You need to redirect through the sound card with the audio manager Marco.
This may help.
Need to look for your sound card as the preferred device.
http://www.ayre.com/usb-vista_setup.htm
You need to redirect through the sound card with the audio manager Marco.
This may help.
Need to look for your sound card as the preferred device.
http://www.ayre.com/usb-vista_setup.htm
Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.
The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
-Bertrand Russel
John.
Location: Bacau, Romania
Posts: 1,215
I'm Bob.
Yup, that's exactly what it was - sorted now... Hi-res files here we come!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.
The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
-Bertrand Russel
John.
Location: Bacau, Romania
Posts: 1,215
I'm Bob.
I have 4 or 5 hi-res albums on my TFS. (There are so few that tempt my musical tastes...!)
The hi-res i do have are a mixed bag.
I have a Louis and Ella one one, and via the TFS Armstrong's voice is the most impressively realistic sound that my system has ever produced. Better than my vinyl front end. But other 24/96 and 24/192 I have haven't sparkled as much sonically. I don't know why.
Ben
NVA TFS media PC > One4 (Wonfor) Class A power amp > Homemade 3-way speakers
DC blocker > Sovereign MTBPS balanced power supply.
TQ (Wonfor) UB cables.
NVA TFS media PC > One4 (Wonfor) Class A power amp > Homemade 3-way speakers
DC blocker > Sovereign MTBPS balanced power supply.
TQ (Wonfor) UB cables.
Hi Ben,
I don't have a Xonar icon on the bottom right... Won't the TFS simply adjust itself automatically to play hi-res files optimally?
If not, is what you're saying accessible from the TFS control panel?
I'm playing hi-res files now (Dick Hyman 'Thinking about Bix'), and it sounds great, but that's without having adjusted the bit depth.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
NVA TFS media PC > One4 (Wonfor) Class A power amp > Homemade 3-way speakers
DC blocker > Sovereign MTBPS balanced power supply.
TQ (Wonfor) UB cables.
The Ella and Louis tracks sound bloody marvellous on standard CD, especially with large decent speakers to reproduce the range. The old tape's noise floor is barely greater than 13 bit though I suspect, so if the hi-res file sounds better than the red book one, there may be another reason for all I know?
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?