Thanks Dave . Are you selling tickets BTW .![]()
Thanks Dave . Are you selling tickets BTW .![]()
I might offer tickets if I see a bit more kit that I can't affordbut I'd feel a bit like a snake oil salesman selling something that ain't going to happen, no chance, you mark my words.
I'm happy to revisit this possibility after the event, if there's enough interest.
Cheers,
Dave.
DaveK.
My System:
Power: Belkin PF40, Custom.hifi.cables Hydra and DC PSUs.
Sources: Self built HTPC with Xonar ST sound card, NAD T585 multi disc player, Sony BDP-S350, Squeezebox Touch, Techncs SL1210 (mod'd) + Nagaoka MP30, Thomson Sky HD box.
Amps etc.: 2 x Mini-T amps, MF-X10D Valve buffer clone, StanDAC 7520/Caiman (mod'd).
Speakers: Mission 774s with added super tweeters
Cables: best I can afford and likely to change except Homar's RF attenuated co-ax's and Mark Grant USB and HDMI cables. I also like silver i/cs and speaker cable.
Good , my video camera is charging as we speakyou're probably correct though in your assumptions . This i/c looks like a real prospect to me and I await Marcos' findings with baited breath. I'll just go and put the video camera back into its' box mate and keep an eye on Ticketmaster .
DaveK.
My System:
Power: Belkin PF40, Custom.hifi.cables Hydra and DC PSUs.
Sources: Self built HTPC with Xonar ST sound card, NAD T585 multi disc player, Sony BDP-S350, Squeezebox Touch, Techncs SL1210 (mod'd) + Nagaoka MP30, Thomson Sky HD box.
Amps etc.: 2 x Mini-T amps, MF-X10D Valve buffer clone, StanDAC 7520/Caiman (mod'd).
Speakers: Mission 774s with added super tweeters
Cables: best I can afford and likely to change except Homar's RF attenuated co-ax's and Mark Grant USB and HDMI cables. I also like silver i/cs and speaker cable.
I use a magnifying glass myself mate .![]()
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Now Dave, we've been here before. Cable burn-in is pretty widely acknowledged around here. Have you really not heard the effect?
Yeh Dave do tell...
Kuzma Stabi/S 12", (LP12-bastard) DC motor and optical tacho psu, Benz LP, Paradise (phonostage). Imac m1, gustard A18dac, Bruno Putzeys balanced pre, neurochrome 486 dual mono amps, Yamaha NS1000m with raal ribbons
I have just received some 0.5m and 1m 223.5 Connect Litz stereo interconnects, from Yannis, fitted with silver Eichmanns (aluminium body versions), which I'm trying as a possible replacement for my MG G2000HDs, currently in the position between my SUT and phono stage; the idea being having a complete loom of cables from Yannis, from my tonearm to phono stage, in the quest for optimum sonic synergy.
First impressions are quite superb, with the 223.5s having the beautifully wide-open infectious musicality and filigree detailing of the awesome 423.5 Phono Litz tonearm cable, currently in use on my Ortofon RS-212D tonearm, on the Techy. This cable deftly unlocks the densest of mixes and also lays bare the dynamics and realism of the finest recordings, thus making for a sonically beguiling cable partnership that doesn't break the bank.
I suspect that these babies could be keepers! Further thoughts in due course, once the cables have fully burnt in
More details for the 223.5 Connect Litz cable can be found here: http://www.back-promo.co.uk/html/223_5connect-litz.html
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Huddersfield
Posts: 3,358
I'm David.
"First impressions are quite superb, with the 223.5s having the beautifully wide-open infectious musicality and filigree detailing of the awesome 423.5 Phono Litz tonearm cable, currently in use on my Ortofon RS-212D tonearm, on the Techy. This cable deftly unlocks the densest of mixes and also lays bare the dynamics and realism of the finest recordings, thus making for a sonically beguiling cable partnership that doesn't break the bank."
and you were not getting all that with the MG cable then?
aluminium bodied eichmanns, oh dear polymer bodied one's are much better
only messin wit ya chief![]()