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Thread: Gromit's music centre...

  1. #241
    Join Date: Jan 2008

    Location: Mid Lincs

    Posts: 1,445
    I'm Buffet-blower.

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    Quote Originally Posted by Ali Tait View Post
    Hi Richard,
    Looking at the earlier pic of the WAD amp,it's sound could be vastly improved with some NOS valves.Those Edicron 5u4's in particular are pants IMHO.
    Hi AT - I've been having a play with some ECF80's which were very kindly loaned me be someone on the 'Wam. I had a pair of Telefunkens in my old KEL84 which worked very well - the same can be said here, and more interestingly there's a pair of old Brimars which are also excellent. A very noticable improvement on the std Edicrons and the CVC's I've got lying around.

    The problem though I feel is that the KaT doesn't really like the Royds - they really need a good dose of solid state power to wake them up, and sound somewhat sluggish and diffuse when the KaT's asked to deliver at higher volumes. That's not the amp's fault of course (my friend uses this 34 to drive ESL63's into which it sounds truly wonderful) but more a speaker-amp mismatch. I'm looking forward to trying Mike's 88VA soon so we'll see how that goes. If that floats my boat I'm going to have a go at building my own one.
    Richard.

    Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
    Megabits: Bluesound Node 2i/TEAC UD-H01 dac
    Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
    Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi

  2. #242
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

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    Interesting,are the Royds a particularly difficult load?

  3. #243
    Join Date: Jan 2008

    Location: Mid Lincs

    Posts: 1,445
    I'm Buffet-blower.

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    Quote Originally Posted by Ali Tait View Post
    Interesting,are the Royds a particularly difficult load?
    I'm pretty sure that they aren't, but they're only something like 86db/1w. When I had my Puresound A30 it also tended to display the same behaviour into them which is why I sold it on - had I been using more efficient speakers I'd have kept it as it sounded superb into my previous Audio Note AX2's, but being rear-ported they tended to react badly with the room.
    Richard.

    Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
    Megabits: Bluesound Node 2i/TEAC UD-H01 dac
    Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
    Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi

  4. #244
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,508
    I'm AudioAl'sArbiterForPISHANTO.

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    Richard,

    How did you cope with the SPU's very low output - are you using a matching transformer?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #245
    Join Date: Jan 2008

    Location: Mid Lincs

    Posts: 1,445
    I'm Buffet-blower.

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    Quote Originally Posted by Marco View Post
    Richard,

    How did you cope with the SPU's very low output - are you using a matching transformer?

    Marco.
    It seems fine - the Phono2's got loads of gain for it and is certainly quiet enough in terms of noise. It needs approx one more 'hour' on the volume control for the same level as the 103.
    Richard.

    Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
    Megabits: Bluesound Node 2i/TEAC UD-H01 dac
    Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
    Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi

  6. #246
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,508
    I'm AudioAl'sArbiterForPISHANTO.

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    That's good then because it is very low output. What about loading and impedance - can you adjust that on your Phono2? The SPU has a very low impedance rating.

    When you feel like experimenting again sometime you should try it with a dedicated SPU transformer (such as the SPU version of my A23 or those from Ortofon specifically designed to match the SPU) through the MM input on your Phono2. I guarantee you'll like the results, which will be very different to what you're hearing now

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #247
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

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    Do the amps have 4-ohm tappings? Might be worth trying the speakers on these,they may be happier.

  8. #248
    Join Date: Jan 2008

    Location: Mid Lincs

    Posts: 1,445
    I'm Buffet-blower.

    Default

    Quote Originally Posted by Marco View Post
    That's good then because it is very low output. What about loading and impedance - can you adjust that on your Phono2? The SPU has a very low impedance rating.

    When you feel like experimenting again sometime you should try it with a dedicated SPU transformer (such as the SPU version of my A23 or those from Ortofon specifically designed to match the SPU) through the MM input on your Phono2. I guarantee you'll like the results, which will be very different to what you're hearing now

    Marco.
    The Phono2 doesn't have an MM input as it's MC only. I tried several transformers when I had my old 103R (which had a dedicated/matched tranny) and the Dorian - they all sounded great but I could never get rid of the problem of hum. Tried absolutely every trick in the book but to no avail. Ended up getting pissed off with it all and went to the Phono2 which sounds just as good, if not better, than all of them.
    Richard.

    Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
    Megabits: Bluesound Node 2i/TEAC UD-H01 dac
    Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
    Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi

  9. #249
    Join Date: Jan 2008

    Location: Mid Lincs

    Posts: 1,445
    I'm Buffet-blower.

    Default

    Quote Originally Posted by Ali Tait View Post
    Do the amps have 4-ohm tappings? Might be worth trying the speakers on these,they may be happier.
    Just one set of speaker terminals unfortunately (presumably 8 ohm).
    Richard.

    Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
    Megabits: Bluesound Node 2i/TEAC UD-H01 dac
    Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
    Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi

  10. #250
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,508
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Interesting. Hum can be a problem with transformers - I have that very challenge myself at the moment since fitting the Jelco arm, as the interconnects Dave supplies, whilst sounding excellent, do seem to be hum magnets, but that'll be fixed when I visit him shortly. Hum wasn't a problem before when I had the Techy arm and the same cartridge and transformer.

    Correct positioning, and eliminating earth loops seems to be the key with transformers. Get that right and generally there's no problem.

    I've not heard the Phono2 so can't comment but I've tried loads of other active MC phono stages, some pretty expensive ones, with the 103 and none of them come close to emulating the performance I get with the A23 through the Croft's valve MM stage. Perhaps results are different through a valve phono stage? Since you're thinking about building a valve amp, why not build one with an all-valve MM phono stage and revisit the transformer thing to see what happens?

    I'd be curious to know your thoughts and would willingly lend you my A23 for trial purposes

    There's so much to learn with this hi-fi malarkey!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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