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Thread: How good can D.I.Y speakers really get? - Enter Mr Al Newall

  1. #31
    Join Date: May 2008

    Location: Cricklewood

    Posts: 9,074
    I'm ILOB.

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    I love what open baffles do but must admit I am a bit scared by the DIY side and will it work in my room. I would want really good bass the kind that does kick drums well yet has no sense of overhang
    I now heard the Atlas just a great speaker and the Hawthrone Duet which I need to hear again under better condictions. On Saturday i am off to hear another Open Baffle system
    I cannot afford the Atlas and the Hawthorne I would need another amp as well and not really looking at adding another power amp into the system so seems to rule out that option. Maybe Saturday might prove more fruitfull
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  2. #32
    Join Date: Apr 2008

    Location: Chester

    Posts: 429

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    Open baffles don't get much more simple than mine. Just two or three bits of MDF, which you can get cut to size. The wiring and crossover is deliberately minimal. You can make some alterations to the shape to improve aesthetics, without seriously affecting the sound.





    The above photos are old and do not show the low pass filter on the bass driver.
    Last edited by alb; 16-01-2009 at 19:49.

  3. #33
    Join Date: May 2008

    Location: Bristol, UK

    Posts: 9,966
    I'm Nick.

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    They look really nice. Even from the back they look well thought out and the wiring is neat You might give people some ideas
    [SIZE="1"]Nick

    Follow AOS on Twitter: @AoS_Forum

  4. #34
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    They sound bloody good, too, Beechy! I'm not easily impressed

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #35
    Join Date: May 2008

    Location: Cricklewood

    Posts: 9,074
    I'm ILOB.

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    Wow nice speakers
    I am not worried about the woodwork but no experience of designing a crossover so its stuff like that really has stopped me so far
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  6. #36
    Join Date: Apr 2008

    Location: Chester

    Posts: 429

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    No need to design a crossover. No need to overcomplicate matters.

    Mine uses a low pass filter from Maplins on the bass driver. If Maplins no longer sell them, i've seen similar things on Ebay. Mine feeds the bass driver with frequencies up to around 120Hz.

    Then it's just one capacitor in line with the full range driver to keep out the bass. Again this should cut in at around 120Hz.
    Maybe a resistor as well to prevent the FR driver output overpowering the bass driver. The whole thing can be easily and cheaply tuned for personal preference or for different drivers..

  7. #37
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Al, how did you get on with that movement in the 'full range' driver cones - did it do the same thing back at yours?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #38
    Join Date: Apr 2008

    Location: Chester

    Posts: 429

    Default

    Dunno what it is, Marco. Everything seems ok. Doesn't do it here at the volume i play at.
    Might just be a reflection of the bass wave off the Spendors, which were right behind.

  9. #39
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

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    Anyone thinking about building these,just go ahead! It really doesn't get any easier than this and yes,they sound superb.As Al said,the good thing is you can easily tune them to your taste/room.The folding baffle is an excellent idea also.You can open them out for listening,and fold them away when not in use for better WAF.

  10. #40
    Join Date: Jan 2009

    Location: Italy

    Posts: 21

    Default Women love baffles, sometimes... more than horns!

    When I built the "PHY" style w/different wings size open baffle with piano-hinges, I lived happily for some weeks as I used some paperwall I had handy on front-panel which she loved... much more than my horns(speakers), actually.

    BTW: please use birch plywood, NOT MDF... IMHO it's a sound-killer... NOT a killer-sound
    Also worth considering as a top-quality baffle material, a Panzerholz 25 mm thickness... http://www.ltlewis.co.uk/b15.htm

    My apologies for (someway) playing the "I-know-all role"... please note the IMHO foreword
    Last edited by twogoodears; 22-01-2009 at 09:32.
    Stefano Bertoncello

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