+ Reply to Thread
Page 4 of 8 FirstFirst ... 23456 ... LastLast
Results 31 to 40 of 77

Thread: Valve amplifiers

  1. #31
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,034
    I'm inthescottishmafia.

    Default

    Quote Originally Posted by Ali Tait View Post
    My OB's are around that figure, and I find 15w/ch more than enough.
    Sorry, got this wrong. I use an active system with two stereo amps, so it's actually 30w. In my set up this gives more power than I'll ever need.

  2. #32
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,021
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Oh, I know, and in terms of tonality, too... Such high-efficiency speakers have a very definite sonic signature, particularly in the bass. It's a matter of whether you can live with that effect, as well as the benefits such high-efficiency brings.

    Personally, I couldn't. It's all a trade-off, dude!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #33
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,034
    I'm inthescottishmafia.

    Default

    Yes it's all about compromise. But going back to efficiency for a moment, with a 3db increase in efficiency of the speaker, you only need half the amp power to get the same volume ( I think!). In the comarison we have here, there is a 6db increase, so only a quarter of the power is required to have the same headroom available, and I think you have huge amounts of headroom available Marco, way more than most folk, hence my suggestion to the OP that a high quality low power SET would be a good match to his speakers.

  4. #34
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,021
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Sure, I haven't read the whole thread. What speakers has he got?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #35
    Join Date: Dec 2009

    Location: Germany, Bavaria, Heilsbronn

    Posts: 30
    I'm Marco.

    Default

    I am using Klipsch RF-7 on my primary setup (102dB), but I am also using Castle Howard S3 on a second setup, currently (Kingrex Class D blown) driven by a original Sonic Impact T-amp.
    The original T-Amp has 15Wx2 I think, and the S3 only 89db, and still that is enough (10 o'clock on poti) for the setup's small room (12sqm). 2x15W easily drives small room levels on 89db speakers from what I currently see.

    I plan to get better speakers in say three to five years, is it corrent to assume that speakers in the price range of 2000€-4000€ are also quite efficient ones (>94db)?

    PS: The original T-Amp is rated as 2x10W @ 8 Ohms
    Primary . . . . SBT > Beresford Bushmaster DAC > Alex Ederer 300B SE> Klipsch RF-7 (102db) / AKG K-701
    Secondary . SBT > Beresford Caiman > Trends Audio TA10.1 > Castle Howard S3 (89db)
    Tertiary . . . .Workstation PC SPDIF (Toslink) ASIO > Beresford TC-7510 MK III > Kingrex T20U+PSU > Klipsch RB-25 (94db)

  6. #36
    Join Date: Dec 2009

    Location: Germany, Bavaria, Heilsbronn

    Posts: 30
    I'm Marco.

    Default

    The ugly thing about amplifiers on high efficiency speakers in my opinion is that the volume dial is working within such a small range. Aren't there dials that are non-linear, and adjust 20% of the total output power withing the first 50% of the dial?
    Primary . . . . SBT > Beresford Bushmaster DAC > Alex Ederer 300B SE> Klipsch RF-7 (102db) / AKG K-701
    Secondary . SBT > Beresford Caiman > Trends Audio TA10.1 > Castle Howard S3 (89db)
    Tertiary . . . .Workstation PC SPDIF (Toslink) ASIO > Beresford TC-7510 MK III > Kingrex T20U+PSU > Klipsch RB-25 (94db)

  7. #37
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,021
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Marco,

    Welcome to AoS, btw

    Thing is, you're not the OP of this thread, Chris (Sarnies) is - which is why I was rather confused, as I indeed it appears Ali was!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #38
    Join Date: Aug 2010

    Location: Montseny National Park, Catalonia

    Posts: 3,254
    I'm John.

    Default

    Maybe this will help.

    Very roughly 2 x increase in power will give a 3dB increase in SPL at one metre away from your speakers.

    In fact, the above is virtually useless in real world applications.
    Firstly amplifiers clip, often long before they reach their maximum output.
    Next, this type of calculation is usually based on the nominal impedance of your speakers.

    The problem is no speakers I’ve come across are exactly the nominal impedance and further, their impedance changes with frequency. As the impedance drops, more power is required. This becomes particularly irksome at low frequencies where a 1dB per Hz frequency roll-off isn’t uncommon. Your speaker bumf may give your speakers response as say 50Hz to 20 kHz but unless a) it’s been measured, and b) a dB tolerance is also given, it doesn’t tell you the roll off.
    It’s not uncommon to find even properly quoted figures to be wrong, particularly with regard to the +/- dB range.
    A further complication is these types of figures tend to get quoted at the standard 1Watt at 1metre distance for 2.83 Volts across 8 ohms at a fixed listening point. Go listen at 4 metres away when the impedance has dropped to say 5 ohms and not be in the exact on axis position and it all changes.

    Now you add in the thorny problem of head room. This headroom needs to be within the non clipping capability of the amp. Conventional wisdom has it that 20dB to 25dB will cover the most enthusiastic transients.

    Some people like to listen at “live” concert levels; that’s around 120dB for say a loud rock concert. Between 80dB and 85dB listening isn’t uncommon. Now add 20dB headroom to this and factor in where your amp starts to clip. It doesn’t take long with average efficiency speakers to run into kilowatts of power once the above is taken into account!

    If you want to get it right you need measure the impedance of your speakers, preferably a plot of the impedance versus frequency.
    Then you need to find out when your amp clips.

    As a rough guide this may help but bear in mind this calculator works with nominal values.

    http://myhometheater.homestead.com/splcalculator.html

    You could of course do what many do and buy yourself an underpowered valve amp (they tend to clip nicely) and get used to listening to a bit of distortion when you crank the volume up.
    Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.

    The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
    -Bertrand Russel

    John.

  9. #39
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,609
    I'm Martin.

    Default

    Quote Originally Posted by Welder View Post
    Maybe this will help.

    Very roughly 10 x increase in power will give a 3dB increase in SPL at one metre away from your speakers.

    :
    I thought it was a doubling in power to give 3db increase in loudness, not 10 times the power?
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  10. #40
    Join Date: Aug 2010

    Location: Montseny National Park, Catalonia

    Posts: 3,254
    I'm John.

    Default

    Oooops, cheers Martin
    Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.

    The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
    -Bertrand Russel

    John.

+ Reply to Thread
Page 4 of 8 FirstFirst ... 23456 ... LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •