+ Reply to Thread
Page 7 of 9 FirstFirst ... 56789 LastLast
Results 61 to 70 of 83

Thread: Superclock in SL-1210

  1. #61
    Join Date: Dec 2010

    Location: Northampton

    Posts: 1,373
    I'm Mark.

    Default

    Has anybody looked up 4.194304 Mhz crystals as an alternative to 4.19328MHz?
    Mark

  2. #62
    MartinT Guest

    Default

    That would represent a 0.024% speed error, so it would be possible. However, according to Patrick it's unlikely that a crystal swap will be an improvement.

  3. #63
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,403
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Excellent replies, Patrick. I'll leave the technical stuff to the techy bods on here, as unfortunately most of that stuff goes way over my head. However:

    Hey, it may very well sound better. They probably tweaked something else. Saying it has better stability, crystal, etc., sounds more high-tech than.........well, something simpler, like buying a cheap, industrial-grade cap, that improved performance. We all know that only audiophile grade caps can make it sound better!

    I think they call that "artistic license".
    Indeed, and that could well be the case... What needs to be done is for someone who knows what they're looking for to take a wee peek-a-boo inside the Monarch and see what lives in there, and then report back with the info

    Btw, I love this bit on your website:

    Don't ask when.......when it happens, it happens. We are working on it. We can either work on it, or answer all of your questions. Only one is going to happen, ok?

    --------------------------------------------------------------------------------

    OK, the DAC is close to being ready. USB and SPDIF inputs. And they sound pretty darn close to each other. So, there!
    Awesome!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #64
    Join Date: Oct 2008

    Location: Scotland

    Posts: 316
    I'm Paul.

    Default

    Pat,

    It was a good question but it only raised industry standard answers from you. In fact you have not really answered the question at all. You and I have been here before.

    The LM317 characteristics are well known, as it is an industry standard three terminal regulator that has been around for decades, and the data sheets show this information. I stopped using this type of regulator in the 1980’s because the performance just was not good enough for high performance power supplies, even for analogue use.

    The reason you have given why the LM317 has poor regulation is one of the reasons I design for much wider operating bandwidth in my regulator designs and have been doing so since the 1980’s progressively moving the boundaries further. I documented this exact reason for rejecting this type of regulator for high performance power supplies in a series of articles in the UK underground magazine "Common Ground" during the late 1990's. The performance of the LM317 in audio power supplies was being questioned much earlier than this by audio enthusiasts, Sultzer, Jung, Marsh, Didden etc through the 1980’s.

    Things have moved on a lot since then.

    Regards
    Paul
    Paul Hynes Design
    paulhynesdesign.com
    High Performance Power Supply upgrades
    http://theartofsound.net/forum/showthread.php?t=16655

  5. #65
    Join Date: Jan 2010

    Location: Oxford

    Posts: 872
    I'm NotSoPissedOffNowCosMyHiFisUnpacked.

    Default

    Sorry for the old thread resurrection!!!did this go anywhere???

    Not sure what a better clock would achieve other than maybe more accurate rotation speed.

    As already discovered there are no premium options for an oscillator unless purchased in quantity as a bespoke order. I may have an option on a discrete clock that will utilize the original xtal but should improve performance. Just thinking out load and wondering if its worth the effort!
    Ian
    http://www.hifisounds.co.uk

    Photo bucket - loads of mods!

    SL1200- DIY PSU- DIY FET int regs-Denon DL103 by Expert Stylus Company on Isokenetic stabiliser & Sumiko HS-12 shell- Achromat - Isonoe feet, Meridian 200 Phono satge, Junson JA-88D, Audio Aero Capitole CD/ DAC, extreme modified Marantz SA7001, Squeezebox Touch modded to death!, Focal 826WSE- Kimber 8TC, Kimber and CAT5 attenuated DIY Interconnects, Kimber mains

    "Leave Nothing as Standard"

  6. #66
    MartinT Guest

    Default

    Not currently, Ian. I am, however, very interested in a superclock implementation for the Technics. It has nothing to do with rotational accuracy - after all, the deck is pretty accurate as it comes. What I want to hear is the effect of reduced jitter in the phase drive to the motor coils.

    If you have a discrete design for use with the original crystal in mind, count me in. Continue via PM if you prefer.

  7. #67
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,774
    I'm Andrew.

    Default

    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE / MONO
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker





  8. #68
    Join Date: Mar 2010

    Location: Sheffield

    Posts: 2,899
    I'm Simon.

    Default

    Martin, you seem to be throwing the 'jitter' term about willy nilly. What do you mean by "jitter in the phase drive to the motor coils" ? Is there a D/A process taking place?
    Kuzma Stabi/S 12", (LP12-bastard) DC motor and optical tacho psu, Benz LP, Paradise (phonostage). Imac m1, gustard A18dac, Bruno Putzeys balanced pre, neurochrome 486 dual mono amps, Yamaha NS1000m with raal ribbons

  9. #69
    MartinT Guest

    Default

    There's a clock involved, Simon, and some digital logic. This clock is used to derive the motor coil drive phases. Therefore time domain jitter will exist, no matter how small. You could translate that as noise, but small amounts of it will be getting into the coils and causing some fuzziness to the drive signal.

  10. #70
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,774
    I'm Andrew.

    Default

    So the idea is to steady these signals as much as possible with a more upto date clock to try and stop "noise" getting into the coils and ultimately into vinyl replay. Right or wrong
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE / MONO
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker





+ Reply to Thread
Page 7 of 9 FirstFirst ... 56789 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •