Ok, thanks Jason.
Wow! sounds like you should be designing digital streamers and not me!
I'm not sure how to take all those questions, John. It's like asking a commercial enterprise to reveal all it's secrets publicly and give away all it's hard earned experience.
But anyway, let's take some of the easier questions and see where this leads...
First, from what perspective do you make that statement. Is it from a back-up and recovery perspective or from a optimal audio playback perspective?
If it's from an audio playback perspective, why do you think it matters? do you think that the storage device will be accessed by the OS and thus introduce some kind of jitter?
Ok, this one really interests me. Why do you think it matters? What benefit do you think it gives to the audio playback process?
By the way, what formal or informal level of understanding do you have in computer architecture. I ask so I can frame my responses appropriately.
Let's start with those 2 questions and see how we get on.
Jason™
Built by Hand, Tuned by Life
Cheers, Ben. Much appreciated!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Lets start with the easiest. I'm a complete amateur equipped with a few large hammers and a propensity for bodging.
I have however partially designed and built a few servers now and the subject seriously interests me.
Dealing with core optimisation first.
Sending audio data through a core isn't usually particularly demanding at 16/44.1 but as the bit depth and frequency increases there is more data to process. So, should you wish to include some DSP, or even a basic room correction application having just one core dealing with audio and the other or others dealing with system processes may be of some benefit.
Whether any benefits gained give an audible improvement is of course debatable but it may give one a bit of "headroom" for running multiple applications.
Having tried bashing Windows about in this regard I am curious as to whether you've managed to achieve this without infringing Windows copyright etc.
There are applications that can be used on top of Windows but the good ones tend to be rather expensive.
Regarding Data and OS on same drive. If anything is going to feck up its going to be the OS and that could easily mean losing all those tunes you've spent so long ripping assuming one cant rescue the system.
My names John btw![]()
Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.
The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
-Bertrand Russel
John.
Location: Halifax, West Yorkshire
Posts: 10
I'm Terry.
Cheers Terry
I certainly wouldn't want to be running Windows on a music sever.
Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.
The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
-Bertrand Russel
John.
Location: Somewhere
Posts: 1,863
I'm Paul.
John.
Core optimisation ? Well as I understand it it's the other way round. This is a software issue. Basicaly programmes have to be written in a certain way to utilise multicore processors. Earlier programmes for instance will not benefit as they will use a single core. Try thinking from that angle.
Paul.
Hi Paul.
Yes, it is a software issue. There is a lot of software out there that is built to take advantage of multiple cores.
Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.
The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
-Bertrand Russel
John.