+ Reply to Thread
Page 61 of 72 FirstFirst ... 1151596061626371 ... LastLast
Results 601 to 610 of 715

Thread: Could this be a 'giant-killing' tonearm cable?

  1. #601
    MartinT Guest

    Default

    Quote Originally Posted by MikeMusic View Post
    I even asked for a flying earth lead, currently doing nothing !
    Try earthing it

  2. #602
    Join Date: Apr 2011

    Location: Surrey

    Posts: 4,157
    I'm Mike.

    Default

    Quote Originally Posted by MartinT View Post
    Try earthing it
    I will !
    Stranger things have happened
    TAD CD / DAC / Pre, Technics 1210, MCRU PSU, Mike New Bearing & Platter, Stillpoints LP1 weight, Speedy Steve Ebony armboard, Fidelity Research FR64FX arm, Ortofon SPU. Aurorasound VIDA Phono Pre Amp, TAD Power Amp, TAD E1 speakers. Coherent RTZ 3 Grounding box, Coherent grounding cables, Creaktiv racks. Coherent Mains Cables. SR Blue Fuse. Interconnects : Coherent and Yannis 223.5 Connect Litz. Coherent speaker cable. Audio Magic Transcendence Conditioner. Coherent mains socket. Mains Filters : , PS Audio Harvesters, Russ Andrews Purifiers, Tacima, Vertex. Black Ravioli and RDC supports. Electric Beach S1NX platforms for TAD CD and Technics. Ferrite chokes everywhere except the above. Ears, brain

    Mike

  3. #603
    MartinT Guest

    Default

    Quote Originally Posted by Marco View Post
    However, I do still prefer the G2000HDs between my preamp and power amp, and between my DAC and preamp. It's simply a synergy thing
    Meant to ask you, Marco: in what way does the 223.5 ConnectLitz not do the job in that position?

  4. #604
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,996
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Martin,

    At the moment, it appears that the G2000HDs (fitted with silver Eichmanns) suit those parts of my system better, as the 223.5 Connect-Litz, in comparison, sounds just a little more 'restrained', and tonally, warmer than I'd like.

    It could be a burn-in thing, though, so I haven't came to a final conclusion yet on the matter

    Mark's coming on Wedsnesday to hard-wire a heavy-duty 'Furukawa beast' (for my copper amp), same as yours, to the mains junction box, powering my system. It'll do away with a 13A fuse and plug, and thus will hopefully help the amp to draw more current, when the music demands!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #605
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,996
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Btw, Martin, did you see my post here: http://theartofsound.net/forum/showt...221#post358221



    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #606
    Join Date: Oct 2010

    Location: Dorset

    Posts: 45
    I'm Mike.

    Default

    Marco

    Sorry to be somewhat thick but how does getting rid of a plug,socket and fuse allow the amp to get more current? plus if your amp is demanding more than the 13amp the fuse will allow what is protecting your equipment?

    Sorry to be so thick

    Mike

  7. #607
    MartinT Guest

    Default

    Quote Originally Posted by Marco View Post
    At the moment, it appears that the G2000HDs (fitted with silver Eichmanns) suit those parts of my system better, as the 223.5 Connect-Litz, in comparison, sounds just a little more 'restrained', and tonally, warmer than I'd like.
    Ok, that's interesting. I now have the Yannis XLR ConnectLitz but I'm holding back as I've just got the SR7 up and running. I'll write about that in the appropriate place

  8. #608
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,996
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Mike,

    Sorry to be somewhat thick but how does getting rid of a plug,socket and fuse allow the amp to get more current?
    Fuses in plugs are known, in that respect, to act as a 'bottleneck', and I have heard the effect that this has on audio equipment. However, if you want a more technical explanation, you'll have to consult one of our resident experts in that field. The other factor is that the new mains cable being installed has a larger size conductor core (5.27mm) than the one it's replacing, so that should also improve matters.

    We, in the UK, are the only country in Europe to use fused mains plugs, yes undoubtedly for genuine safety reasons, with our type of electricity system, but IMHO, are somewhat OTT when you've ensured that there is sufficient protection (for your own personal circumstances) in place elsewhere. That, however, is not an invite for every Tom, Dick and harry to do the same!

    *WARNING* FUSE REMOVAL IN PLUGS IS DONE AT YOUR OWN RISK - your OWN safety must come first!!!

    plus if your amp is demanding more than the 13amp the fuse will allow what is protecting your equipment?
    All my equipment is fused internally, at the correct rating, as specified by the manufacturer. The only thing potentially at risk in my set-up, is if the mains cable itself was to become damaged or catch fire, which is what the plug fuse is protecting. In my circumstances, having my system in a dedicated listening room, no kids, and where no-one uses the system other than me, where everything is regularly checked, that's very unlikely to happen

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #609
    MartinT Guest

    Default

    Quote Originally Posted by theabbot View Post
    plus if your amp is demanding more than the 13amp the fuse will allow what is protecting your equipment?
    Hi Mike

    Your basic assumption is wrong. No amp is going to demand anything like 13A continuous. However, many big power amps can deliver some 60-100A peak on transients into the speakers, which translates into a serious peak current demand from your AC - for very short lengths of time. Anything that impedes that demand - thin or inductive cables, poor fuses - will limit the dynamic capability of the amplifier.

  10. #610
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,996
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Indeed

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

+ Reply to Thread
Page 61 of 72 FirstFirst ... 1151596061626371 ... LastLast

Tags for this Thread

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •