Prices must have crept up in the last three years. I bid on a pair for a friend in 2008, and it went for about £150 then. Average prices were £125 to £200. At £500 you can get far better.
If you have the space you might as well put a bid on the Cerwin Vega AT-100. Not as practical as the AT80, but the absolute last word in sound induced suicide. I have seen them shatter a double glazed windows after being driven by a Yamaha PM-2400 power amp.
Website: http://www.homehifi.co.uk
Website: http://www.beresford.me
Website: http://www.homehifi.asia
Nothing like a pair of Westministers or NS1000M, but comparable to the E70, AR90, etc. with a lot more and deeper bass definition. I have always argued that the more common single driver subwoofer does not do true justice to lower bass frequencies. It's after listening to the AT-80 and AT-100 and heard bass in stereo that I came to that conclusion.
JMJ sounds frightening on these.
Website: http://www.homehifi.co.uk
Website: http://www.beresford.me
Website: http://www.homehifi.asia
Location: Tyneside uk
Posts: 1
I'm George.
Hi, I have a pair of E70 and they have been excellent. I now live in a house where I can't use them in the way they are accustomed. Does anyone know what they might be worth?
Regards
George
Hi George,
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Cheers!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: United Kingdom. East Sussex. Brighton.
Posts: 45
I'm Peter.
Wrapped up or not, exposure to an overdamp environment is a killer for speakers, the pole pieces get rusty and the coil rubs. I believe this is terminal for most drivers...
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
A friend has a set of E70's and they are anything but bass shy. A Rega Brio drives them and the mids are pretty natural sounding, the treble not to shrieky at all but they have plenty of detail (they can be rolled off anyway using the controls on the front panel) and yes, they do Bass VERY well. Clean, taught and deep. I wonder how many people have actually listened to these? They're an outright bargain at the going rate of around £125 a pair as they are one of the last true good Wharfdales (diamonds being the later exception) and are very nicely made.