Here is mine, a DCC recorder:
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Location: Luton, UK
Posts: 425
I'm Dave.
Here is mine, a DCC recorder:
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Location: Cheshire UK
Posts: 198
I'm Alex.
The Wega is a lovely looking machine, very rare, I've only seen one once since I started keeping an eye out for them about 3 or 4 years ago. They're really only a badged EL7 with a black fascia though. Not that that is a bad thing!
The thing that cassette has over reel to reel, are the benefits of developments like Metal and Chrome tape formulations, and biasing / eq to take advantage of this. Developments like Dolby HX-Pro also allow the medium to punch well above it's weight. Now if the market had allowed similar development of consumer reel to reel, or for Elcaset to take off, that would have been particularly excellent for us tape heads![]()
Location: Ramsbottom
Posts: 637
I'm Alan.
Back in the 80s I spent what to me was a lot of money on a Teac Tascam C3 cassette deck, being a 3 head machine it was sold to me because I could not tell between the record source and the recording I was listening to, it was built like a tank,I really loved using that machine, at the time I used Ampex professional tapes, with great results.
Unfortunately I had to sell it.
Years later I bought a Yamaha KX 530, which to be fair is a smashing machine and I haven't used it for about 5 years, however last week I plugged it in again and I'm going to do some more recording to cassette, then I will put a cassette player in my classic car, I have about 2500 7" singles from my motown/pop era, I'll enjoy taping some of those memories.
regards Al
My system,
Cartridges Lyra Delos, Audio Technica AT33EVmc, AT 24 mm
Turntable Thorens TD 124 Mk2, in a Jim Campbel plinth,Audio Technica 1503 Mk3 arm
CD player Technics SL-PG490
Cassette deck Yamaha KX 530
Moving Coil Amp Albarry MCA 11
Pre-amplifier Albarry AP 11 (battery powered)
Power amps Albarry M1108 Mono-blocs
Speakers Allison 3 Corner units, Allison 6 stand mounted cubes
Interconnects AVT Matrix 6 and OFC short ones
Mains distribution Music Works Recoil 6 gang and mains leads
Tables MusicWorks ReVo acrylic stand, Quadraspire Acrylic shelves (cryo'd legs) acrylic Response Mini under mains block.
Speaker cable Chord Rumour (Cryo'd)
RCM Okki Nokki
https://www.facebook.com/groups/1586...homepage_panel
Recording vinyl to cassette is like have a warm bubble bath with candles and the restA very enjoyable passtime
Enjoy!
Location: Yorks
Posts: 16,643
I'm Nobody.
Alex: I used to own a Tascam 122 & 234 cassette machine with higher speed..
Nick:
All that Metal & Chrome never bothered me, it bothered me when i had cassette decks but not open Reel. i buy the best tape for the R+R machine.
I have noise reduction units but never use them on the machine.
I like my DBX unit as the best NR outboard you can get, consumerwise at any rate (IMO), but it steals that smidgen of presence I love on raw reel transfers. At 7 1/2 ips or higher the noise floor on a good machine in a good reel is low enough to disappear anyway, NR isn't at all necessary...
I wouldn't mind hearing a DBX encoded LP though. Never found one that had any interesting stuff on it, or cost little enough to go for it, though!
Location: Cheshire UK
Posts: 198
I'm Alex.
And I suspect these did sound considerably worse than a good R2R. However the deck I've used at the show is nothing like those decks. The deck in the picture I would happily put against a good R2R at 15 ips (as 7.5 ips has very little chances). It is a cassette done right. 20Hz-30kHz bandwidth, about 65-67 dBA SNR with a good Type II or Metal tape (without NR, obviously - the deck hasn't got any).
Cheers
Alex
Alex, a friend of mine has one of your modified Technics decks and going by the high-res transfers I've heard off it is definitely right up there with the best decks. I am happy that my CR7 is up there too, but only after a service and alignment by B&W that cost nearly ⅔ the value of the deck!
Most people haven't heard cassette done well. For me the key thing is not so much to record, and play that recording back brilliantly, but to squeeze every ounce of fidelity from a pre-recorded tape from some other deck. In my experience, decks tend to record better than they can play back, which means you can retrieve shockingly good playback from old tapes recorded on moribund equipment, with the right playback machine.
People have given me tapes they have recorded themselves and been shocked at the quality of the straight transfers I've got off them; they have never heard them sound that good, and they often sound 'generations' better. That's why I find my tape obsession so rewarding!
Location: Omaha, NE, USA
Posts: 21
I'm Tony.
For now, basically a muffet, but who knows, when this currency thing takes up?