Ah!... I see Marco has edited his original post and made things a bit more complicated, several questions in there now!
Crafty bugger!![]()
Ah!... I see Marco has edited his original post and made things a bit more complicated, several questions in there now!
Crafty bugger!![]()
Shian7
--------------------------------------------------------
Kudakutemo
kudakutemo
ari mizu-no tsuki
Though it be be broken -
broken again - still it's there:
the moon on the water.
- Choshu.
Having read Marco's edited post, I would say that I like the music first and the hifi second. I can understand however why he might think there are those who obsess about the equipment more than is needed, but for my part I believe that it is possible to obtain / build stuff at a fraction of the cost of boutique gear without sacrificing quality.
They swim... the mark of Satan is upon them. They must hang.
FLAC / WDTV Live / Cambridge Audio / Tannoy VX12
Excellent replies so far, guys. I'll put forward some more thoughts later, and yes, John you're right!
In the meantime, I'd like people to give some serious thought to the second part of my opening post, which so far seems to be getting avoided...
I'd really like you to self-examine yourselves in this respect (and no, that doesn't mean fiddling with your balls)
Give it a go!How genuinely confident (and I stress the word) are you about your beliefs in hi-fi? Are you a staunchly objectivist testing and measurements boffin or an equally staunch subjectivist who trusts his or her ears implicitly - and most importantly given the thread title, do you become uncomfortable and defensive when someone of the opposite mindset robustly challenges your (often) ingrained beliefs and prejudices, or are you genuinely open-minded and always receptive to new ideas and willing to embrace change?
And here's the clincher... Would you be willing to admit that you may have made some mistakes in arriving at your current beliefs and so realise that they perhaps need some updating or reassessing?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
"And here's the clincher... Would you be willing to admit that you may have made some mistakes in arriving at your current beliefs and so realise that they perhaps need some updating or reassessing?
Yes! I used to think that the higher the cost of an item the better it would sound and therefore the more you would enjoy music! -
Utter, utter tosh!!! I have heard some quite expensive gear that sounds dire, and some "budget" gear that sound fantastic. Of course, there is some pricey kit that sounds good, but if you can get the same for the fraction of the price then it seems to me all that is left is willy waving ( though as in the case of flash cars, such behaviour would in fact suggest you don't have a willy worth waving...)
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They swim... the mark of Satan is upon them. They must hang.
FLAC / WDTV Live / Cambridge Audio / Tannoy VX12
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Shian7
--------------------------------------------------------
Kudakutemo
kudakutemo
ari mizu-no tsuki
Though it be be broken -
broken again - still it's there:
the moon on the water.
- Choshu.
Hi Steve,
I get what you're saying and agree, but you've missed the point slightly. Allow me to explain better. This:
is not your CURRENT belief. This is:I used to think that the higher the cost of an item the better it would sound and therefore the more you would enjoy music!
The question I asked was aimed at those who consider that their current beliefs may need updating or reassessing. You're quite happy with yours.have heard some quite expensive gear that sounds dire, and some "budget" gear that sound fantastic. Of course, there is some pricey kit that sounds good, but if you can get the same for the fraction of the price then it seems to me all that is left is willy waving ( though as in the case of flash cars, such behaviour would in fact suggest you don't have a willy worth waving...)
Do you appreciate the distinction?
Basically, who's honest enough to confess that deep down they think that their current way of thinking is perhaps wrong, or more accurately not entirely right, but are too proud or stubborn to admit it! Yes, the Marco-boy loves tackling the thorny issues most people would happily sweep under the carpet
But that's what this forum is partly about: trying to make people stop and think and re-examine their beliefs!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Dartmouth in beautiful Devon UK
Posts: 1,243
Guys
Does any of this really mater at all? Only if you are insecure, and then a therapist would be more use that an internet forum or Hi Fi Dealer?
I know people with bling systems who are, like, so happy, and why not? Leave them alone in their happiness. Rain and parade comes to mind.
Then there are DIY'ers, they are happy to, leave them to it?
Then the people here on this list, mostly happy and most listen to music.
There are unhappy people, who believe everything they read and hear, but I suspect they are not really into music at all. But hey, leave them alone too!
For those that do need help, then this list and a shed load of experts are here to help! (and thanks to Marco)
Before I was a dealer, my system stayed static for over 5 years at a time, only progress and a greater earning power made me change.
Cats and pigeons?
Dave