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Thread: How good can D.I.Y speakers really get? - Enter Mr Al Newall

  1. #51
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,832
    I'm Clive.

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    Quote Originally Posted by aquapiranha View Post
    Perhaps the filters are not doing the job properly? I would imagine that may be a possible cause, and as for the effect being greater on one side that may simply be down to to the fact that bass is considerably less directional than mid / treble energy and therefore it would "sound" like the problem is coming from both channels? all hypothetical of course.
    Pistonic movement sounds like motorboating, it's possible that any instability is very marginal and only happens with music applied. However it does seem that what I'll call the wideband units were receiving a bass signal they don't normally see. Am I correct in thinking the widebands have no crossover or at least no low freq filter? That should be best for sonics. Possibly bass that you were playing (loud, yes?) was showing up as wideband cone movement but the driver either cannot audibly produce bass at low freq or at only a very low level.

  2. #52
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,478
    I'm AudioAl'sArbiterForPISHANTO.

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    However it does seem that what I'll call the wideband units were receiving a bass signal they don't normally see...
    That would be my subjective assessment of the situation. Perhaps 'pistonic' was the wrong word to use to describe the type of movement that occurred.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #53
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

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    Your system is broken.

    Worry I tell you. Worry!!!
    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  4. #54
    Join Date: Feb 2008

    Location: Edinburgh

    Posts: 311

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    Any pics of these £200 speakers?

  5. #55
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

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    Earlier in the thread. The white ones.... I think!
    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  6. #56
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,478
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Steve,

    Like Mike says, they're the white ones posted earlier

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #57
    Join Date: Apr 2008

    Location: Chester

    Posts: 429

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    Clive.

    The wide band drivers have a capacitor to cut the bass response below 120Hz. They can sound a little congested in the bass region, when run without these.

    We witnessed the same effect when i took them to Ians(another gutsy push pull amp). So i don't think it's anything to worry about.

    I have a spare pair of these drivers in the shed, so i'll do some comparisons, and also check the caps again.

    I'll post further details of the speakers later, for anyone who is interested.

  8. #58
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,478
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Al,

    I see. I don't remember that happening there at all

    You didn't make any comment on it at the time either, as far as I can remember...

    Not to worry, but if it is simply the 'push-pull factor', your visit has inadvertently told me something quite significant about SET amps.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #59
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,832
    I'm Clive.

    Default

    Al, if it's not a problem for the way you listen then don't worry about it. Just enjoy!

    Marco, your needs seem different....Atlas uses two 12-inch widebands and no crossover, now we know why! I suspect that Al has a great speaker (possibly regardless of price) that fits his needs. Your needs probably require greater power handling.

  10. #60
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,832
    I'm Clive.

    Default

    Quote Originally Posted by Marco View Post
    Not to worry, but if it is simply the 'push-pull factor', your visit has inadvertently told me something quite significant about SET amps.
    I don't think it's PP vs SET it's more about power and loudness. Ok PP is generally more powerful than SET but that's all. Try some of the powerful SETs with a couple of thousand volts driving the power valve, you'll get the same effect.

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