+ Reply to Thread
Page 1 of 3 123 LastLast
Results 1 to 10 of 28

Thread: A New Hi-FI Hierarchy

  1. #1
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,608
    I'm Martin.

    Default A New Hi-FI Hierarchy

    Most of us will be familiar with the old rule of thumb for ranking the importance of the components of a system in order to obtain maximum sound quality for budget but if not I will reiterate it:

    1. The source (if a TT it goes turntable - arm - cartridge)
    2. The amplifier(s)
    3 The loudspeakers

    Now if it was ever true it is all abit simplistic and out of date. Here is my proposal for a new, more complete ranking:

    1. The recording (quality of recording, mixing and mastering and, in the case of vinyl, the pressing
    2. The efficacy of the room/loudspeaker interface
    3. The efficacy of the amplifier/loudspeaker interface
    4. The source
    5. Relative freedom from airborne and structure borne vibration (placement and supports/stands)
    6. Synergy or otherwise of the cabling used
    7. Quality of the mains feed, plugs and distribution boxes used.

    The idea is that this is a hierarchy that can be used to assemble a system of whatever budget (as was the original) in the most cost-effective fashion. For example a wonderfully competent turntable will not help if the system has nasty booms caused by bass peaks due to the loudspeakers just not working with the room so it is best to tackle each element in its correct order.

    Opinions, agreements, disagreements, changes? Whaddya got?
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  2. #2
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

    Default

    I'd say you're mostly right on BOTH sets of points listed there....

    With VINYL, the deck, then arm, then cartridge, then phono stage, makes a valid and provable point, BUT, the other points in the second list fit in there somewhere, since if the deck isn't sited properly it won't work properly and if the speakers sound horrid in the room to start with, you're screwed no matter what you do

    Certainly today, with digital being as good and as cheap as it is now (V-DAC and BM for example), then more can be spent on amp and speakers I feel.
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  3. #3
    Join Date: Jan 2012

    Location: Hukerenui, NZ

    Posts: 95
    I'm Mike.

    Default

    The source should still be at the top. It won't matter how good the recording is or how efficacious the speaker/room interface is if all you get is mediocre sound from a mediocre source, the rest, I would tend to agree, is flexible.

  4. #4
    Join Date: Aug 2010

    Location: Montseny National Park, Catalonia

    Posts: 3,254
    I'm John.

    Default

    I would agree with most of that Martin.

    Both medium/format and source will have different priorities depending on digital or analogue systems I would have thought Martin (?)
    Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.

    The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
    -Bertrand Russel

    John.

  5. #5
    Join Date: Dec 2009

    Location: York, UK.

    Posts: 238
    I'm Andrew.

    Default

    Quote Originally Posted by Mike A View Post
    The source should still be at the top. It won't matter how good the recording is or how efficacious the speaker/room interface is if all you get is mediocre sound from a mediocre source, the rest, I would tend to agree, is flexible.

    +1.

    Amp and speakers can't improve what they are supplied.

  6. #6
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,608
    I'm Martin.

    Default

    Quote Originally Posted by Mike A View Post
    The source should still be at the top. It won't matter how good the recording is or how efficacious the speaker/room interface is if all you get is mediocre sound from a mediocre source, the rest, I would tend to agree, is flexible.
    My thinking is that these days even a cheap digital source will be competent enough to do justice to the recording and modern budget turntables and cartridges are not far behind in that respect also.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  7. #7
    Join Date: May 2009

    Location: gone away

    Posts: 4,870
    I'm joe.

    Default

    Much depends upon the amount and quality of alcohol that has been ingested.

    But, seriously, though I don't think a numerical hierarchy is appropriate, quality of mastering/recording must surely be at the top.

  8. #8
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,608
    I'm Martin.

    Default

    Quote Originally Posted by Welder View Post

    Both medium/format and source will have different priorities depending on digital or analogue systems I would have thought Martin (?)
    You'll have to expand on that a little bit, John. Do you mean that a digital source should be in a different place to an analogue source? If so, where?
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  9. #9
    Join Date: Aug 2010

    Location: Montseny National Park, Catalonia

    Posts: 3,254
    I'm John.

    Default

    Quote Originally Posted by Joe View Post
    Much depends upon the amount and quality of alcohol that has been ingested.

    But, seriously, though I don't think a numerical hierarchy is appropriate, quality of mastering/recording must surely be at the top.
    While I agree, is the mastering and recording part of the replay process which is what I think Martin had concentrated on?
    After all, you cant do much about it.
    Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.

    The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
    -Bertrand Russel

    John.

  10. #10
    Join Date: Jan 2012

    Location: Hukerenui, NZ

    Posts: 95
    I'm Mike.

    Default

    Quote Originally Posted by Macca View Post
    My thinking is that these days even a cheap digital source will be competent enough to do justice to the recording and modern budget turntables and cartridges are not far behind in that respect also.
    Are you saying that we can forget the source because they are all competent ?

    I hope this isn't going to turn into an "All Digital Sources Sound The Same" thread.

    I agree that you don't have to spend a lot to get a good source today but competent doesn't automatically mean good.

+ Reply to Thread
Page 1 of 3 123 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •