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Thread: Which Tannoys, folks?

  1. #151
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,651
    I'm Geoff.

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    Interesting debate.

    I've used many makes of speakers, but I've tended to go back to Tannoy dual concentrics over and over again. They have characteristics (faults?) that some don't like, but I'm now on my sixteenth pair (I currently have three pairs) and other types of speakers just don't really work for me. I'm not saying Tannoys sound 'right' as such, but I just seem to give a mental sigh of relief when I'm listening to them instead of something else.

  2. #152
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

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    Indeed. You either 'get' the Tannoy thing with music or you don't. If you do (properly) then, quite simply, nothing else will do...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #153
    Join Date: Dec 2011

    Location: Far Away

    Posts: 1,373
    I'm Gone.

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    Quote Originally Posted by montesquieu View Post
    Anyway Harbeths in my view are fine for your mixing studio.
    Err sorry but if you are recording and mixing very simple acoustic music then in my opinion, Harbeths are just about OK, but there is a very good reason why Tannoys were the speaker of choice of record producers for many years..... They are simply the best monitors going. I record using a mix of monitors, from and old pair of Minimus 7s active Tascams and of course my Little Reds, If I go to other peoples studios, if they have no Tannoys I take my own. Every mix or soundtrack I do in my own place, gets a final check on my Tannoy/Lockwood Academys before I output it as well

  4. #154
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

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    Tee hee - an interestingly lively thread

    As my name has been taken in vain several times here, I may as well put in my 2p ----

    Quote Originally Posted by montesquieu View Post
    Hmmm 3-1 for Tannoy vs Harbeth here and I can think of two more at least from other forums, flogging off Harbs in favour of DCs seems to be a bit of a trend ...
    Tannoy? -- Harbeth?

    I wouldn't have either of 'em!

    But I am pleased that Paul -- and Tom and Marco and .... --like their Tannoys.
    Last edited by jandl100; 31-10-2012 at 07:59.
    .

  5. #155
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

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    Lol - wot are you loike! Anyway, I'm surprised you don't like Harbs, as you liked the Spends that you once had, which have a similar sonic presentation

    Which Harbs have you heard, daftee, and what was it that you didn't like about them?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #156
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

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    Quote Originally Posted by Marco View Post
    Lol - wot are you loike! Anyway, I'm surprised you don't like Harbs, as you liked the Spends that you once had, which have a similar sonic presentation
    Ah, my old SP1/2 -- Errr -- I didn't like them, actually!
    Fantastic tonal neutrality that had me enthralled for a couple of days - then I realised I was missing all but the opening 5 minutes of a disc as I was dozing off

    God, but they were boring. Lacking the dynamic inflexion that makes music come alive for me. The Harbs I have heard are a bit like that to my ears, as well, although not as deeply snoozeworthy. Paul's 5's, AlanB's smaller model, big Monitor 30 at a Show, others I have heard over the years. They're all the same to my 'umble lug'oles.

    There seems to be a price in dynamic subtlety to be paid for squeezing the last few ounces of tonal neutrality. Or maybe it's the flexi-wall approach to cabinets, maybe they tend to soak up some of the low level dynamic changes?
    Anyhoo - I think I should leave the technobabble second-guessing to others!
    .

  7. #157
    Join Date: Sep 2009

    Location: Essex, UK

    Posts: 3,439
    I'm Andy.

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    l am going to come on this thread a bit left field, l just brought a pair of Tannoy Mercury M20, for a decent price- always loved the look of them when starting out in this business, years ago, anyway cleaned them down, drivers and cabinets, tightened all the driver screws, warmed them up(they were freezing cold) had a listen.. mmm not bad not bad at all, open,airy,dynamic and very dynamic, with a thick bass bump, so left playing whilst doing other stuff, came back for a listen, each time doing so, sound getting a little better


    Well this morning listening to them, they sound bloody amazing, even more open, so, so musical, dynamic, the bass thump has gone, replaced by, kick drum that hits you in the chest, and they are so sweet, smooth, with the imaging very excplicit, crickey these are good
    System; Michell Gyrodec SE/ Orbe Clamp/ Gert Pedersen armboard mod/ HR PSU/ SME V / J7 Tonearm cable/Ortofon Cadenza Black// Jez Arkless Turbo nutter B------ /Trichord Dino+

    Amplification and loudspeaker set up is at the moment being split into two groups, comprising the following;


    1. Same sources as above; SONY TAF-770ES/SONY CDP761E/Cable Talk 3.1 loudspeakercable/ Harbeth Compact7ES2/ Stands

    2. Virtue Audio Sensation M451battery PSU, ClarityCaps upgrade/ Sensation M901/Russian PIO caps with Teflon bypass caps upgrade/ JT Dynamic PSU with various tweaks/ Connex Audio 5N Litz loudspeaker cable, Impulse H6 Loudspeakers.




















    Me so horny- Impulse H6 Horny

  8. #158
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

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    Ah well - M20 - a very different kettle of wet, scaley things. More of a 'conventional' speaker.

    The dual concentric Tannoys have a flavour all their own, it's not surprising really that they gather their clans of lovers and haters!
    .

  9. #159
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,651
    I'm Geoff.

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    Quote Originally Posted by jandl100 View Post
    Ah well - M20 - a very different kettle of wet, scaley things. More of a 'conventional' speaker.

    The dual concentric Tannoys have a flavour all their own, it's not surprising really that they gather their clans of lovers and haters!
    Quite so. Nothing else sounds like a proper Tannoy dual concentric!

  10. #160
    Join Date: Sep 2009

    Location: Derbyshire

    Posts: 9,351
    I'm Josie.

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    Quote Originally Posted by Tarzan View Post
    l am going to come on this thread a bit left field, l just brought a pair of Tannoy Mercury M20, for a decent price- always loved the look of them when starting out in this business, years ago, anyway cleaned them down, drivers and cabinets, tightened all the driver screws, warmed them up(they were freezing cold) had a listen.. mmm not bad not bad at all, open,airy,dynamic and very dynamic, with a thick bass bump, so left playing whilst doing other stuff, came back for a listen, each time doing so, sound getting a little better


    Well this morning listening to them, they sound bloody amazing, even more open, so, so musical, dynamic, the bass thump has gone, replaced by, kick drum that hits you in the chest, and they are so sweet, smooth, with the imaging very excplicit, crickey these are good
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