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Thread: NVA 'TFS': 'The Future Statement' lands at Marco Towers...

  1. #71
    Join Date: Jan 2011

    Location: London

    Posts: 73
    I'm Mervyn.

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    FWIW I own the TFS prototype ( 'Nexus') that I bought from Jason. The TFS is the production version with several upgrades the main one being the dual NVA linear power supplies. One powers the motherboard and the second the Asus dac/soundcard. I believe Jason also tweaked the Asus with different opamps.
    It is my first server and allowed me to happily ditch my cd player which it beat by a considerable margin. For me cd is a dead medium not that I ever accepted it fully anyway much preferring vinyl. I now use a stand alone dac but having said that the Asus gels well as a complete music server/dac. Jason is a very helpful guy especially if you are not techy and are intrepid about getting into computer audio. It is the most analogue computer audio system I have heard and deserves a lot more recognition and sales.

  2. #72
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

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    Perhaps a cheaper version with just a digital out could be produced?

  3. #73
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,521
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Mervyn.

    FWIW I own the TFS prototype ( 'Nexus') that I bought from Jason. The TFS is the production version with several upgrades the main one being the dual NVA linear power supplies. One powers the motherboard and the second the Asus dac/soundcard. I believe Jason also tweaked the Asus with different opamps.
    It is my first server and allowed me to happily ditch my cd player which it beat by a considerable margin. For me cd is a dead medium not that I ever accepted it fully anyway much preferring vinyl. I now use a stand alone dac but having said that the Asus gels well as a complete music server/dac. Jason is a very helpful guy especially if you are not techy and are intrepid about getting into computer audio. It is the most analogue computer audio system I have heard and deserves a lot more recognition and sales.
    Well said, especially the last bit!

    It is *precisely* the "analogue" nature (and that's analogue when done well, not when euphonically coloured and just 'wrong'), of its music reproduction that is so different from any other file-based system I've heard, where it often exhibits an overly explicit 'in yer face', tonally thin sound, that gets on your nerves after about 10 minutes.

    The TFS is nothing like that; it's like listening to mint condition audiophile pressings of 180g vinyl, played on a top-notch T/T, only with no surface noise whatsoever - awesome stuff! There is simply no hint of any digital artifice.

    This is the only music streamer I've heard which has got the fundamental building blocks of the music right - and the huge linear PSUs employed, no doubt are playing a big part in that.

    Quite simply, this is digital audio for those who love vinyl at its absolute best. As such, vinyl diehards and/or computer audio sceptics, willing to lose their ingrained prejudices would do well to hear just what the TFS is capable of, in conjunction with a top-notch DAC and/or stock DAC playing hi-res files.

    The comparison with my Techy, incidentally, has been very interesting. I'll go into that in more detail later

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #74
    Join Date: Aug 2010

    Location: Montseny National Park, Catalonia

    Posts: 3,254
    I'm John.

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    I do wish people would stop saying things like "It is the most analogue computer audio system I have heard".

    If a digital system sounds like analogue replay then its broken. The only differences you should be hearing that would suggest analogue replay on a decent system are things like needle tracking error/noise, bearing rumble, tape hiss etc.

    While such stupid analogies keep getting bandied about digital replay is going to get represented as the second best and it just isn't true.

    How about saying my record player almost sounds as good as the best digital.
    Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.

    The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
    -Bertrand Russel

    John.

  5. #75
    Join Date: Sep 2010

    Location: High Peak, Derbyshire

    Posts: 2,241
    I'm Keith.

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    I've just looked at the price on NVA's ebay listing.

    I was quite surprised - I had it in my head that it was way more expensive. £1800 doesn't really seem that bad for this considering that it's a commercial product. It's maybe not the way I'd go if I was fortunate enough to be able to spend that sort of money on a digital front-end, but for those who aren't computer-savvy, or simply don't want the hassle, I feel it's a very good solution - especially as the sound quality is reputed to be top-notch.

