I'm Mike.

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    Quote Originally Posted by Lodgesound View Post
    OK playing devil's advocate here..................why not just plug it in and use it?

    Does it need a service? I'm willing to bet it's absolutely fine - why throw money at un-needed work?
    Being an official cheapskate I'd take the cheap route but
    >out of the loft after a number of years in storage

    seems to say to me "have a service"
    TAD CD / DAC / Pre, Technics 1210, MCRU PSU, Mike New Bearing & Platter, Stillpoints LP1 weight, Speedy Steve Ebony armboard, Fidelity Research FR64FX arm, Ortofon SPU. Aurorasound VIDA Phono Pre Amp, TAD Power Amp, TAD E1 speakers. Coherent RTZ 3 Grounding box, Coherent grounding cables, Creaktiv racks. Coherent Mains Cables. SR Blue Fuse. Interconnects : Coherent and Yannis 223.5 Connect Litz. Coherent speaker cable. Audio Magic Transcendence Conditioner. Coherent mains socket. Mains Filters : , PS Audio Harvesters, Russ Andrews Purifiers, Tacima, Vertex. Black Ravioli and RDC supports. Electric Beach S1NX platforms for TAD CD and Technics. Ferrite chokes everywhere except the above. Ears, brain

    Mike

  6. #26
    Join Date: Feb 2009

    Location: Surrey, England UK

    Posts: 591
    I'm Stewart.

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    As part of my job I recently resurrected a 40 year old professional videotape machine that had been in storage unused for 15 years.

    Worked straight away with no problems - measured fine and all within specifications. This is a device which is INFINITELY more complex than a turntable.

    These are austere times we live in - do not give your money to folk unesessarily.
    Stewart.

  7. #27
    Join Date: Oct 2012

    Location: Glasgow, Scotland, UK

    Posts: 116
    I'm John.

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    Quote Originally Posted by JazzBones View Post
    J7, my man, I blame it all on that high octane whisky with a lager chaser that you have in Glasgow...after a while not even the floor boards are level or bounce!
    hehhehe its the drambuie that gives me a nice bonce
    https://j7rewires.co.uk

    And visit my face book page--- check out J7 Rewires

    https://www.facebook.com/profile.php?id=61557054222982

  8. #28
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,482
    I'm AudioAl'sArbiterForPISHANTO.

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    Aye, I've always loved that big bonce of yours!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #29
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

    Default

    Quote Originally Posted by Lodgesound View Post
    OK playing devil's advocate here..................why not just plug it in and use it?

    Does it need a service? I'm willing to bet it's absolutely fine - why throw money at un-needed work?
    This is a bloody Linn Springdek we're talking about, with iffy grommets, lop-sided springs and probably bent bolts on older ones, wooden bits that compress and make fixing bolts loosen and a belt that goes shiny and "off" fairly quickly. The felt mat shrinks (with a drastic negative effect on the sonics) and the tiny armboard screws loosen due to compressed materials. Many older main bearings leak all their oil out as well, so the thing ends up running almost dry with devastating results for the point on spindle bottom!

    Nothing "Professional" about a Linn LP12 of yesteryear I can assure you!!!!!

    Now, take a NAS Spacedeck, since it's the cheapest NAS model and sounds absolutely TONS better in all the Linn ways than a pre Cirkus LP12 at any rate, no matter what it's fitted with! The belt is designed not to stretch appreciably with time and the separate motor pod can be adjusted for distance easily, the main bearing is superbly done and rarely needs checking for oil. The arm mount is well thought out and I've said before many times just how wonderful the Rega RB arms sound on this deck - I don't know why, but they don't impede the musical flow at all, unlike on other decks such as the Techie for example..... The base is just put where necessary, the motor pod a finger thickness from the main plinth (levelling should have been done by the dealer and is easily corrected if necessary). Check the arm balance and playweight/bias and off you go with a huge grin on your face. Maintenance is simply dusting!!!!!!!

    Apologies in going off on one, but the average Lp12 is a dogs dinner and was never meant to be "Fit and Forget!" That's what kept us dealers in business you see, selling all the upgrades to willing punters at the time. of course, now the bloody things are getting old, have had many owners no doubt with suspect setup skills and many good but well used main bearings in the early 80's are wearing out, Linn's coffers are waiting for remedial dosh to put them right..

    No, nowt professional about a fruitbox.....


    And I haven't even mentioned the old Techie yet - so many of them (1200mk2) in mastering rooms and playback studios all over the place...
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  10. #30
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,482
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    And I haven't even mentioned the old Techie yet - so many of them (1200mk2) in mastering rooms and playback studios all over the place...
    Wonder why, eh?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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