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Thread: Spinning Today (Classical version)

  1. #721
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

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    Zoopah!
    -- my first SACD success ... on the Linn label ...



    Performances; gorgeous. Sound quality; excellent.

    Not sure about this one - I'm trying to find a recording of Dvorak's 1st symphony that is as impressive as I suspect the music is ....


    I've tried a few so far, I suspect that the quest continues ....
    I've not heard Jarvi or Kertesz yet ....
    .

  2. #722
    Join Date: Oct 2012

    Location: York, UK

    Posts: 97
    I'm Simon.

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    I'm auditioning new speakers at the moment, so quite a few discs are being dug out of the deeper archeological strata of my collection. This one emerged into the light yestreday evening:



    Wonderfully uplifting stuff!

  3. #723
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,505
    I'm AudioAl'sArbiterForPISHANTO.

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    Picked up a pile of (minty) second-hand vinyl in Swordfish Records in Brum:

    Ravel - L'Heure Espagnole with L'Orchestre de la Suisse Romande, and Suzanne Danco (Soprano), Paul Derenne (Tenor), Michel Hamel (Tenor), Heinz Rehfuss (Baritone), Andre Vessieres (Bass), conducted by Ernest Ansermet, on Decca Eclipse, from 1963.

    Shostakovich - Symphony No5 with The Stadium Symphony Orchestra of New York, conducted by Leopold Stokowski, on World Record Club Records, from 1963.

    Shostakovich - Symphony No4, with The Philadelphia Orchestra, conducted by Eugene Ormandy, on CBS, from 1963.

    Shostakovich - Piano Concerto No1 (Op.35)/Piano Concerto No2 (Op.102), with Andre Previn and Leonard Bernstein, on CBS, from 1974.

    Shostakovich - Symphony No13, with The Moscow Philharmonic Orchestra and Male Chorus, with Vitaly Gromadsky (Bass), conducted by Kiril Kondrashin, on Everest Records, from 1967.

    Scarlatti - 6 Sinfonias, with The Paris Instrumental Ensemble, conducted by Charles Ravier, on EMI, from 1972.

    Scarlatti - Sinfonias Nos 6-11 Cantilena, conducted by Adrian Shepherd, on RCA, from 1979.

    Brahms - Piano Quintet in F Minor, with The Virtuoso Ensemble. Piano: Wilfrid Parry. Violins: David Martin, Patrick Halling. Viola - Gwynne Edwards. Cello: Willem de Mont, on RMC Records, from 1968.

    Bruch - Concerto in G Minor. Mendelssohn - Concerto in E Minor, with Josef Suk (violin), with The Czech Philharmonic Orchestra, conducted by Karel Ancerl, on Supraphon Records, from 1964.

    Smetana - Piano Trio in G Minor, with the Suk Trio. Josef Suk: violin. Josef Chuchro: cello. Jan Panenka: piano, on Supraphon Records, from 1968.

    Joachim Raff - Fifth Symphony 'Lenore', with The London Philharmonic Orchestra, conducted by Bernard Herrmann, on Unicorn Records, from 1970.

    Not a bad wee haul for £25

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #724
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

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    Oooo - lots of Shosty - well done, Marco!

    Spinning yesterday --



    Telemann sonatas for 2 violins - very reverberant recording, but once acclimatised to, this is a great CD. Both violin parts recorded by the same violinist and overdubbed. Works well!

    And some more Telemann



    An interesting concept - 4 short cantatas, with a different vocal soloist in each (soprano, contralto, tenor & bass), but forming a unifying whole, with a fine and quite long orchestral intro.
    .

  5. #725
    MartinT Guest

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    Marco cleaned up the Shossy before the rest of us could get a look-in

  6. #726
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,505
    I'm AudioAl'sArbiterForPISHANTO.

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    Hehehe... Del spied the Shossy, pulled it out of the rack, and alerted me to it. So as it was just sitting there winking at me....

    TBH, if I'd had more time, I'd have hoovered up a lot more of the classical stuff, as it was well priced and minty mint!

    Let me know what you think of that box set you got, when you give it a spin

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #727
    MartinT Guest

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    I will do, probably tonight. It was Brahms - A German Requiem conducted by Haitink.

    Meanwhile, the Santana The Third Album I spied cleaned up beautifully and sounds great, like another Abraxas.

  8. #728
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,505
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by jandl100 View Post
    Oooo - lots of Shosty - well done, Marco!
    Btw, I'm currently listening to this:

    Shostakovich - Symphony No13, with The Moscow Philharmonic Orchestra and Male Chorus, with Vitaly Gromadsky (Bass), conducted by Kiril Kondrashin, on Everest Records, from 1967.
    Apart from it sounding stunning, I also noticed this little snippet of information on the back of the album cover:

    The performance of the Shostakovich 13th symphony is the actual live performance recorded in Moscow on November 20, 1965, therefore please allow for audience noises. Since that time the Russian government has banned the performance and you will surely be captivated with the sincerity and poignancy of the music.
    It's a big YES to that last bit, but I'm also wondering if the former (in blue) is of any significance, in terms of rarity?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #729
    Join Date: Jan 2008

    Location: Ayrshire

    Posts: 1,359
    I'm OneOfTheSevenModsWhoToldMarcoNotToLiftHarry'sBan.

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    Shostakovich - Symphony No13, with The Moscow Philharmonic Orchestra and Male Chorus, with Vitaly Gromadsky (Bass), conducted by Kiril Kondrashin, on Everest Records, from 1967.



    ATB

    David

  10. #730
    MartinT Guest

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    I'm fairly sure they (the Russian government) have relented now but I'll check. Certainly Stalin, whom Shostakovich greatly feared, had died by the time of the 10th performance, but he didn't write all the symphonies in order. The controversy with this is that the Babi Yar poem suggests that only jews suffered whereas of course there was suffering across all ethnic groups. I believe that Shotakovich changed some of the wording to make it more acceptable to the powers that be.

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