    Oh, and I think it looks great too
    Keith
    Analogue: Lenco L75 with 'PTP5' top plate in heavy birch ply plinth/re-wired Rega RB300/SAE 1000e HOMC Cartridge/Trans-Fi Reso-Mat/Moth RCM
    Files: Voyage MPD/Custom PC/Supra USB/Beresford ASYNCH-1/Beresford TOSlink cable
    CDP: Inca Katana SE
    DAC: Beresford Caiman MkII (LiPo Battery powered)
    Pre-Amp: Croft Micro 25 Power-Amp: Croft Series 7
    Speakers: DIY Frugel-Horn Mk3 ('FH3') + REL Strata subwoofer
    Headphones: Beyer Dynamics DT990 Pro (250 ohm)/Schiit Asgard Headphone Amp
    Cables - Interconnects: Mark Grant G1000HD Speaker Cables: Van Damme Blue
    Mains: Belkin PF30/Mark Grant DSP2.5 & DSP1.0 Rack: Target

    Office System: HP Win8 Laptop/JRiver/MF V-Link2/Beresford Bushmaster MkII/Topping TP20 Mk2/Mission 771e
    Bedroom System: Raspberry Pi/Raspbrian + MPD/HiFiBerry DAC/Topping TP20 Mk2/Mission 760i or DIY Hybrid Valve-MOSFET Headphone amp + Sennheiser HD595


    Gallery

  6. #76
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

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    Quote Originally Posted by Welder View Post
    I do wish people would stop saying things like "It is the most analogue computer audio system I have heard".

    If a digital system sounds like analogue replay then its broken. The only differences you should be hearing that would suggest analogue replay on a decent system are things like needle tracking error/noise, bearing rumble, tape hiss etc.

    While such stupid analogies keep getting bandied about digital replay is going to get represented as the second best and it just isn't true.

    How about saying my record player almost sounds as good as the best digital.
    But the problem is IMHO that vinyl can still produce the best sounds. Certainly all the "oh my god" moments we've had at our Owston get-togethers have all been from vinyl systems. OK, perhaps I just haven't heard a good enough file system yet, but there are quite a few folk bringing file based systems to the Owston do's. I think it's still got a ways to go. It is getting there though. IMHO.

  7. #77
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,521
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Welder View Post
    I do wish people would stop saying things like "It is the most analogue computer audio system I have heard".

    If a digital system sounds like analogue replay then its broken.
    Sorry, John. We've been here before, and I strongly disagree. Jason heard my Techy, in comparison with the TFS/Sony DAC, and knows *exactly* where I'm coming from when I say that.

    Trust me, you would too, if you heard it!!

    Marco.

    P.S Exactly, Ali!
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #78
    Join Date: May 2008

    Location: Cricklewood

    Posts: 9,074
    I'm ILOB.

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    I like both approaches Computer audio has really moved on so much in the last few years and opens a lot of different possibilties to hear music and for me that is the key I have more access to music
    Marco i think it is brillant you got into the whole computer audio side
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  9. #79
    Join Date: Aug 2010

    Location: Montseny National Park, Catalonia

    Posts: 3,254
    I'm John.

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    I'm beating a dead horse here

    I don't disagree that a top quality vinyl system still probably leads the field in audiophile sound reproduction and I am quite willing to accept that for many, analogue produces the more pleasing sound. I believe I've said this on numerous occasions.
    But, it is a matter of preference and has nothing to do with transparency, accuracy, or any of the other meaningless audiophile terms that get bandied about.

    There is no digital sound. Ones and zero's don't have a sound. It's data!
    Fine if people prefer one over another but these witless comparisons just demonstrate ignorance of the digital replay process.
    It will eventually grind to halt thankfully as more and more analogue enthusiasts actually sit down and listen to a decent quality digital system without dragging along all their preconceptions.
    Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.

    The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
    -Bertrand Russel

    John.

  10. #80
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,832
    I'm Clive.

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    Let's face it, records decks are not going to get much better than the very best achieve today. They've been developed for several decades, there will be refinements but the technology is pretty stable and capable of producing lifelike sound. File-based audio is only just past it's early development stages and is at a point now where it bears comparison to highly developed record decks. These points make it reasonable IMO to use analogue as a benchmark. And yes, tape can be even better!
    TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
    TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
    Digital Lindemann Bridge + Gustard R26 with LB external clock
    Pre and Power Amp EWA M40P + M40A
    Bass Amp & DSP Behringer iNuke NU3000DSP x 2
    Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
    Speakers 2 MarkaudioSota Viotti Tower

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