Yeah I can vouch for de-oxiting everything, big difference there, especially with the gold stuff afterwards.
Location: fuck off
Posts: 2,030
I'm fuckoff.
Yeah I can vouch for de-oxiting everything, big difference there, especially with the gold stuff afterwards.
Location: Deleted
Posts: 6,566
I'm Deleted.
Some - and associated plugs (my scepticism stretches to those too).
Personally, just I use Crabtree (though I have also used MK which are just as good) unswitched sockets wired with heavy gauge cable to the fuse box (when I moved into my current house there was, (somewhat bizarrely) an electric shower fitted in the room in which my hi-fi now resides - so, rather conveniently, the cable was already in place).
In my previous house I had a similar mains layout and also had an earth arrangement like that described by Marco. I must admit, I am tempted to duplicate the earth in my current house (not instead of the house earth - as well as). The only issue is that my old listening room was on the ground floor and my current one is on the third floor.
Account Deleted
Location: West Lancashire
Posts: 620
I'm Lucky.
A bizarre room on the third floor of your house with a shower in it.......... It wasn't the.. um.. bathroom was it?
Notice anything else in there? A sink? A loo? Tiles an' stuff?
The Man with the suit and the pace. Knee deep in the dead.
Hear, hear!
An interesting thing is that every time Barry visits me (as he's just done recently), he comments that my system sounds the best that he's ever heard it, and given that the bulk of my system components have remained the same since I first met him (some years ago), what he's largely hearing, completely without prompting or bias, is the results of my mains and cable tweakery and/or tube-rolling, in the interim between his various visits!
Now if that isn't proof that I'm making genuine progress, in terms of increasing my system's performance, with these things that supposedly don't work, or the effects of which are 'imagined', then I don't know what is
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Deleted
Posts: 6,566
I'm Deleted.
Location: Deleted
Posts: 6,566
I'm Deleted.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Haha, lol. He is indeed, but you obviously don't know Barry
Like me, he doesn't flatter or bullshit, simply to court favour. He's a 'tell is as he hears it', good or bad, sort of chap, not a sycophant. If he didn't genuinely think that there was any improvement since he last heard my system, trust me, he wouldn't have said anything!
Anyway, he'll no doubt speak for himself when he reads this.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I've said it before, but it bears repeating I think, be careful about installing another earth. Under certain conditions if the earth is of lower impedance than that at your local supply point, it could pass huge amounts of current if there was a fault on the cable supplying your street, possibly many thousands of amps.
Location: preston
Posts: 76
I'm dennis.
Aural memory is rubbish . your brain can talk to itself in words but it can not reproduce remembered sounds .
there is no way a person listening to a hi-fi, at lets say once a month ,for a couple of hours could make any meaningful comment upon such small changes from month to month and its a nonsense to say they could . they may think it sounds better such comments would be essentially bollocks .![]()
Last edited by Daniel Quinn; 26-07-2012 at 19:33. Reason: as always spelling