I prefer the voice-over version. It holds it together and gives it a futuristic Raymond Chandler feel.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
Exactly. Its a film noir sci-fi film and the voice over, narration works well.
@Martin
The dream sequence to me does not work, it looks tacked on; which it is and as such does not fit well with the original release. Once again though we have the issue of remodelling work after the original is ingrained in the public concious and while it can make something poor better I for one love the original release and think it works well as was.
I think we will have to agree to differ on this one.
Regards Neil
I couldn't get Iron Sky at Blockbuster. They have none for sale and only 3 rental copies which are all out. Bummer,![]()
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
Just seen Prometheus and am hugely disappointed. Agreed about the characters being undeveloped, The way that girl recovered from her Ceasarian was just laughable. Lots of holes in the story, just one that springs to mind was her reaction after finding out she had an alien inside her. David was aware of it so would become, effectively, an enemy.
No moody lighting just explosions and special effects. overall 4 out of 10.
Jerry
Hifi: IPL transmission line floorstanding speakers, Squeezebox Touch, Denafrips Ares 11 DAC, DCB1 Pre-amplifier, Croft Series 7 power amp.
Custom Hifi cables HA10SE headphone amplifier and Hifiman HE-400 headphones.
AV system: LG 55B7, Denon AVR -x2300w receiver, Quad 12L (front) 11c Centre and 11L rear . Velodyne DD15 subwoofer.
Location: Bacau, Romania
Posts: 1,215
I'm Bob.
2011 - Too Big to fail. A renactment of the high fliers in the Lehman collapse, and fallout that is still being felt today. Watched it twice over the weekend, and hasn't improved my opinion on the banking circus...
Some plausible interpretations on what went on (or may have) behind closed doors in the corridors of power, pulling few punches, apart from GWB being detached from the whole debacle. Brilliant acting and tension maintained to the precipitous end. Scary stuff, but wonderfully done and thoroughly recommended....
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.