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Thread: Could this be a 'giant-killing' tonearm cable?

  1. #271
    Join Date: Apr 2011

    Location: Surrey

    Posts: 4,157
    I'm Mike.

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    Quote Originally Posted by MartinT View Post
    While fiddling with Marco's deck and Ortofon SUT (step-up transformer) on Saturday, I happened to touch one of the silver transformer housings and got hum. We realised that the SUT was not being earthed from the interconnect screens but was independently earthed via its earth wire. Connecting that to my phono amp's earth terminal made a substantial improvement to dynamics and lowering of the noise floor.

    So tonight, while reconnecting my system, I earthed my Choir Audio SUT in the same way. I've just discovered an improvement in focus and a further lowering of noise floor!

    The lesson is: even if you have no hum, your earthing arrangements may not be optimal. I star earth my turntable, arm and now SUT separately to the phono amp's earth terminal, which then goes back to mains earth. You might all want to check your earthing arrangements
    That was one on the most surprising things I've ever heard in hifi. The improvement was like an upgrade of £100s.

    There were two significant sound improvements while my house was being refurbed, we were still living in part of it.
    I noticed a big improvement one evening - from the previous so a big difference.
    I found the sparky and asked what he had done. Both times earth improvements.

    Think there was a third where he changed one breaker for a larger more modern one.

    You wonder what more can be done for just a few quid
    TAD CD / DAC / Pre, Technics 1210, MCRU PSU, Mike New Bearing & Platter, Stillpoints LP1 weight, Speedy Steve Ebony armboard, Fidelity Research FR64FX arm, Ortofon SPU. Aurorasound VIDA Phono Pre Amp, TAD Power Amp, TAD E1 speakers. Coherent RTZ 3 Grounding box, Coherent grounding cables, Creaktiv racks. Coherent Mains Cables. SR Blue Fuse. Interconnects : Coherent and Yannis 223.5 Connect Litz. Coherent speaker cable. Audio Magic Transcendence Conditioner. Coherent mains socket. Mains Filters : , PS Audio Harvesters, Russ Andrews Purifiers, Tacima, Vertex. Black Ravioli and RDC supports. Electric Beach S1NX platforms for TAD CD and Technics. Ferrite chokes everywhere except the above. Ears, brain

    Mike

  2. #272
    Join Date: Jan 2009

    Location: Deleted

    Posts: 6,566
    I'm Deleted.

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    Quote Originally Posted by Barry View Post
    IAttention to earthing can make an enormous difference. Dare I say it, but it can make as much of a difference as changing cables.
    Actually, you are spot on - in fact, I would say the change can be very much like that of changing cables. I was listening to a new interconnect last night and I also tried a slightly different grounding configuration - the sound impact of both was very similar indeed.
    Account Deleted

  3. #273
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,996
    I'm AudioAl'sArbiterForPISHANTO.

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    I totally agree, as it's also been the results of my experience.

    Going back to the 423.5 Phono cable... This thing is getting better and better, the more it's being used, and pulling subtle details out of the mix, which I've never heard before, on albums I've owned for years, and which thought that I knew inside out...

    Talk about rediscovering your record collection!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #274
    MartinT Guest

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    I'll give it a week and then I'm ordering one!!

    By the way, what is Yannis' lead time?

  5. #275
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    Have either of you ever thought to try a Mark grant HD cable shoehorned into a cardas mini-din? I believe Mark has done it successfully, although I suspect it's a nightmare to bend
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  6. #276
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,794
    I'm Andrew.

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    Quote Originally Posted by MikeMusic View Post
    Did you compare the LP12 with the Technics directly ?
    Yes I used to have my 1210 sitting next door to my LP12 (which I still own), and to put it quite frankly the 1210 pissed all over the LP12, this is when the 1210 was a stock deck and the LP12 had about £3K of upgrades.
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE / MONO
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker





  7. #277
    Join Date: Jan 2009

    Location: Deleted

    Posts: 6,566
    I'm Deleted.

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    You must have bought the wrong upgrades then
    Account Deleted

  8. #278
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,794
    I'm Andrew.

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    Quote Originally Posted by YNWaN View Post
    You must have bought the wrong upgrades then
    Probably but that still dosent change my mind the LP12 is $hit and shall never grace my listening room again.
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE / MONO
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker





  9. #279
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,996
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by MartinT View Post
    I'll give it a week and then I'm ordering one!!

    By the way, what is Yannis' lead time?
    About a week, mate, and then about another, for it to arrive from Greece

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #280
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,996
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by REXTON View Post
    Probably but that still dosent change my mind the LP12 is $hit and shall never grace my listening room again.
    I'm not the biggest fan of the LP12, but it's definitely not shit. Have you heard one, Andy, with the Audioflat mods?

    Those raise the performance bar quite considerably.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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