Yep - I didn't like the look of them at all, either from the multiple connection aspect or the strain on your component sockets from the lever created by them sticking out that far.
Yep - I didn't like the look of them at all, either from the multiple connection aspect or the strain on your component sockets from the lever created by them sticking out that far.
Location: Huddersfield
Posts: 3,358
I'm David.
The oriton thingy's were reviewed recently and got 5 stars if I remember correctly! Why add something in the signal chain that does not need to be there?
I have been doing some serious research on a new set of analogue interconnects that came about purely by accident from a chap who sent me some cables to burn in for him on my nordost cable burner, I could not resist listening to them afterwards and was shocked at how good they were, they had audionote RCA's fitted which are silver plated, I was so impressed I have asked him to make me a pair for myself with guess which connectors? Marco should know as I asked him this afternoon?
Like that means anything!The oriton thingy's were reviewed recently and got 5 stars if I remember correctly!
One star more, for the more ridiculous the product is!!
Yesh, shome shilver wubble-yoo bee-teesI was so impressed I have asked him to make me a pair for myself with guess which connectors? Marco should know as I asked him this afternoon?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Huddersfield
Posts: 3,358
I'm David.
Location: fuck off
Posts: 2,030
I'm fuckoff.
Martin, I know you've got the same xlrs as me in your system, are you tempted to upgrade them aswell?
I don't know if Neutrik are a good brand of xlr? I've never heard of them before.
Location: Huddersfield
Posts: 3,358
I'm David.
Neutrik plugs are pretty muchy industry standard and my experiences with balanced cables leads me to believe that they are much less prone to variation than single-ended cables. I'll not be fiddling with my TQ balanced cables.
Location: Devon
Posts: 1,903
I'm stu.
My ears must be shot as i can't hear any difference in cables let alone connectors.
301/Puresound 2A3/quite large Grf cab horny ones.Eminence/Coral/Le cleach
As Martin says, Neutrik are the industry standard in XLR connectors.
Just about everything recorded will most likely have been through a Neutrik connector on the microphone or instrument cables.
http://www.neutrik.com/en/
A blind test of two identical pairs of cables terminated with gold contact Neutrik XLR and Oyaide or Furutech XLR would be interesting to see if anyone hears much of a difference.
Hmm, I do have three pairs of TQ balanced XLRs![]()